The Inspection

Finding one's family may not always occur where one most likely expects it. For many of us, that typically comes with our blood relations. But sometimes circumstances arise that prevent that from happening, as is the case for a twentysomething gay Black man (Jeremy Pope) who has been on his own since age 16 when his close-minded single mother (Gabrielle Union) forced him out onto the streets to fend for himself. And, after years of bouncing around aimlessly, he decides to try getting his act together by joining the Marines, a seemingly unlikely choice but one that unwittingly helps him find what he's been looking for all along. Writer-director Elegance Bratton's fact-based debut narrative feature tells a compelling story of acceptance among those from whom it might least be expected and its absence where one would think it should most likely be present. The film's superb Independent Spirit Award-nominated performances by Pope and Union, along with fine supporting portrayals turned in by other members of the excellent ensemble cast (most notably Bokeem Woodbine and Raúl Castillo), truly give this picture its razor-sharp edge and its touching moments of heartfelt compassion, an unusual mix of elements on the same story, to be sure. In several regards, "The Inspection" also echoes groundbreaking themes first addressed in "Moonlight" (2016), though with slightly different but nevertheless equal significance. Admittedly, the production could probably benefit from a little more back story development and slightly brisker pacing in the first half-hour, but those are truly minor shortcomings in the greater scheme of things where this film is concerned. If this ISA candidate for best first feature is any indication of what we can expect in future works from this filmmaker, I can't wait to see what else he comes up with.

"French" (Jeremy Pope) is an itinerant gay man who, estranged from his prison office mother "Inez" (Gabrielle Union), has concluded that the only way to stop himself becoming subsumed into an underworld of drugs, disease and most likely death, is to join the US Marines. Having failed at just about everything else, his mother is somewhat sceptical, but to bootcamp he goes where he encounters the stereotypically brutish gunnery sergeant-major "Laws" (Bokeem Woodbine). It's all based on a true story directed and adapted from his own story by Elegance Bratton, so jeopardy here there isn't. That said, Pope and Woodbine are both on good form as the former runs the gamut of a tough training regime coupled with a prejudice against his sexuality that proves distinctly dangerous. His trainer offers him nothing by way of support or sympathy, intent on instilling the most primitive of "survival of the fittest" mentalities amongst all of his recruits. It is a little procedural, but it's still an interesting tale from a man who resisted the temptations to jack it all in - and sends a clear message of perseverance and determination that does resonate to a certain, predictable, extent. Essentially, though, it's a television movie that doesn't really need a cinema screening and though watchable and important, it isn't a story that will linger in the memory for long afterwards, I'm afraid.

I saw it as a pure American story. Not about dreams but about realities, change of life, social/ cultural obstacles, forms of segregation, manner to succed, difference and its assumation , new beginning and the turn of life moment.

And, sure, about family relation, prejudices, radical gestures and their consequences.

It is more than a film inspired by real facts.

It is more than a portrait of life in US NMarine.

It represents, first, a kick to reflection to the viewer, a sort of honest confession about tough decisions and the sketches of survive as way to remain yourself.

So, not a memorable film but one beautiful crafted.

Ellis French is a young, gay Black man, rejected by his mother and with few options for his future, decides to join the Marines, doing whatever it takes to succeed in a system that would cast him aside. But even as he battles deep-seated prejudice and the grueling routines of basic training, he finds unexpected camaraderie, strength, and support in this new community, giving him a hard-earned sense of belonging that will shape his identity and forever change his life of it.

Beautiful, filled with layers, reflecting the best and worst of military patriarchy, in a light way, while disciplining and welcoming, hurting and revolting... And the church, portrayed in the character of the mother, who tries to cure and exclude the son, as well as some religions... A beautiful, delicate and reflective biography... About second chances and choices we make during our life...

Curious that this is written and directed by the man who this is about. It's also curious that it starts off by telling us that it is "inspired by actual events" indicating that some of this is fiction coming from the person it is about. One would think it would all be factual given its creator, but perhaps there were legalities involved. Beyond that cautious curiosity, this is a straight forward well made movie. Nothing fancy or too intricate, but a tale well told of a homeless young gay man, rejected by his homophobic mother, who is smart enough to know he has to do something with his life in his world of limited opportunities, so he joins the Marines. Most of the the rest of the entire film takes place in boot camp. Other than how he is exposed as being gay, much of the rest is believable and Jeremy Pope in the lead gives a strong performance. Raul Castillo, in a fascinatingly written role (but is it true?!) is also excellent and Bokeem Woodbine is as unpleasant as he is supposed to be. The ending is a bit abrupt, but its simplicity works. Feels more like something made for the small screen rather the big one, but it is a solid film, fact or fiction.