All My Puny Sorrows

Simple, elegant and emotional. Allison Pill and Sarah Gadon deliver performances I am speechless to describe. It is a heart breaking journey but one I want to see over and over again so I can revel in their beautiful performances. I'm also happy and proud about the Canadian representation.

Sometimes letting go of grief is worse than the grief itself, for in letting go we risk losing this part of our true selves and our life experience. In other words, punting the ball down the field does not help in dealing with and defeating what ails the psyche. We must grapple with it and pull through.

Sisters Yoli and Elf struggle to deal with the depression and doubt that plagues their family and lives. Suffering seems to be inherited for them. Elf, a concert pianist, tried to kill herself and intends to try again. Yoli attempts to convince her sister to stay alive, but Yoli is not a model of healthy living herself and faces a nearly impossible task. Society conspires against the sisters too in that its focus is on shame and profits rather than truth and healing. There is hope for the sisters, and others in the same boat, in that life is always teaching lessons, and there is so much to learn, and so much that is beautiful.

All My Puny Sorrows is moody and emotional like its characters. There are sudden shifts in focus. For all the dark moments, there are others full of light and laughter. At times the actors struggle with the heavy themes around depression and suicide, but the authenticity of the story shines through such faults. I treasured the reasons for living that Yoli found in this heartfelt and candid story. "I used to wake up in the morning singing," said Yoli. If only we all could do more things like this. And quote more poetry. Awareness replacing ignorance, empathy for others over convenience, and truth before profit and fear. Watching Yoli, Elf, and their loved ones deal with the grief gives me hope for the world. We are supposed to help each other after all.

World premiere seen at the Toronto international film festival. Film based on a novel by Miriam Toews.

This was a great film, delving into the difficult subject of loss, grief, mental health (& it's woefully inadequate treatments) & suicide.

This movie focusses on a woman grieving the loss of her father, while she tries to help and juggle her time between her sister's depressive condition, & her mother, aunt & daughter, whose lives have all experienced the ensuing turmoil of a family members suicide.

The characters are all portrayed well, especially the two leads, the two sisters, as we watch their very different lifestyles, following their father's death.

One is a very successful & talented musician, but cannot face life for her depression, the other is a struggling writer, hoping for a break, but so busy with concerns for the wellbeing of her sister, mother, aunt and daughter.

The acting is good, the characters easy to feel empathy for, most importantly they're all believable - I don't recall a line, or scene, or character that didn't play true, a well constructed, thoughtful film, that was very true, very lifelike.

All the components needed for a good drama.

Within a family filled with enlightening sturdyness, but also the dark sides of mental health family history. This film gave me a new view on the heavy gravity of the term depression, and that it is actually, or may be or could become a deadly disease to someone...sometime...yes a deadly one, why havent any top shrinks defined it as it is...to somebody...a deadly disease ...where medication wont take away the darkness and sadness that engulfs individuals from time to time and eventually never sees the light again, cause its a deadly disease...to somebody.

They say things are running in the family, and suicide may also be a term that may infect a family tree. Its a well acted, heavily and deep written screenplay about death and life, love and loss because the a-train to heaven took of far too early. A film that will bore some and excavate deep gashes in someones hearts, a tear will drop in someones commemorations of a lost partner, child or friend.

So throw yourselves into the purgatory where its rather cold and dark, a very realistic set of silverscreen emotions that the grumpy old man recommend if you need to.

The most beautifully written piece I've seen in a very long time. And splendid acting by all...especially Mare Winninham and Alison Pill. Surprising humor considering the dark subject matter.