The Long Call

The Long Call is adapted from the first novel of a new series by Ann Cleeves (Shetland & Vera) so comes from a fine pedigree.

The show follows a gay male detective, (amazingly for the first time on UK TV) Matthew Venn as he returns to a strict evangelical community in Devon to attend his father's funeral before investigating a murder.

It was stylish but the direction was poor technically and trying too hard to be edgy it ended up being distracting. The scene in the first episode between Neil Morrissey and Pearl Mackie was bizzarely shot, you'd think they'd let a passerby have a go behind the camera...

Main problem though was that the lead actor Ben Aldridge was too ineffectual and bland, he spent most of his time standing still and thinking aloud with his hands in his designer trouser pockets. The story would have been better told in fewer episodes or over 90 minutes. The script was ponderous.

New detective shows do need time to bed in - and I do hope they get a second series to try and nail it. The ending was good and satisfying but sadly this series was very much style over substance and too slow. I can't blame the many viewers that abandoned ship.

I really, really tried to like this more but the boredom of the direction and script defeated me. The stationary camera fails to keep our eyes interested, despite some of the gorgeous scenery. Then there's a stony Ben Aldridge who fails to capture our empathy.

The makers of the show must've known there were problems: the music is far too intrusive and just as tedious as the dreary dialog. Music this gratuitous is usually used to compensate for an unremarkable script or tepid direction, both of which this series possesses.

There are moments of real plot movement here but they are far too rare. You become involved, then are brought back down by some dull religious or backstory dialog that prompts you to fast forward through the dreary talk.

In North Devon, a body washes up on a beach, on trj case is DI Matthew Venn, who's battling demons past and present.

This is very much a drama of two halves, my advice would be, stick with it. I wasn't exactly in raptures over episodes one and two, but it does improve, it builds well to an exciting snd dramatic finale.

It's not the typical crime drama you expect nowadays, no conspiracies, car chases or guns, it's all very measured, some may fairly argue slow, but the drama comes from control and fear.

It should have been 3 episodes at most, in parts it is dull, plain and simple dull. However it's almost worth sticking with just for the ending.

The locations are beautiful, that was never going to fail, some of the views are incredible.

The best element for me is the acting. Ben Aldridge is good, he's well cast, and certainly very handsome. Martin Shaw, Juliet Stevenson and Neil Morrissey at all very good, for me it's Anita Dobson who steals the show, I always knew she was good, I wasn't aware that she was tbis good.

Stick at it, 7/10.

By episode 3 I'd forgotten what the story was all about. The characters are like cardboard. Flat and totally without character. The speech is muffled and toneless. The plot is....don't really know, my brain was too bored to take it in.

What a complete waste of the ITV 9 o'clock slot.

And coming straight after Hollingdon Drive series! (another dreadful waste of time) ITV get your act together.

Yes the first episode is kinda slow but it seems to me as if it's intentional. Each episode peeled back the layers of lies and secrets. Even exposing Matthew to how he hid his own shame and even he had to tearfully acknowledge that. I hope there's a second season where the characters can be further developed.