Mahaveeryar

Nivin Pauly has well and truly left behind his boy-next-door persona and moved to more serious productions ever since the success of the State award winning drama "Moothon (2019)" and the maverick actor-producer does not disappoint with his latest experimental outing. "Mahaveeryar" is a stunningly original, visually engaging time-travel fantasy at a scale of imagination and production value we havent seen since Rajiv Anchal's "Guru (1997)"

Nivin stars as "Apoornanandhan" a mysterious and whimsical sage who seems to be travelling space and time to resolve seemingly intractable conflicts and miscarriages of justice. The sage is dragged to court in the modern era in a seemingly fabricated case, only for the mystic to transport the entire courtroom to midieval times, where the same jurors are tasked with resolving a quirky conundrum faced by a hapless king and his acolytes. Yes, the premise is as preposterous and outlandish as it sounds and yet, director Abrid Shine makes it immensely believable and enjoyable, thanks to his immaculate set design and use of camera angles and shots to add scale and zing to the proceedings.

Asif Ali plays "Veerabhadhran", the steadfastly loyal minister to the dimwitted medieval king, played by an incredible Lal who thrives in the role. Siddique also excels as the judge asked to adjudicate on the ludicrous case presented before him and balances his portrayal with deft comic flourishes alongside the gravitas and poise expected from the role. Shanvi Srivastava makes a floundering debut in Malayalam, with the lip synch all over the place and sticks out like a sore thumb with her wooden portrayal of a village lass.

Based on a story by M Mukundan, Mahaveeryar's first half is an absolute delight, with its imaginative setup, gorgeous cinematography and humorous writing. Where the film falters is a confused final act where the resolutions to the questions posed so creatively thus far, seem arbitrary and half-baked and leaves one unsatisfied. Despite this shortcoming, this is one movie that deserves plaudits for the sheer audacity and imagination behind mounting a project so far off the beaten path of Bollywood that you can even say it lies in another multiverse. If you are fan of experimental, out-of-the-box films that will surprise and intrigue, this is right up your alley. This offbeat film is not your cup of tea however, if you are looking for formulaic, stressbusting entertainment and thrills.

The first half of the movie was interesting and fast-paced I enjoyed it. The first 15min of the movie showed us a life of a king and then continue to explore a situation held in a court in 2020. The second half of the movie starts with a plot hole and it confuses the audience with how it happened it's like the movie missed an important detail and the movie moves on and the courtroom drama continues but it's going so laggy and boring and ends with an interesting climax.

The movie was a below-average experience. In an interview the team told this movie has a time travel element in it but the movie didn't justify it. A king and his people reach the court to solve a case from nowhere and make the audience confused because there is no explanation or details about how they reached the current time form the past and disrupts the rhythm of the movie.

Mindblowing script and presentation Hat's off to abrid shine and nivin for pulling off these kind of stuffs. It's all about apoornanthan who travels in and around different time periods to enlighten the system with an example of a king who is the supreme power of the state.

Technically brilliant, but the movie lacks a structure. It's started off well with some good humour and the mannerisms of Nivin Pauly we are used to.

But then that interval block hits you out.of nowhere. I am all in for movies that makes the audience think, those that give away things you missed on the first view. But for that the movie should be engaging.

Here the writer decides to leave the audience in complete darkness. Guess he assumed everyone has his thought process.

You can execute such an idea brilliantly on such a huge canvas and that's where the movie fails.

This might be something that you prefer, or is according to your taste. So form an opinion by yourself.

All about perspectives and its bitter truth. Rulers or supreme agents throughout history showcase states Prosperity on one side and enforce their handicapped perspectives on public. Nivins character as Saint is the reference for all eternal truths as he is traveling towards completeness or cosmic truth. He exposes all rulers wrong perspectives. Making is not as perfect as 'Churuli' ...And Still buffering...