Après que sa famille ait été kidnappée pendant leur voyage en Espagne, un jeune trader de Wall Street est confronté aux responsables : des agents des services secrets qui cherchent à récupér... Tout lireAprès que sa famille ait été kidnappée pendant leur voyage en Espagne, un jeune trader de Wall Street est confronté aux responsables : des agents des services secrets qui cherchent à récupérer une mystérieuse mallette.Après que sa famille ait été kidnappée pendant leur voyage en Espagne, un jeune trader de Wall Street est confronté aux responsables : des agents des services secrets qui cherchent à récupérer une mystérieuse mallette.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
"In the Cold Light of Day" is no "Bourne Identity". It has something of a made-for-TV look to it. At one point while watching, I was reminded of the 80s action/espionage type films sometimes directed by the likes of Lucio Fulci (Contraband, 1980) or Ruggero Deodato (Cut & Run, 1985). I suspect "In the Cold Light of Day" will look as bad in 20-odd years as those earlier films look today. OK, this film is somewhat better production values-wise (but lighter on the Italians' trademark violence), but it still has that Euro-American co-production 'el cheapo' look to it.
Nonetheless, it is, as my review heading states, quite entertaining. It plods along amiably enough for much of its length until the film's highlight, around 16 minutes from the end: a very well executed and imaginative car chase sequence. It's pretty long, well-shot (as is much of the film, incidentally), includes several creative elements, and is fast-paced and pays off well. It's one of the best car chases this reviewer recalls seeing in quite a while.
I suppose a score of 6 out of 10 is quite generous for a mediocre film such as this, but it does reflect the entertainment value this reviewer enjoyed.
Nonetheless, it is, as my review heading states, quite entertaining. It plods along amiably enough for much of its length until the film's highlight, around 16 minutes from the end: a very well executed and imaginative car chase sequence. It's pretty long, well-shot (as is much of the film, incidentally), includes several creative elements, and is fast-paced and pays off well. It's one of the best car chases this reviewer recalls seeing in quite a while.
I suppose a score of 6 out of 10 is quite generous for a mediocre film such as this, but it does reflect the entertainment value this reviewer enjoyed.
The film is not bad and not excellent - it straddles the average line sort of. Not to give much away, i was quite surprised by the film on a whole. Every time i watch a Bruce Willis film i expect to see him in the lead role but he was not the star today - i guess Henry Cavill is steadily been built up to become an A-lister (don't forget he is playing Superman in the 'Man if Steel') The script is OK but does need work in certain areas (watch and find out) Sigourney Weaver played an unconvincing baddie and 'unknown'Verónica Echegui character could have been more involving. I could go on and on but i will leave it there.
My score: 6.5/10 which is decent
My score: 6.5/10 which is decent
Ok it's not a work of art but once things get going this movie is tense and doesn't let up until the end. The acting is solid aside from Sigourney Weaver who was a miscast in my opinion. Lines were all flat except for one. Henry Cavill is great as the lead, with emotions and intensity that make sense given the situation. Bruce Willis is convincing and the rest of the cast all put in good performances. If you're a fan of car chases, the finale of this delivers a long one.
Everything else worked with solid cinematography. There aren't a bunch of quick shots where you can't tell what's happening. The action scenes benefit the most from this and there's no CGI that I could see. It's an entertaining thriller/action flick that doesn't cheat with what it's delivering.
Everything else worked with solid cinematography. There aren't a bunch of quick shots where you can't tell what's happening. The action scenes benefit the most from this and there's no CGI that I could see. It's an entertaining thriller/action flick that doesn't cheat with what it's delivering.
A guy goes on a vacation with his family and then his family disappears. He spends the rest of the time trying to find them and learns some difficult things about his dad. Comparisons to Bourne Identity are stupid. This is not like Bourne. This guy has no training as a covert agent. He goes through an awful lot of bad stuff trying to find his family.
That being said, Bruce Willis is not in that much of the movie. This is a Henry Cavill movie. And he's pretty darn attractive to watch.
There is a lot of action, lot of shooting, beating up, etc. Crooked government people.
But overall, not a bad movie to watch!! If you wanted to see Bourne, go watch that movie!
That being said, Bruce Willis is not in that much of the movie. This is a Henry Cavill movie. And he's pretty darn attractive to watch.
There is a lot of action, lot of shooting, beating up, etc. Crooked government people.
But overall, not a bad movie to watch!! If you wanted to see Bourne, go watch that movie!
Well I wasn't expecting much from this film to begin with and I certainly wasn't wrong with how the film panned out. When I arrived in the theatre there was background music playing over the trailers and adverts. This even continued into the start of the film! Therefore I couldn't actually hear what was going on for the first 3 or 4 minutes. I should have known what my experience was going to be like after that. I thought the film had a promising start with Willis being about the only semblance of my enjoyment. But it all went downhill after the first 25 minutes or so. I thought the script was dire and the action sequences were poorly directed. In some of the scenes I could plainly tell an effort was being made by the director to imitate some classic action scenes in the Bourne series. The whole business with the briefcase also left a lot to be desired.
Weaver's performance was puzzling. She appears as a ruthless agency operative but at points in the film I was wondering if she thought she was starring in a comedy with her outrageous behaviour in some of the end scenes. Overall I'd say save your money for a better film that doesn't try to rip off other films in its genre.
Weaver's performance was puzzling. She appears as a ruthless agency operative but at points in the film I was wondering if she thought she was starring in a comedy with her outrageous behaviour in some of the end scenes. Overall I'd say save your money for a better film that doesn't try to rip off other films in its genre.
Le saviez-vous
- AnecdotesWhen Henry Cavill turned up on set, he had just finished shooting Les Immortels (2011) and came sporting an extremely muscular and ultra-ripped physique. Director Mabrouk El Mechri told him that he had to play an ordinary man and that his current body would be completely wrong for the character. Cavill had to lose all the muscle tone and mass that he gained over the previous six months to get his body to look like that of an average man. He did it by eating and drinking a lot and not working out.
- GaffesWill never runs out of bullets and has no magazines.
- Versions alternativesThe UK release was cut, this film was originally seen for advice. The distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A could be obtained by making cuts in two scenes, to reduce a focus on injury in one scene and to remove a large blood spurt in another. When the film was submitted for formal classification, these changes had been made and the film was classified 12A.
- ConnexionsFeatured in Projector: The Cold Light of Day (2012)
- Bandes originalesNobody But You
Written by Ali Dee, Alana Da Fonseca and Dan Zank
Performed by Alana Da Fonseca (as Alana D)
Courtesy of Deetown Entertainment
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- How long is The Cold Light of Day?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Dura verdad
- Lieux de tournage
- Moraira, Comunidad Valenciana, Espagne(boat and harbour scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 763 583 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 831 588 $US
- 9 sept. 2012
- Montant brut mondial
- 16 863 583 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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