Il suit la vie d'un homme d'origine afrodescendante et de treize pieds de haut qui vit à Oakland, en Californie.Il suit la vie d'un homme d'origine afrodescendante et de treize pieds de haut qui vit à Oakland, en Californie.Il suit la vie d'un homme d'origine afrodescendante et de treize pieds de haut qui vit à Oakland, en Californie.
- Récompenses
- 1 victoire et 13 nominations au total
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Really good. That's all I can say. The best art to me is the kind I can't effectively describe. It is itself. That's the highest compliment I can give. This show never did what I expected but felt 100% appropriate to itself the whole time. It was engaging and bizarre and sweet and packed a punch and I love seeing stuff like this get made. It's worth the watch and I don't even mind if there's another season or how the second one goes, this one stands on its own and will still be enjoyable for me no matter what else happens to it in the future. Definitely recommend checking it out now and not worrying too much it's just a good ride.
In our current mass media landscape oversaturated with superhero stories, it's become increasingly hard to find ones that stand out from the pack. Gone are the days of Sam Raimi's Spider-man where the storytelling was played straight, with bright colors and energy that seek to evoke the feeling of reading a comic-book. In the 2020's, we have reached peak of the superhero craze, and it seems studios have bottlenecked their output into two different flavors of media:
1. Superhero stories that infuse their characters into a different blockbuster genre (a superhero spy movie, a superhero sci-fi epic, etc.) 2. Superhero stories that ask "what if Superman was BAD?"
"I'm a Virgo" is the third Amazon show I've watched that falls into category 2, and despite not advertising itself a superhero show, it contains the most interesting answer to that question by far.
In the other two Amazon shows I mentioned, "The Boys" and "Invincible", the drama comes from the insurmountable odds of defeating an antagonist who wields godlike powers. There's always the looming threat of this evil Superman figure who is capable of wiping out all the heroes (or anti-heroes) without breaking a sweat. In "I'm a Virgo", this threat is also present, as "The Hero", a sort of Iron Man/Batman archetype played by Walton Goggins, always shows up to intimidate the characters who seek social change. The show starts off slow, introducing us to this familiar-yet-bizarre universe (similar in tone to Donald Glover's Atlanta) and the players that inhabit it. Eventually, however, we reach a turning point that forces our main characters to confront this force of "justice".
The main between this show and those other two is the conclusion. Without spoiling anything, the finale of this series is some of the most thought-provoking, well-explained examinations of what it means to be superhero, and why anyone who tries to take on that mantle will fail. There have been plenty of superhero media that examines the inherit fascism associated with being a superhero, but almost all of them reach the conclusion that "we should kill them" or worse, "I'll just be better". This show does not say either of those things, and I hope more people get to experience Boots Riley's superhero manifesto for themselves.
1. Superhero stories that infuse their characters into a different blockbuster genre (a superhero spy movie, a superhero sci-fi epic, etc.) 2. Superhero stories that ask "what if Superman was BAD?"
"I'm a Virgo" is the third Amazon show I've watched that falls into category 2, and despite not advertising itself a superhero show, it contains the most interesting answer to that question by far.
In the other two Amazon shows I mentioned, "The Boys" and "Invincible", the drama comes from the insurmountable odds of defeating an antagonist who wields godlike powers. There's always the looming threat of this evil Superman figure who is capable of wiping out all the heroes (or anti-heroes) without breaking a sweat. In "I'm a Virgo", this threat is also present, as "The Hero", a sort of Iron Man/Batman archetype played by Walton Goggins, always shows up to intimidate the characters who seek social change. The show starts off slow, introducing us to this familiar-yet-bizarre universe (similar in tone to Donald Glover's Atlanta) and the players that inhabit it. Eventually, however, we reach a turning point that forces our main characters to confront this force of "justice".
The main between this show and those other two is the conclusion. Without spoiling anything, the finale of this series is some of the most thought-provoking, well-explained examinations of what it means to be superhero, and why anyone who tries to take on that mantle will fail. There have been plenty of superhero media that examines the inherit fascism associated with being a superhero, but almost all of them reach the conclusion that "we should kill them" or worse, "I'll just be better". This show does not say either of those things, and I hope more people get to experience Boots Riley's superhero manifesto for themselves.
Boots has done it again, immediately after starting the show you can tell that this is something special. The music, the writing, the set design, all comes together perfectly to set up another surreal world from boots riley.
Just a perfect execution of an amazing idea, the practical effects are genuinely jaw dropping. Was immediately holding my stomach from laughing so hard from the first episode.
Haven't seen a show in ages that has this much obvious care and attention put into it.
Truly radical, truly funny. Could not stop laughing.
Been telling just about everyone i know to watch it
Blown away, check it out.
Just a perfect execution of an amazing idea, the practical effects are genuinely jaw dropping. Was immediately holding my stomach from laughing so hard from the first episode.
Haven't seen a show in ages that has this much obvious care and attention put into it.
Truly radical, truly funny. Could not stop laughing.
Been telling just about everyone i know to watch it
Blown away, check it out.
What a weird series. I mean that in the best way possible. Having loved sorry to bother you, i had a feeling there would be some political/social critiques, but by the last episode it dives fully into those. It's not subtle, but that's the point. It's meant to open the audiences eyes.
The performances are top notch from everyone, especially jharrel jerome though. He captures the anxieties that a 13ft tall man who has been hidden from the world would feel, and it feels so awkwardly realistic. I love how boots riley dives fully into the weirdness of the show as well. He clearly had his vision, and it looks like he didn't let anyone stand in his way.
I really hope there's a season 2 because they leave us on a subtle cliffhanger, but a pretty big one at that. I thoroughly enjoyed this and it's originality. Give boots riley more money to make his ideas come to the screen!!
The performances are top notch from everyone, especially jharrel jerome though. He captures the anxieties that a 13ft tall man who has been hidden from the world would feel, and it feels so awkwardly realistic. I love how boots riley dives fully into the weirdness of the show as well. He clearly had his vision, and it looks like he didn't let anyone stand in his way.
I really hope there's a season 2 because they leave us on a subtle cliffhanger, but a pretty big one at that. I thoroughly enjoyed this and it's originality. Give boots riley more money to make his ideas come to the screen!!
You can always rely on Boots Riley to hoof out something profoundly weird and I'm a Virgo is no exception to this. A meditation on superheroics, corporate culture and trueness to whatever one's self is - chock full of bizarre allegorical imagery and fascinating ideas. It's an art thing. Feels very art. In that, as a narrative, it's a little lacking. Its intentional metaphorics make it come across as fairly aloof and the deep message being presented on the most corporate television platform there is feels sadder than the trollish win it's painted as in some quarters. That being said, I feel like this endeavour may end up outliving the endless turgid cape crusades from the rival corporations, and the more cynical ones of the same network.
Standing 13' Tall with Jharrel Jerome
Standing 13' Tall with Jharrel Jerome
Emmy winner Jharrel Jerome shares the relatable and unexpected challenges of stepping into the very big shoes of his character, Cootie, in "I'm a Virgo."
Le saviez-vous
- AnecdotesMost of the show was filmed using forced camera perspective and both large and small scale puppets. Very little CGI was used.
- ConnexionsReferenced in Film Junk Podcast: Episode 904: Barbie + Oppenheimer (2023)
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- How many seasons does I'm a Virgo have?Alimenté par Alexa
Détails
- Durée
- 3h 31min(211 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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