Yakamoz S-245

In fact, this is Season 3 of Into the Night (so you ought to watch that first). Only slightly better than the first 2 seasons.

First off: If you did not like Into the Night you will probably not like this. The negative reviews here are complaining about the exact same issues that Into the Night has. In other words, you cannot judge this series on that, seeing as you cannot make a third season without adopting the same premises.

Yes, there are some plot holes. Yes, there are some scientific inaccuriacies. Yes, some characters behave unrealistically.

But... this is not exactly rare, especially for Netflix productions. You have to buy into the premises of the universe, otherwise watch a documentary and don't bother with fiction.

As far as apocalyptic movies concerns this is far better than the bulk of Hollywood productions.

The international aspect of 'Yakamoz' and 'Into the Night' are excellent. Most of the actors are above average. Effects and production seem tight and professional. It has a tolerable pace and not too many filler scenes.

I especially enjoy how it paralells Into the Night. This is innovative and I suspect will become more common in the future. We get different angles of the same story.

In Yakamoz the characters are more mature. In Into the Night few seem to understand that life is precious and cooperation is primary to survive. This was my biggest beef with Into the Night, that they behave petty and isolationistic to a degree that none in their shoes would do considering the circumstances.

The psychology is somehwat cleaned up in Yakamoz - so the deaths that occur are more circumstantially legitimate from the context of the plot, rather than killing each other one by one like in Season 1 and 2.

There is not much humour in the series, but the few instances of it are subtle and intelligent.

Season 1 was better than Season 2, but Yakamoz as Season 3 has raised it back up. So I have high hopes for Season 4. It would not surprise me if we then get the Russian story as another spin-off.

The thriller aspect is not as strong here as in Season 1, but there are some chilling scenes - like the Spanish cannibals (although it's completely unrealistic that people delve to this after a few weeks).

We also get some unanswered questions from the previous seasons here, like who bombed the planes. And some new mysteries: How many other enclaves of survivors? Who's the officials who were communicating in Into the night - like the U. S. base? What's really going on in the Indian Ocean?

All in all a good effort that may become better with further seasons. Usually stuff gets worse with each season, but if they keep fixing the weaknesses of previous seasons and stick to this spin-off angle where the seasons dove-tail with each others stories - I have high hopes.

This series won't write history, but it is not trash either. Rather it is highly binge-worthy and will keep you entertained.

PS! Neither of the seasons should be watched dubbed! For some reason the voices are lower when dubbed - but far worse: some of the voice actors are horrible and detracts from the story. In fact, the dubbed version sinks it a star or 2. I suspect those negative reviews who complain about the acting have actually been intellectually lazy and avoided the original languages.

If you like the French \ European series Into the Night, in which the passengers of an airplane flee the deadly luminosity of the sun. This series is worth watching.

Same apocalyptic premise, let's say basically the same universe, different main language, a submarine instead of a plane, human beings trying to survive an impossible situation.

I loved the first season of Into the Night. The second one more or less. And I think this series will be more on par with the second season of the series I mentioned above. Maybe a little better. I saw the entire series in one sitting. I liked the characters and the atmosphere.

And even though this series isn't perfect, I think it's very edible.

But please, check with the original audio, the main language is Turkish, but there is a lot of conversation in English, Greek, Italian etc. I think the dubbed version ruins the experience a little.

A 7 out of 10 for me.

Please Die defne. What a cringe character. It's unbelievable. Every episode one of the most cringe character. The world is going away and she's still on that stupid behave.

I didn't realize until most of the way through that this show was set in the same universe as "Into The Night". Until that point, I was thinking that it was a copy of that show, except on a submarine instead of a plane! Once the events in this show crossed over, and I had the "Oh!" moment, it all made sense and enjoyed it more.

But that's the problem--the story felt too much like a copy (and the same soundtrack?). Similar plot resulting in predictable characters and predictable outcome. It didn't really make good use of the submarine as a plot device, nor explore different characters or dynamic. Instead, we're led down the same path, with same human motivations, with characters that are very thinly developed. The story tries too hard to make a plausible beginning, more so than Into The Night. And clearly, the show's creator has an axe to grind with NATO, so the story universe is focused in Europe, and by its extension, Turkey. It seems to be self-limiting, given that the sun's destructive impact (however implausible, as it may be), affects the whole world.

Still, I can't recall more than one show based in the same story universe but in different languages/ethnicities, so perhaps that's pretty unique. And, this essentially serves as the third season of Into The Night, so I am looking forward to the fourth season (whatever the title may be called).

I had watched INTO THE NIGHT over a year ago and tho it wasn't the greatest sci-fi story it moved at a rapid pace and was not boring. I kinda enjoy End-of the World genre flicks if they're somewhat original in nature, or at least trying to be.

Anyway, that's the reason I enjoyed INTO THE NIGHT and kept the title in the back of my mind & waited for another season.

That's also the reason I tried out YAKAMOZ S-245. It was actually clever the way it was spliced together with INTO THE NIGHT but I didn't realize the connection until the submarine headed to the seed storage bunker in Norway.

So, I'm more intrigued now, and waiting for the next installment in the series from... whatever countries survivors shows up next.

The biggest plus, for me anyway, with Netflix, is the ability to watch more foreign movies. The Hollywood stuff is almost all woke crap or superhero sequels to infinity and beyond.

The best action flick I've seen on Netflix is a French crime drama called LOST BULLET. The best horror series I've seen is KINGDOM, from Korea. A lot of good stuff from Korea.

I could go on but the point I'm making is that the US of A studios are not doing it for me anymore. A lot of other people feel the same way I'm sure. Just look at the world $$$ market.

I'd rather watch a 2nd or 3rd world young-gun studio effort with some hungry talent on both sides of the camera then a tired-ass, re-cycled Hollywood snooze-fest.