Avec amour et acharnement
- 2022
- Tous publics
- 1h 56min
NOTE IMDb
6,1/10
3,9 k
MA NOTE
Une femme est prise, dans un triangle amoureux, entre deux hommes: son partenaire de longue date et son meilleur ami qui est aussi son ex.Une femme est prise, dans un triangle amoureux, entre deux hommes: son partenaire de longue date et son meilleur ami qui est aussi son ex.Une femme est prise, dans un triangle amoureux, entre deux hommes: son partenaire de longue date et son meilleur ami qui est aussi son ex.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
As an Avid movie goer I found Both Sides of the Blade as one of the best movies I have watched in the last few years. It reminded me on Red, Blue, White and Double Life of Veronica. In a way it is not as deep as those movies; it has a very simple plot depicting human psyche, emotions, insecurities, doubts, desire, relationships and it's challenges that can happen to anyone in the real life. If you're into art cinema you will be very happy watching this one. Both protoganists Juliette Binoche and Vincent Lindon act incredibly well. JB act makes this movie close to a masterpiece.
I haven't read the book this is based on, but after seeing the film and getting that WTF feeling, I had to see what other people thought and yes, the book was not well received. Which is in sharp contrast with the directing and acting in the film, which was really good.
In short, this film is more of a play than a film, just a few characters, a lot of talking, a lot of emoting, strong emotions that overwhelm reason. I don't like theater plays much and this film is a perfect representation of why not: a lot of noise and a story that brings little entertainment, even if - perhaps particularly when - it's well executed.
You have three major characters, two guys and a woman. The woman is with one of the guys, but has been thoroughly in love with the other one a decade prior. And suddenly he pops back up into their lives. And they can't just say "this is awkward and I will take no part in it", so they dance this ridiculous dance that has a relatively predictable poor ending. Oh, and then there is this 15 year old idiot son of one of the guys who pretty much has no bearing on the story, but wastes a lot of screen time.
You can't fault Juliette Binoche, of course, she can act better than most when she's sleepwalking, and Vincent Lindon was great, too. The direction of this story was good, too, in the sense that such a nebulous plot was made bearable. But in the end the story felt biographical, because it made little sense narratively, and all of the characters were really annoying most of the time.
In short, this film is more of a play than a film, just a few characters, a lot of talking, a lot of emoting, strong emotions that overwhelm reason. I don't like theater plays much and this film is a perfect representation of why not: a lot of noise and a story that brings little entertainment, even if - perhaps particularly when - it's well executed.
You have three major characters, two guys and a woman. The woman is with one of the guys, but has been thoroughly in love with the other one a decade prior. And suddenly he pops back up into their lives. And they can't just say "this is awkward and I will take no part in it", so they dance this ridiculous dance that has a relatively predictable poor ending. Oh, and then there is this 15 year old idiot son of one of the guys who pretty much has no bearing on the story, but wastes a lot of screen time.
You can't fault Juliette Binoche, of course, she can act better than most when she's sleepwalking, and Vincent Lindon was great, too. The direction of this story was good, too, in the sense that such a nebulous plot was made bearable. But in the end the story felt biographical, because it made little sense narratively, and all of the characters were really annoying most of the time.
Not going to claim this is the best one by Denis, but it is still a good go by the 70-plus French stalwart. If anyone else had made a movie out of the Angot novel, it would not be anywhere near as good. Denis gets terrific work out of the troupers Lindon and Binoche, and finds real depth in material, that maybe is not all that deep actually.
Next time around, she brings to the screen one of the late novels by the wonderful American writer, Denis Johnson. No relation, of course.
Next time around, she brings to the screen one of the late novels by the wonderful American writer, Denis Johnson. No relation, of course.
Normally a fan of Denis, Binoche and Lindon - but this really is bad.
Lots of talking and shouting, lots of unnecessary exposition, but still lots of confusion. What does this woman actually want? If Jean wants to be a good father why does he spend so little time with his son?? Did Francois ever love her, or is he just welcoming the chance to get her back into bed??? I never really found out any of this and, frankly, by the end I decided I didn't care.
With actors and a director this good, I feel you *have* to blame the script. Perhaps the source novel is just as bad (or worse). But I'm certain I'm not going to read that to find out. Hey ho.
Lots of talking and shouting, lots of unnecessary exposition, but still lots of confusion. What does this woman actually want? If Jean wants to be a good father why does he spend so little time with his son?? Did Francois ever love her, or is he just welcoming the chance to get her back into bed??? I never really found out any of this and, frankly, by the end I decided I didn't care.
With actors and a director this good, I feel you *have* to blame the script. Perhaps the source novel is just as bad (or worse). But I'm certain I'm not going to read that to find out. Hey ho.
Both Sides of the Blade (2022) follows a couple who's lives are changed when the woman's ex boyfriend comes back into the picture. I'm not quite sure how I feel about this film. It was definitely good and packed a punch, but don't go into it expecting a gritty romance thriller. It was a very personal film and I have a lot of respect for it.
I really liked the cinematography, it was subtle yet created a significant atmosphere. The lighting choices were very good and every shot was well lit, there were some nice colour palettes too. There were plenty of extreme close-up shots that showed the characters' emotions and the shots were very long too with a lack of jump-cuts which I felt worked well.
The music used was very fitting to the tone of the film and it wasn't too overbearing which I liked. However, there was really anything to talk about in terms of general sound design and I would've liked to see more from it.
The phenomenal performances from all involved definitely carried this film. The movie was a very intimate character study and it worked well as the film spends a good amount of time to introduce us to the three main characters, who are all quite interesting and felt realistic! Also, there was quite a lot of dialogue that was very thought provoking and engaging.
The film was slow paced, and unfortunately it occasionally dragged a bit. It took a while to get into because there wasn't much driving force in terms of plot and I would've liked for there to be more to it. However, the last 20 minutes were very intense and I thoroughly enjoyed the final act.
I really liked the cinematography, it was subtle yet created a significant atmosphere. The lighting choices were very good and every shot was well lit, there were some nice colour palettes too. There were plenty of extreme close-up shots that showed the characters' emotions and the shots were very long too with a lack of jump-cuts which I felt worked well.
The music used was very fitting to the tone of the film and it wasn't too overbearing which I liked. However, there was really anything to talk about in terms of general sound design and I would've liked to see more from it.
The phenomenal performances from all involved definitely carried this film. The movie was a very intimate character study and it worked well as the film spends a good amount of time to introduce us to the three main characters, who are all quite interesting and felt realistic! Also, there was quite a lot of dialogue that was very thought provoking and engaging.
The film was slow paced, and unfortunately it occasionally dragged a bit. It took a while to get into because there wasn't much driving force in terms of plot and I would've liked for there to be more to it. However, the last 20 minutes were very intense and I thoroughly enjoyed the final act.
Le saviez-vous
- AnecdotesFirst film of actor Hana Magimel, daughter of Juliette Binoche and Benoît Magimel.
- GaffesAfter a little squabble, Sara throws her credit card on the kitchen shelf. Later, in the close-up, you can clearly read the name of the Visa Card holder, it is the name of the film's property master Manuel Mougin.
- Bandes originalesFollow Me
Performed by Tindersticks
Written by Bronislau Kaper (as Bronislaw Kaper) and Paul Francis Webster
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- How long is Both Sides of the Blade?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Both Sides of the Blade
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 201 047 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 192 $US
- 10 juil. 2022
- Montant brut mondial
- 1 769 291 $US
- Durée1 heure 56 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What is the Canadian French language plot outline for Avec amour et acharnement (2022)?
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