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6,8/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueA contemporary story of 3 friends discovering a new world set against the larger than life New York City. But one day the world around them changed.A contemporary story of 3 friends discovering a new world set against the larger than life New York City. But one day the world around them changed.A contemporary story of 3 friends discovering a new world set against the larger than life New York City. But one day the world around them changed.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 15 nominations au total
Irrfan Khan
- Roshan
- (as Irrfan)
Nawazuddin Siddiqui
- Zilgai
- (as Nawazuddin)
Rizwan A. Alvi
- Yasir
- (as Rizwan Alvi)
Brian Dawson
- Daylan
- (as Biren Patel)
Avis à la une
This film had a good message and was well directed. The entire cast gave great performances--even Katrina, who is known for her poor performances. While I don't condone the actions of either terrorists or the U.S. government, I do agree that we have to grow up and stop playing the blame-game or behaving like schoolchildren in a playground fight--violence in return for violence--each attack more vicious and stronger than the one before. Who knows who is responsible--jihadis-->Guantanamo Bay-->Osama-->Cold War-->?? We need to stop spreading hatred, understand other cultures, and become better diplomats for a hopeful, albeit slow, recovery to humanity and justice.
Kabir Khan's 'New York' is nothing but a masterpiece.'New York' has truly delighted me.I don't know why i'm even giving this comment.This movie cannot be described by mere words.People always criticize Bollywood movies because of the lack in realism in them, but 'New York' is so realistic that everything in the movie feels like 'real'.The acting of every actor in the movie is commendable.Songs are used only when they are required.Everything about the movie was just perfect.I have always liked John Abraham, Neil Nitin Mukesh and Irrfan Khan but I had a feeling that Katrina might spoil the movie, but her performance left me speechless.After a series of dull and boring movies in 2009, New York came and changed everything.I must say that this is the movie we were waiting for.
Despite having heard lots of depressing opinions on this movie I decided to watch it & I am really happy that I did. Although, yeah, most of the points were predictable, I'd give it a better than average vote for depiction of the agony, loss of confidence & retaliation that develops due to gross mistreatment. This part was well done. I liked the balanced & nervous character that Neil portrayed. I wasn't fully convinced with the rationalization that Roshan (Irfan Ali) made; that part should be given more work. If Karan is to come with his version of 'New York', he'd have to keep this rationalizing part real impacting.
Most people commented about the movie not being aptly emotional. I disagree. I'd like the way how the team worked to make it what I call "Not Sappy".
I'm really happy that the Indian Film Industry is making these bullshit free movies. Thanks for this.
Most people commented about the movie not being aptly emotional. I disagree. I'd like the way how the team worked to make it what I call "Not Sappy".
I'm really happy that the Indian Film Industry is making these bullshit free movies. Thanks for this.
New York had the effect that a movie like Taare Zameen Par had: not expected much, yet looking forward to it, because it's the first worthy movie that has come out after the much-agonizing 2 month movie ban. The cast was top class: Niel Nitin Mukesh of Johnny Gaddar fame, Katrina Kaif of the Singh is Kinng fame, and John Abraham of the Dhoom fame. Not to forget the return of Slumdog Millionaire's Irrfan Khan, again as a police officer, no, wait, the FBI.
Three friends, ready to face the world... and then the world changed. This is the tagline. It was New York that had changed in the movie. The world was nowhere in sight. The script was good, light and humorous. Katrina's performance was amazing, considering that she doesn't know how to act. John was Good, and for a change so was Niel. Irrfan had that humorous touch in his voice that many love.
The direction is smooth, but too much slow motion at times. The cinematography is mind-blowing. Everything is beautifully captured. Editing is also smooth. The soundtrack is good, specially the Hai Junoon track. Thank god there are no dance sequences. They would have totally spoiled it up.
New York is one of those movies that tried very hard to strike a message, but fails. Don't get me wrong: the movie is not bad. It's another good film under the Yash Raj Banner, and it almost fully satisfies the movie-hungry person who has been hungry for 2 months, but, like Rang De Basanti, it's not able to strike a chord as a movie of it's genre should. What they've shown is fact, no doubt, but doesn't feel true. Maybe that's why. There was something lacking in the script, I'm sure, though it's really not spot-able!! I gave it a 7/10, because it didn't work that good for me. But I'm sure many will give it an 8, 9 or even 10. I'm hoping it's average to linger in the 7 point somethings. Not below that. Happy viewing.
Three friends, ready to face the world... and then the world changed. This is the tagline. It was New York that had changed in the movie. The world was nowhere in sight. The script was good, light and humorous. Katrina's performance was amazing, considering that she doesn't know how to act. John was Good, and for a change so was Niel. Irrfan had that humorous touch in his voice that many love.
The direction is smooth, but too much slow motion at times. The cinematography is mind-blowing. Everything is beautifully captured. Editing is also smooth. The soundtrack is good, specially the Hai Junoon track. Thank god there are no dance sequences. They would have totally spoiled it up.
New York is one of those movies that tried very hard to strike a message, but fails. Don't get me wrong: the movie is not bad. It's another good film under the Yash Raj Banner, and it almost fully satisfies the movie-hungry person who has been hungry for 2 months, but, like Rang De Basanti, it's not able to strike a chord as a movie of it's genre should. What they've shown is fact, no doubt, but doesn't feel true. Maybe that's why. There was something lacking in the script, I'm sure, though it's really not spot-able!! I gave it a 7/10, because it didn't work that good for me. But I'm sure many will give it an 8, 9 or even 10. I'm hoping it's average to linger in the 7 point somethings. Not below that. Happy viewing.
Post Kabul Express my hopes were riding on Kabir Khan on his take of 9/11 in "New York". For Indian audience I guess "New York" just provides a tip of the ice-berg of what 9/11 brought the change in the International level. On international level, the issue is further deep- rooted which Kabir Khan failed to touch base upon thereby giving a "rookie" feel to the entire proceedings. It appears as if Kabir Khan was confused if the subject he wanted to address was 9/11 or a triangular college romance.
"One-event changes entire life", c'mon - its so 1970's Bollywood "badla" tried-tested-sour theme. Natural progression and inching towards the other side of the line would have been much convincing.
Niel Mukesh:: Gave his best performance. Looked convincing as a student. The silent love-track wasn't warranted, or perhaps its YRF influence (read that "force-fit"). I was laughing aloud when he walks out heart- broken when the 9/11 is shown on telly (as my friend quipped, perhaps his very own twin towers were grazed!).
John Abraham:: As mentioned earlier, the character is not developed properly. And his personality looks way ahead of a student. Had immense scope to exhibit his talent - however a mediocre performance fails to rise above the expectations.
Katrina:: The silent-spectator character whose only purpose seems to be an eye-candy on the screen and maybe when revelation that she knows it all. Otherwise an unwanted character in the plot.
Irfan Khan:: Again, his character and lines are Bollywoodish ie. half- baked.
And for those who have an appetite for a surreal story dealing with similar subject - give "The Hamburg Cell" and "Britz" a go and it will come to realise what depth actually means.
"One-event changes entire life", c'mon - its so 1970's Bollywood "badla" tried-tested-sour theme. Natural progression and inching towards the other side of the line would have been much convincing.
Niel Mukesh:: Gave his best performance. Looked convincing as a student. The silent love-track wasn't warranted, or perhaps its YRF influence (read that "force-fit"). I was laughing aloud when he walks out heart- broken when the 9/11 is shown on telly (as my friend quipped, perhaps his very own twin towers were grazed!).
John Abraham:: As mentioned earlier, the character is not developed properly. And his personality looks way ahead of a student. Had immense scope to exhibit his talent - however a mediocre performance fails to rise above the expectations.
Katrina:: The silent-spectator character whose only purpose seems to be an eye-candy on the screen and maybe when revelation that she knows it all. Otherwise an unwanted character in the plot.
Irfan Khan:: Again, his character and lines are Bollywoodish ie. half- baked.
And for those who have an appetite for a surreal story dealing with similar subject - give "The Hamburg Cell" and "Britz" a go and it will come to realise what depth actually means.
Le saviez-vous
- AnecdotesIn January, 2009 one of the film's crew members invited John Abraham, Katrina Kaif, Kabir Khan and other crew members to his birthday party at a local nightclub in New York. While the crew members, who arrived in one car, were allowed into the nightclub, the actors, who had arrived in another car, were denied access by security who did not recognize them and who demanded identification. Neither they nor some crew members (who came from inside to help out) were able to convince security that they were important stars in India. By the time Abraham, Kaif, Khan, and Mukesh had returned with identification, the party had ended.
- GaffesWhen Sam is playing chess at the University with the Asian guy, the board is shown from the top; there is one chess cube free between the two kings. In the next scene the kings are shown next to each other. That is not possible because both of them would be in check. Plus, Sam is making checkmate by taking the white king with the black king. That is against the rules of chess.
- Versions alternativesThe UK release was cut, the distributor chose to cut sight of blood spurting in slow motion as a man and a woman are gunned down, in order to obtain a 12A classification. An uncut 15 classification was available.
- ConnexionsFeatured in 55th Idea Filmfare Awards (2010)
- Bandes originalesHai Junoon
Written by Sandeep Shrivastava
Composed by Pritam Chakraborty
Performed by Krishnakumar Kunnath
Courtesy of Yash Raj Music
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- How long is New York?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 997 437 $US
- Week-end de sortie aux États-Unis et au Canada
- 467 694 $US
- 28 juin 2009
- Montant brut mondial
- 1 935 820 $US
- Durée
- 2h 33min(153 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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