Anikkuttan est un technicien en électronique de mauvaise humeur qui mène une vie tranquille avec sa mère. Ses routines sont perturbées lorsque le nouveau-né de son voisin d'à côté réveille d... Tout lireAnikkuttan est un technicien en électronique de mauvaise humeur qui mène une vie tranquille avec sa mère. Ses routines sont perturbées lorsque le nouveau-né de son voisin d'à côté réveille des souvenirs indésirables de son passé.Anikkuttan est un technicien en électronique de mauvaise humeur qui mène une vie tranquille avec sa mère. Ses routines sont perturbées lorsque le nouveau-né de son voisin d'à côté réveille des souvenirs indésirables de son passé.
- Réalisation
- Scénario
- Casting principal
Arjun Ashokan
- Deepu
- (as Arjun Asokan)
Nilja K. Baby
- Shyni
- (as Rj Nilja)
Avis à la une
Nicely done.
A lot of things are bandied about in this movie. Nice message, deserving for the humans of today.
But none of it hinders in the story telling. And individual performances from the lead played by FaFa and everyone else including Ponni stands out.
Good cinema.
A lot of things are bandied about in this movie. Nice message, deserving for the humans of today.
But none of it hinders in the story telling. And individual performances from the lead played by FaFa and everyone else including Ponni stands out.
Good cinema.
Good survival thriller . Once again Fahadh Faasil gave a marvelous performance . His characterisation was well written , his character arc was quite intresting to watch . First half , it took some time to build the story and second half was complete survival thriller . Second half was nail biting and tense they created was good but it ended quite early . Movie ending was bit rushed . Cinematography was great . Overall a good survival thriller to watch with your family.
Fahad excelled not only in the nuanced portrayal of the various shades and times of the character, but also in portraying the extreme situations.
First half is all about the writing which has been brilliantly done and very well directed.
Art direction takes the lead in the second half. The writing might have taken a back seat there and just does finishing touches to bring the art direction to a close.
A R Rahman's background score complemented Fahad's stupendous acting in the second half. There were a few spots where the BGM seemed too loud and distracted the scene.
Unlike the pattern of overwhelm in disaster movies where the viewer has to suffocate through all the tragedy around, "Malayankunju" was laser focused on one plight.
A bit of a slack in the writing in the second half writing is probably what is leaving the movie slightly short of the total satisfaction feeling that some movie experiences give. Even then, it is a recommended watch - amazing art work, top notch performance from Fahad and great writing/direction!
I did not notice much about editing. And when that happens, usually that means the editing has been excellent. Thinking back, I think edits have been excellent. There has never been a distracting edit where the viewer is left wondering what happened there.
First half is all about the writing which has been brilliantly done and very well directed.
Art direction takes the lead in the second half. The writing might have taken a back seat there and just does finishing touches to bring the art direction to a close.
A R Rahman's background score complemented Fahad's stupendous acting in the second half. There were a few spots where the BGM seemed too loud and distracted the scene.
Unlike the pattern of overwhelm in disaster movies where the viewer has to suffocate through all the tragedy around, "Malayankunju" was laser focused on one plight.
A bit of a slack in the writing in the second half writing is probably what is leaving the movie slightly short of the total satisfaction feeling that some movie experiences give. Even then, it is a recommended watch - amazing art work, top notch performance from Fahad and great writing/direction!
I did not notice much about editing. And when that happens, usually that means the editing has been excellent. Thinking back, I think edits have been excellent. There has never been a distracting edit where the viewer is left wondering what happened there.
I just finished watching the movie. I am astounded by the acting skills of Fahad Fazil. I couldn't stop thinking about how much he has evolved as an actor as I walked out of that exit door. There are a lot of other positives related to the movie, such as the superb direction, brilliant cinematography and excellent cast. Also, much praise should be given to the art department. One cannot ignore the part AR Rahman played in this movie. The movie's very essence was elevated to the next level by his music and the BGM. Even though the movie's survival element isn't exactly gripping, it's still a great film that you should see in the theatre just to witness the master , FaFa , is becoming..
Positive are Fahad, AR Rahman music ,Background effects and score ,
And the second half thrills. Can't think of anything negative.
Compared to most international survival thrillers we seen , this movie got different layers. It is not about hero escaping and emotional family waiting. The casteism part in first half and the emotional bond in second half gives it a different perspective.
Watch in theaters or with a good home theater.
Compared to most international survival thrillers we seen , this movie got different layers. It is not about hero escaping and emotional family waiting. The casteism part in first half and the emotional bond in second half gives it a different perspective.
Watch in theaters or with a good home theater.
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- How long is Malayankunju?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Оползень
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 348 854 $US
- Durée
- 1h 54min(114 min)
- Couleur
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