Belle

Let's get it right from the start. This movie does have faults - the plot does lose its relation to common sense some times (at least once, but in a very key moment) and it does sink a few times in to very shallow cliché such as the basic premise of the virtual world which makes this story move - translating our inner qualities into a singular personal avatar that really represent who we are. But once again I find myself watching a movie, realizing it has faults and feeling these faults don't matter one bit. I rated it 8 stars but it felt much more like 9. Because Mamoru Hosoda understands the human soul like very few do. I've seen already one of his earlier films - Mirai No Mirai where the very same deep understanding is demonstrated, I rated it 9 but I must admit this movie was much more moving than Mirai. Because the earlier movie is much more analytical and easy to relate to intellectually, while this one works on a pure emotional level. I'm rarely moved by an animated film like I was while watching it, because the characters were real - it has a lot to do with the superb Japanese voice acting, I'm not sure it'll work so well when dubbed but in Japanese it was raw and real and spoke of real issues of grief as a formative experience and about learning to stand for your beliefs against overwhelming odds and about how the smallest support from one's friends can mean the world and work wonders.

One more point that wasn't made by the previous reviewers - it's called Belle (in English) because it's using the French La Belle et la Bete as a major point of reference. It's not Beauty and the Beast in a straight forward manner but the idea of Beauty's love as a releasing power is at the core of the movie. See it and you'll see what I mean, because I won't be adding on that issue.

I've enjoyed the last 3-4 movies from this director but this one was a misjudged sappy convoluted mess.

It tried to marry the world of idol performers (a manufactured and manipulated and notably shallow world of selling music based on looks and marketing) to the struggles of youth in the modern world, and it just won't fit unless you turn off everything you know about social media, and manufactured entertainment. For a director who's made some smart and insightful dramas this one misses its target in the big picture although many of the details that make his previous films worthy are still here.

There is a lot of japanese small town and city details that are rewardingly accurate and familiar. The images are fantastic (not photos as another reviewer criticised the film for, but just really good animation).

The characters when they're not spreading on the cheese are more well rounded japanese people, until they're shifted into cliche, but they switch between the 2 regularly.

It's like the film was directed by two directors, one making quality anime and the other making a greasy cheese sandwich. The end result is an uneasy mixture of the 2, and unfortunately the cheese is the overpowering taste left in ones mouth. I don't know what he was aiming for with this film but he made a move into hollywood and authentic japanese culture loses in that game.

I realised belatedly that this was a fresh new take on Beauty and The Beast only when the Beast was introduced, so I thought that this would be a typical romance story. But it wasn't and although it had darker themes such as child ab*se, it was handled quite alright - nothing too explicit but the ending felt incomplete. The visuals were stunning and the songs were incredibly beautiful. That last song even brought me to tears.

Spectacular visuals and animation but narrative is disjointed, particularly in the latter half of the film. Set up and themes don't quite land. Weak story.

Never tell anyone that you can't heap on the empathy in virtual reality by singing incredibly sappy and cheesy pop songs...

There's a part of me that wants to rate this even higher, or even possibly lower. At times this is staggeringly gorgeous - and I'm not sure if I'm in a minority opinion that the scene scenes taking place in the real world are much more eye catching and appealing than those in the U Dimension (except for the climax, where it walks a tightrope of like Care Bears energy and one of the most heart-soaring moments in modern film, but again animated with emotional gusto, like that thing at the end of movies where everyone is there to applaud/say goodbye to the hero) - and at other times it's that mopey-dopey teenage girl stuff that's not my thing. Have you ever seen an Anime where the teenage heroine freaks out because (gasp) a boy maybe looked her way or (extra gasp) people may know who she is from a virtual reality world in the real one? Lots of that here.

It's also completely open about it being so all-in on being Cornball and I admire and was involved by that. It may not address abuse and trauma and even grief necessarily in the most mature or well-rounded sense, but who would my old ass be to argue or look down if some young kid or teen somewhere found the messages about overcoming such rancid figures productive and meaningful (in real life as well as the web which is where all the horrors of the world multiply)?

It manages to use the main empathetic meat of Beauty and the Beast, primarily the Disney one (they even copy, brilliantly, that one image of the Beast showing regret after kicking Belle out), while not making it so verbatim it neglects its own characters. I guess this is to say if an anime has to do an homage to that, might as well do it with a pop singer and a giant dragon!

I'm not sure if it's great overall, and it's message about a daughter following in a mother's moral footprint is heavy - if, again, presented with a go for broke attitude for its emotional compass (this is BIG, and it's fitting if possible to see it in IMAX as I was lucky to do). I also wonder if it could bother to reckon with people living as a New Body in U. But I'll surely remember that little and pivotal scene where Suzu comes up with the song and how that is animated and edited is staggeringly good.