NOTE IMDb
6,3/10
3,5 k
MA NOTE
À la dérive dans leur navette spatiale en panne et avec peu d'espoir d'être secourus, deux astronautes se disputent pour savoir s'il vaut mieux qu'ils passent les derniers jours en tant qu'a... Tout lireÀ la dérive dans leur navette spatiale en panne et avec peu d'espoir d'être secourus, deux astronautes se disputent pour savoir s'il vaut mieux qu'ils passent les derniers jours en tant qu'amis ou quelque chose de plus.À la dérive dans leur navette spatiale en panne et avec peu d'espoir d'être secourus, deux astronautes se disputent pour savoir s'il vaut mieux qu'ils passent les derniers jours en tant qu'amis ou quelque chose de plus.
- Réalisation
- Scénario
- Casting principal
Zoë Chao
- Jane Kuang
- (as Zoe Chao)
Angelica Agelviz
- Computer
- (voix)
- (as Angélica Agélviz)
Robert M Castillo
- Whitehouse Gala Guest
- (non crédité)
Rick Childress
- Party Attendee
- (non crédité)
Rebecca Chulew
- Photojournalist
- (non crédité)
Gabrielle Durr
- Extra
- (non crédité)
Avis à la une
The storyline has some interesting beats, and the performances by the leads (Anthony Mackie & Zoe Chao) are endearing. While it's best not to dig greatly into the sci-fi aspects of the film, this is one of those films that's uplifted greatly by the camaraderie the protagonists share. Even routine activities carry a delightful charm, and given the isolated setting of the film, it also helps that both the leads are fantastic dancers.
The writing (especially, the dialogues) gives them both sufficient shades and spends time detailing their pop-culture preferences (music, cinema), making it easy to connect with their mindsets. A particular decision they decide to take (and the moral dilemma behind it) is presented quite nicely. The visuals exude a Wes Anderson-esque charm; the colors are rich and bright, making the environs of the "space box" really appealing. Some of the storytelling steam is lost in the final 30 minutes and the resolution to the film's core problem is rather quick, but it sure doesn't take much away from its watchability factor.
The writing (especially, the dialogues) gives them both sufficient shades and spends time detailing their pop-culture preferences (music, cinema), making it easy to connect with their mindsets. A particular decision they decide to take (and the moral dilemma behind it) is presented quite nicely. The visuals exude a Wes Anderson-esque charm; the colors are rich and bright, making the environs of the "space box" really appealing. Some of the storytelling steam is lost in the final 30 minutes and the resolution to the film's core problem is rather quick, but it sure doesn't take much away from its watchability factor.
At the point of this writing there was only one other review posted and I completely disagree with there opinion. I actually really enjoyed this movie. Unlike the other review I was immediately hooked. I found this movie, while I admit is fairly predictable, to be unique and original. It was quirky and poignant with a healthy dose of heart. Both main characters were relatable and, more importantly, likable. The acting was great. Production was fantastic. Music was spot on. Honestly, I have no complaints. Listen, this movie isn't going to be studied in film school anytime soon and it probably won't win many awards but, at a time when it seems like every movie is either a sequel or a remake or based on a toy from the 80's it's nice to see something different. I enjoyed it.
I gave it an unequivocal nine (which I believe, if memory serves, I've only matched or exceeded for Rick and Morty and the EPIC David Attenbourough documentaries - seriously....) Bear in mind that I'm a 50 some odd, straight, single white guy and though I love a good, what we used to call 'chick flicks', but almost certainly wouldn't dare to these days - idk it just all worked for me - maybe I was stuck in a sentimental mood but, I mean literally I laughed I cried... Soooo ya know.... Run Dont walk!?? Lol - I hope you enjoy. (and if not, I mean I'd offer to refund your admission price but... I mean... Right?
One of Roger Ebert's most unappreciated legacies is his "20 Minute Test." If you are not hooked by the movie in the first 20 minutes, it is time to pull the plug. This is yet another "hi concept" film from Tinseltown, that being insider code for a movie so far from traditional plot arcs that literally the only one who completely understands what is happening is the writer. The larger question, the one nobody is asking, is why so many critics fell in love with the flic, basically calling it one of the best comedies of all time? No, sorry, you must have seen a different film. Well produced, well acted, but ultimately not what it is being marketed as. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
At first, I thought this movie was a time stretch...meaning it would've been a perfect tale for an anthology TV show but felt too stretched out to meet a standard movie length. But! Then I realized that it had effectively latched itself to my heart and made it ache for these characters. Well played! I very much appreciated that they didn't leave the story in space. I get that it's a whole vibe to leave movies on an open-ended note, but I prefer a nearly wrapped up bow. Call me unsophisticated, but I'm a sucker for a full love story. I also commend the team for managing to make a low-budget space movie that felt better than if it was done with and endless budget. The cutesy space stuff worked for me, it made it more endearing. Thoroughly enjoyed this movie.
Le saviez-vous
- GaffesThe United States flag patches on the orange jumpsuits' upper backs are facing the wrong way, with the starfield on the upper right. US flag display rules would place the starfield on the upper left corner of a flag on the back of a uniform.
- Citations
Adam Gherrity: 'Sense and Sensibility.' It's Hans Gruber in a love story.
- Bandes originalesSay That You Love Me
Written by Alec Khaoli, Richard Mitchell
Performed by Om Alec Khaoli
Courtesy of Gallo Record Company
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is If You Were the Last?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 27 459 $US
- Durée
- 1h 32min(92 min)
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant