L'amour plus fort que la raison

I was a religious Jew once or I pretended to be, and I did crazy things like Leah do in the film. That's perhaps the reason why I identify with the movie a lot. I love the way how tradition and religion is illustrated and introduced to people unaware of Judaism. I definitely believe the writer went through a very profound research to gather the story well. Yibbum and Halitzah is mentioned in the Torah (Deuteronomy 25:5-10) and truly is no longer practiced, but the Halitzah ceremony until now exist; Like the Pidyon haben (redemption of the first born son) and many other symbolic ceremonies that are part of the Jewish culture, religion and tradition. I am glad the movie is around for all of the reason above, I loved it so much that I expended one week every night watching it.

So "Loving Leah" is a little schmaltzy, even for a love story. I loved it anyway. It's a real pleasure to watch a movie that is respectful of Jewish customs and presents a non sensationalized, exploitative, or prejudiced view of Jewish religious practice. Usually the only portraits of Jewish life I see on TV are tragic stories set during the Holocaust or comedies. I appreciated that Leah's mother was strict and scared her daughter enough for her to put up a show of the pretend marriage, but ultimately she cared for Leah, wanted her to be happy, and encouraged her to go back and make up with Jacob, even if he wasn't Orthodox, and even if he and Leah would attend a Reform Temple with a woman rabbi. I appreciated that none of the characters were stereotypes or played for laughs. Well done Hallmark!

Leah left her nightgown under the pillow when her mother visited. She didn't change the sheets for her mother? 😊

First, I would like to thank Hallmark for putting on this movie because in doing so they took a chance that people could actually relate..and not be afraid to throw in a story with a religious element..the old adage is never talk about politics or religion. While it is true that we delve into some fundamental issues of the Jewish faith, this is first and foremost a story of friendship offered and love found. One review called this a romantic comedy..others found faults here and there but there will always be those that look for some shortcomings. I see this as a tender story of two people discovering that they have much to offer each other after Jake's brother dies leaving a widow. She has her ways steeped in tradition and Jake has his ways..not being home much and a girlfriend and working long hours at the hospital..did I mention that his girlfriend initially encouraged Jake (Adam Kaufman) to befriend the young widow (Lauren Ambrose)?After all, she's family. The first days and weeks thrown together as "roommates" are played in such a realistic and touching way, you are drawn into "their" story..and it is theirs and the memory of his dead brother..and mothers wanting what's right for their kids..this is a sweet, innocent and tender. Telling of simple love..there's no comedy here..but the facial expressions and the eyes say this is really some fine acting..I waited for this to come on and was not disappointed. And neither will you.It's that good.

"Feel-good" movies are much like the classic pop love songs of the 30's & 40's: they're aspirational---that is, such depth/perfection of love is probably not achievable, but we'd like to believe it is. Hence, why complain about realism and accuracy, as though Hollywood routinely trades in those commodities and "Loving Leah" is an exception. We want to believe it's possible and there is no harm in doing so.

That being said, this is about as well-acted a TV movie as you're likely to see: Harris Yulin as the Rabbi, Susie Essman & Mercedes Ruehl as the stereotypical yet lovable Jewish mamas, Natasha Lyonne as Leah's older sister (her wide-eyed look from the cab at the film's end is classic), Christy Pusz as Jake's girlfriend (the look on her face when she first meets Leah at the party perfectly communicates that she suddenly understands why Jake refused to let her go...), Tonye Patano cute-as-the-dickens in her small role as Emily, and, of course, Adam Kaufman terrific as Jake.

However, Lauren Ambrose IS this movie, appropriate since she plays the title character. Possessed of what my late mother called "natural beauty" (i.e. a haunting combination of outer & inner beauty), those incredible eyes communicate at least as much as her spoken lines. She is that captivating (to men) combination of fire & ice: (Jake: "You're not what I expected...'Ya got sh-punk, Kid'...Bogart"), formidable yet breakable, assertive yet unsure, a budding feminist yet desiring the love of a man. Her facial expressions when Jake first introduces her as "my wife, Leah", when she gives him that "come hither" look as they're silently standing in the doorway, at the very end when he places the ring back on her finger---all are testimonials to her superb acting ability. She is the quintessential Jewish (or Gentile, for that matter) "girl next door".

And, as an aside, the two kissing scenes between Leah & Jake are among the most tender I've ever seen---passionate yet non-sexual (yes, I realize that their first sexual encounter followed the first scene). It's so refreshing to see kissing express love rather that merely lust, where the characters start ripping one another's clothes off. None of that here---what happened in the bedroom is left to one's imagination, just as it used to be when Hollywood had a measure of restraint.

And Jeff Beal's musical score (complete with klezmer clarinet at times) adds a great deal to many scenes, even though for my tastes it is just a tad too much reminiscent of Schindler's List...

In short, feel-good movies are feel-good movies, but some are memorable and should stay around while others should not only be quickly forgotten but never should have been made in the first place. This one belongs firmly if the former category...