Red Rocket
- 2021
- 12 avec avertissement
- 2h 10min
Mikey Saber est une star du porno qui revient dans sa petite ville natale du Texas, mais personne ne veut vraiment de lui.Mikey Saber est une star du porno qui revient dans sa petite ville natale du Texas, mais personne ne veut vraiment de lui.Mikey Saber est une star du porno qui revient dans sa petite ville natale du Texas, mais personne ne veut vraiment de lui.
- Récompenses
- 10 victoires et 35 nominations au total
Avis à la une
What a waste of time. The film totally collapses during the last thirty minutes.
Granted, it's a pretty grungy film. Nobody to like. I realize "that's" the point, but I finished it, and regretted the decision.
Basically, you should just watch "Boogie Nights." It addresses the porn industry so much more efficiently.
Simon Rex is good in the lead role. He deserves some good parts.
The ending is weird. I honestly have no idea, what actually happened.
The production is low-budget, and technically, handled well.
But overall, the whole thing feels really "empty." I was expecting more nuance.
A disappointment.
Granted, it's a pretty grungy film. Nobody to like. I realize "that's" the point, but I finished it, and regretted the decision.
Basically, you should just watch "Boogie Nights." It addresses the porn industry so much more efficiently.
Simon Rex is good in the lead role. He deserves some good parts.
The ending is weird. I honestly have no idea, what actually happened.
The production is low-budget, and technically, handled well.
But overall, the whole thing feels really "empty." I was expecting more nuance.
A disappointment.
In an industry that loves to tell stories of how America used to be or how it wants to see itself currently, Baker bravely holds up the mirror of reality to a denial driven medium. He can do this without reproach because the sincerity and truthfulness of his characters resonate so deeply as to make them unassailable. In each of his films we see characters shoved to the margins of the masses, but as his body of work grows we realize these people are not so ancillary but instead, quilted together, make up the mosaic of our true identity.
His latest subject is Mikey Saber, played exquisitely by Simon Rex, a former porn star returned to his long forgotten small town of Texas City. Mikey is affable enough but also shamelessly self-serving and utterly incapable of feeling any personal responsibility. We learn in the first 10 minutes of the film that our "hero" is in fact our villain, but we are given no respite from following him through his deceits for the entirety of the runtime. There are no moments of saving grace or deeper understanding of his character. Because he never aims to understand himself. He lies and embellishes his accomplishments, yet there is a weird earnestness to the proceedings. He is narcissistic but not intentionally malicious. There seem to be no ends to his means outside of self-preservation and a padding of his irreparably broken ego. His lies he tells, how quickly he is to interject his modest celebrity, and his propensity for deflecting all blame, all serve only his own fragility.
It's a singular character study and this is all without mentioning a single other character, several of which could carry their own film. Most notable is the nearly 18 year old girl, Strawberry, who is the aim of the nearly 50 year old, Mikey's, affection. She represents that awkward cross-section many young women exist in between maturity and naiveté. She is smarter, brighter, deeper, and certainly better than Mikey and, yet, considerably less wise. You unfortunately can't fake wisdom, you simply have to earn it. She falls prey to his promises and will likely be the next victim of his uncalculated chaos.
The movie has so much insight to offer while also being outlandishly funny. All of this has not even scratched the surface of the psychology of this movie. From the subtle but very intentional political commentary, to the examination of what "physical endowments" can have on the masculine psyche and confidence, this movie is deceptively weighty, while also being a trashy good time.
His latest subject is Mikey Saber, played exquisitely by Simon Rex, a former porn star returned to his long forgotten small town of Texas City. Mikey is affable enough but also shamelessly self-serving and utterly incapable of feeling any personal responsibility. We learn in the first 10 minutes of the film that our "hero" is in fact our villain, but we are given no respite from following him through his deceits for the entirety of the runtime. There are no moments of saving grace or deeper understanding of his character. Because he never aims to understand himself. He lies and embellishes his accomplishments, yet there is a weird earnestness to the proceedings. He is narcissistic but not intentionally malicious. There seem to be no ends to his means outside of self-preservation and a padding of his irreparably broken ego. His lies he tells, how quickly he is to interject his modest celebrity, and his propensity for deflecting all blame, all serve only his own fragility.
It's a singular character study and this is all without mentioning a single other character, several of which could carry their own film. Most notable is the nearly 18 year old girl, Strawberry, who is the aim of the nearly 50 year old, Mikey's, affection. She represents that awkward cross-section many young women exist in between maturity and naiveté. She is smarter, brighter, deeper, and certainly better than Mikey and, yet, considerably less wise. You unfortunately can't fake wisdom, you simply have to earn it. She falls prey to his promises and will likely be the next victim of his uncalculated chaos.
The movie has so much insight to offer while also being outlandishly funny. All of this has not even scratched the surface of the psychology of this movie. From the subtle but very intentional political commentary, to the examination of what "physical endowments" can have on the masculine psyche and confidence, this movie is deceptively weighty, while also being a trashy good time.
6/10 - Simon Rex proves that he is certainly an actor capable of drama films and someone to take seriously, but as the credits abruptly began to roll, I could not help but ponder what the meaning of the film was and why I spent over 2 hours investing in it.
I looked up Red Rocket on Urban Dictionary and hahaha isn't that an accurate movie title.
Man oh man Sean Baker, you are quite something. Just like Florida Project, this was a gorgeous and phenomenal movie.
Simon Rex was a force to be reckon with. There wasn't any moment where I was bored with the guy. The dialogues along with his incredible charisma propelled the pace of this movie to become exciting and a bit anxiety-filling. Even more, he made what already a great script more investing.
The cinematography again was out of this world. A poor neighborhood in Texas somehow looked like a dream world.
Again, Sean Baker used the bizarre colors, cute shapes, and isolated locations of the houses to suggest a fantastical and ambiguous interpretation of the story. I think for this part, Red Rocket had a slight edge over Florida Project because the ending in Red Rocket was smoother and made more sense.
Overall, an absolutely magnetic movie. 9.5/10.
Man oh man Sean Baker, you are quite something. Just like Florida Project, this was a gorgeous and phenomenal movie.
Simon Rex was a force to be reckon with. There wasn't any moment where I was bored with the guy. The dialogues along with his incredible charisma propelled the pace of this movie to become exciting and a bit anxiety-filling. Even more, he made what already a great script more investing.
The cinematography again was out of this world. A poor neighborhood in Texas somehow looked like a dream world.
Again, Sean Baker used the bizarre colors, cute shapes, and isolated locations of the houses to suggest a fantastical and ambiguous interpretation of the story. I think for this part, Red Rocket had a slight edge over Florida Project because the ending in Red Rocket was smoother and made more sense.
Overall, an absolutely magnetic movie. 9.5/10.
I watched the movie because the trailer mentioned it would be about porno. Then as I watched the movie I realized; the trailer did not say it was going to be about porno it just said it was about a porn star.
It's kinda funny cause if I'm not mistaken, the movie's lead, Simon Rex had a promising career as one of the icons of an MTV generation until he got caught in a porn scandal of his own. I feel like that may have had something to do with director, Sean Baker picking Rex and I also think this had something to do with Rex being so good as Mike, a male porn star with a long career filled with many highs and glories, but fell apart really fast and with nothing to fall back on he comes back to a place he never thought he come back to because he had no choice.
As a movie, I can compare Red Rocket to a roller-coaster ride. It's a nice exciting climb all the way to the top and when it starts going down its fun, but the overall free fall is actually lackluster.
The problem here is that the movie is a character piece. This film relies heavily on Simon Rex playing Mike and our focus on who is character is, to the point that the story being told is sacrificed for it. The importance of the movie is watching Rex play this character, and in that portrait of the character we got a completed movie, but the way the story was laid out. It does not feel complete.
I do love the rawness of the film. Rex is the only actor I know by name and the fact that I know him at all as an actor ages me. It's possible that other actors in this movie did things I'm unfamiliar with but as far as I'm concern it looks like Sean Baker just used the random folks, he found in the small Texas town this movie's about.
Even if I'm a bit iffy about how the story stops short, I'm satisfied with this movie because it was an interesting story that stayed interesting from beginning to end.
It's kinda funny cause if I'm not mistaken, the movie's lead, Simon Rex had a promising career as one of the icons of an MTV generation until he got caught in a porn scandal of his own. I feel like that may have had something to do with director, Sean Baker picking Rex and I also think this had something to do with Rex being so good as Mike, a male porn star with a long career filled with many highs and glories, but fell apart really fast and with nothing to fall back on he comes back to a place he never thought he come back to because he had no choice.
As a movie, I can compare Red Rocket to a roller-coaster ride. It's a nice exciting climb all the way to the top and when it starts going down its fun, but the overall free fall is actually lackluster.
The problem here is that the movie is a character piece. This film relies heavily on Simon Rex playing Mike and our focus on who is character is, to the point that the story being told is sacrificed for it. The importance of the movie is watching Rex play this character, and in that portrait of the character we got a completed movie, but the way the story was laid out. It does not feel complete.
I do love the rawness of the film. Rex is the only actor I know by name and the fact that I know him at all as an actor ages me. It's possible that other actors in this movie did things I'm unfamiliar with but as far as I'm concern it looks like Sean Baker just used the random folks, he found in the small Texas town this movie's about.
Even if I'm a bit iffy about how the story stops short, I'm satisfied with this movie because it was an interesting story that stayed interesting from beginning to end.
Le saviez-vous
- AnecdotesAccording to director Sean Baker, Simon Rex was offered the role over the phone after having been sent the script and agreed, saying that he would fly to Texas in three days. Three days later Rex arrived in Texas having memorized all of his - very long - lines.
- GaffesWhen Mikey gets back from the Donut Hole for the 1st time and is sitting on the couch, you can clearly hear Dallas local news playing on the television. In Texas City, you would get Houston local news.
- Crédits fousThere is no music over the end credits, only the sounds of the ocean, the wind and the seagulls.
- ConnexionsFeatured in Mike and Jay Talk About: Mike and Jay Talk About Red Rocket (2022)
- Bandes originalesBye Bye Bye
Performed by *NSYNC
Written by Kristian Lundin, Jacob Schulze and Andreas Carlsson
Courtesy of RCA Records by arrangement with Sony Music Entertainment
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Détails
Box-office
- Budget
- 1 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 023 086 $US
- Week-end de sortie aux États-Unis et au Canada
- 88 195 $US
- 12 déc. 2021
- Montant brut mondial
- 2 316 004 $US
- Durée
- 2h 10min(130 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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