Zalava

My absolute highlight of the Fantasy Filmfest so far (last day today). I just love it, when a movie engages with the viewer and knows that there are people who want to be challenged. Who want to think about things, who want the option to explain things themselves. What is real, what is actually happening? Do we see what we see or is there a different explanation? You can make your own mind up, what actually happens or happened.

Also the power of certain movements. Group movements, societal angst, fear in general and what it can make you do ... power in groups and auhorities. Can everything be explained? And should we rather be on the safe side? There are no easy answers here ... especially because of the way things unfold.

And by unfold I mean ... well you'll have to see. Althought even seeing, doesn't mean that what you saw is actually what happened. Can it be a coincidence if a glass breaks that is not supposed to break? Again this is so good because you can do things in your mind with it. And the way everyone is playing their character ... can there actually be a happy end? Really loved how "simple" this is on one hand, but how complex it is in the bigger scheme - making you think about it way after you've watched it.

.... namely non-Persians....: this movie threads its politics and nationalism very carefully. With a potential loss for the depth and intensity of the story, it does not engage Islam in any way too. The exorcist seems to have never heard of Quran: pretty surprising when compared to the ubiquitous Christian theme of priests-exorcists.

This well-written story, starting from the total denial of the demonic, slowly takes more pro-demon stance (but never decisively) by engaging the love of the main character, a gendarmerie sergeant, for a local doctor, who is a reluctant demon believer (of the kind: it does not harm to believe). Once more, Eve (Malilah) leads Adam (Massoud) astray.

In its approach to ghosts/demons, the movie reminded me about "Benedetta" by Paul Verhoeven: both films leave open the question whether demons exist or not.

A beautiful Iranian film capable of showing what is not there and creating tension with a simple glass jar. Difficult, once seen, to forget it. In a village in Kurdistan, just before the revolution, a young sceptical sergeant fights against the irrational beliefs of the local population. They believe that demons (the jinn of the Islamic religion) exist and take possession of men and women. In this case they have to be shot in the legs to draw out the blood and with it the demon. The sergeant tries to convince them that this does not exist, but the arrival of an exorcist (who in the eyes of the sergeant seems nothing more than a vulgar charlatan) sets the stage for an impending tragedy. Wonderful atmosphere, excellent pace, solid tension and a sharp reflection on the unhealthy power of faith and autosuggestion and how little reason can do in the face of these destructive forces. Not to be missed.

I have a feeling people who don't like this movie rate the Avengers movies pretty high. The movie broods but takes you on a journey that allows you to investigate your own relationship to the concepts of faith, fear, and motivation. Highly recommend.

This movie was made in 2021. Fear is always associated with strange things and intangible events and issues. Fear of the beyond or things that cannot be seen and touched is one of the greatest experiences of fear for humans. Fear of things like demons or devils or things like that, which cinema has always benefited from and had good sales. Zalawa is also a kind of contrast between wisdom and ignorance. A fear that may come from ignorance and an intellect that is alone and must stand in front of an ignorant crowd. Zalava has good actors, but it is an ordinary film and nothing more. In fact, it cannot be said that Zalava is an attractive film, but the acting of the actors is acceptable and may bring the audience along.