Ajouter une intrigue dans votre langueThe advertising director of a pharmaceutical company seeks to boost the ratings of their sponsored TV program by capturing the legendary monster King Kong just as Godzilla re-emerges.The advertising director of a pharmaceutical company seeks to boost the ratings of their sponsored TV program by capturing the legendary monster King Kong just as Godzilla re-emerges.The advertising director of a pharmaceutical company seeks to boost the ratings of their sponsored TV program by capturing the legendary monster King Kong just as Godzilla re-emerges.
- Réalisation
- Scénario
- Casting principal
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For all the hype, it's fascinating to see the makers pull this off back in 1962. The human characters especially the the pharmaceutical company head was cartoonish and over the top. It is when the monsters are introduced that film gets interesting and the gigantic octopus scene with Kong stood out. King Kong capturing a girl is again repeated here for a brief period, before setting him on the path of Godzilla. However the electricity powering Kong was not something I could get onboard with and it happens twice. Barring that, the film is all about the wrestling match and the humans picking their sides without betting. All in all, it delivers on the fun and is a decent watch.
The film deliberately sets out to satirize the corporate nature of Japanese TV industry and the ridiculous lengths they'd go to get good ratings. In this case, bring over an gigantic ape as a publicity stunt, which is accentuated by the character of Tako who goes out of his way to "sponsor" Kong. Even when the two monsters are brawling, Tako views it as an opportunity to make a profit as characters argue over who can beat who. They ask, "Who is stronger, King Kong or Godzilla", only to be refuted "This isn't a wrestling match!" Except it is. Indeed for anyone who has only seen the American version of the film, it will probably be a surprise just how self aware and humorous the original version is. It's a blend of monster movie and comedy, through which Honda and Sekizawa have crafted a story that is an entertaining takedown of both commercialism and it's own premise.
The only thing that dampers this aspect of the film is how the satire isn't fully carried throughout the entire film. There isn't any severe consequences the character's actions unlike those from the first Mothra, or Mothra vs. Godzilla. Further exploration into Tako's desire to exploit Kong would have also made the satire stronger. Still, the elements found in Sekizawa's script and Honda's direction gives the film a bit more depth and is a step up over it's Americanized version. The cast is also wonderfully comedic, with Ichiro Arishima as Tako giving a stand out comedic performance. His quirk and gestures are really entertaining and he is definitely one of the funniest characters in the franchise. Tadao Takashima and Yu Fujiki also work great off each other with their antics and even Kenji Sahara is given some funny moments.
With that said, the battle between King Kong and Godzilla is one hell of a fight, the choreography between the two being very entertaining and creative. Speaking of Godzilla, the scenes with him are especially well done, still keeping sense of menace to him with people having genuine fear, even if the film implies some are cashing in on the frenzy. Overall the effects are nicely done with the film having some good miniature work. One of my personal favorite shots is that of Godzilla approaching the high tension wires. There are so many small details such as the houses illuminated from within, cars moving on the bridge, and a helicopter following close behind. Still there are some downsides in the effects, such as a few puppets and compositing shots along with Kong himself. To put it simply, Kong isn't his usual handsome self this time around and has got quite and ugly mug. However, given his state of inebriation by drinking berry juice, Kong's unattractive look works in giving him a distinct personality as the scrappy underdog constantly being bullied by Godzilla.
But if there is one thing that makes this the superior version is the musical score from Akira Ifukube. From the opening cues to Godzilla's iconic theme, it really brings it all together. I'd place Ifukube's Kong theme alongside Max Steiner's score for the original. King Kong vs. Godzilla may not have the adventurous wonder of the original King Kong or the thematic potency of the original Godzilla, but it ultimately succeeds in being an all around entertaining film in its own right. It's just too much fun not to enjoy.
6/10 considering the era it was made in and that the film is intentionally light-hearted and comedic. Reasonable entertaining overall, but it does drag a little before it finally gets to the showdown right before the film warps up.
I find this version needs significant further attention from an editor to improve its pacing and the construction of action scenes: the American film does slightly improve in this area despite it causing terrible damage to the satirical comedy of the original.
In the comedic premise of the story 'King Kong Vs Godzilla' has its best strength. There is a great degree of poking fun at television and corporate cultures and some of this is well put across.
The action part of the film is less ably done and the narrative pace is off by a considerable degree.
The same failings of really poor and unconvincing monsters that afflict the American version are naturally in this film also.
They look, sound, and move badly, individually, and even moreso, in tandem together.
The film score is better in this version as is the overall sound design.
I rate a 5/10 for a version that has more brains but less pruning than the more often seen English language cut.
It's still Honda directing and still a TOHO film with the same technical crew as most other Kaiju. It was just this one script and a few actors that made this one a tad more enjoyable than many others.
I will be blunt though. It's not as amazing as a lot have made it seem. I guess if you saw this once when you were a kid then had to wrok to find it again in the pre-internet era of video rental stores. That would inflate the spectacle of the film a lot.
It is better than most Kaiju films. It does have some memorable characters and some moments of the Kaiju fights that are remarkable. But really it's only about 10% better than the average Kaiju film. There are others like Mothra that are much better in a number of ways.
It is kind of a turning point for the franchise in a few ways. This starting the change of Godzilla from an evil monster to a kind of antihero. Antimonster maybe?
The pitched up his roar a bit. Made the suit less scary looking and had him dance whenever he scores a good move against King Kong.
King Kong is a little weird. He looks nothing like the classic Kong. Very crude and rough. Not to my liking at all. But the suit actor did a great job of mimicing ape like movements.
The fight choreo is recognizably influenced by pro wrestling. I thought that was a great idea, but there are a couple spots I really didn't like how they went about it, but it worked.
Overall it's enjoyable not to be taken seriously fare.
Le saviez-vous
- AnecdotesTo promote the film, Toho released "interviews" with King Kong and Godzilla in which the monsters acted like sumo wrestlers preparing for their bout against each other.
In this promotion Godzilla was quoted as saying: "seven years has passed since I rose from the bottom of the southern seas and raved about in Japan, leaving destruction behind wherever I crawled. It is most gratifying for me to have the privilege of seeing you again after breaking through an iceberg in the arctic ocean where I was buried. At the thought of my engagement with King Kong from America I feel my blood boil and flesh dance. I am now applying myself to vigorous training day and night to capture the world monster-championship from King Kong."
In response King Kong said "I may be the stranger to the younger people here, but have quite a number of fighting adventures to my credit. I will fight to the last ditch in the forthcoming encounter with Mr. Godzilla, for my title is at stake... Hearing that the world-renowned special effects director Eiji Tsuburaya is to act as referee I am going to return to the screen in high spirits."
- Citations
Tako: Full page ads of a smiling King Kong holding our drugs.
Osamu Sakurai: Will he smile?
Tako: He will. The catchphrase will be "I'll pulverize Godzilla because I use Pacific drugs.
- Versions alternativesA version created for the Champion festival re-edited and shorten the film's run-time, supervised by Honda
- ConnexionsEdited into King Kong contre Godzilla (1963)
- Bandes originalesThe Giant Demon God - Main Title
Composed by Akira Ifukube
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
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- Aussi connu sous le nom de
- King Kong vs. Godzilla
- Société de production
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- Durée1 heure 37 minutes
- Mixage
- Rapport de forme
- 2.35 : 1