Alors que la guerre froide fait rage, l'espion réticent Harry Palmer se retrouve au centre d'une dangereuse mission d'infiltration, dans laquelle il doit utiliser ses ressources pour retrouv... Tout lireAlors que la guerre froide fait rage, l'espion réticent Harry Palmer se retrouve au centre d'une dangereuse mission d'infiltration, dans laquelle il doit utiliser ses ressources pour retrouver un scientifique nucléaire britannique disparu.Alors que la guerre froide fait rage, l'espion réticent Harry Palmer se retrouve au centre d'une dangereuse mission d'infiltration, dans laquelle il doit utiliser ses ressources pour retrouver un scientifique nucléaire britannique disparu.
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- 1 nomination au total
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I have binged this like I haven't for ages. Imdb gives very mixed reviews and compares it to the film a lot. The film is a classic but hasn't really held up to time.
This doesn't take away from the film and the plot is as solid as ever.
I really like the cast and the main leads are stellar.
The female leads are what stand out for me however as the focus isn't solely on Palmer, but subtly he takes a second to Jean's character who doesn't put a foot wrong and Lucy Boynton is both talented and stunning.
If you like classic drama done well watch this.
This doesn't take away from the film and the plot is as solid as ever.
I really like the cast and the main leads are stellar.
The female leads are what stand out for me however as the focus isn't solely on Palmer, but subtly he takes a second to Jean's character who doesn't put a foot wrong and Lucy Boynton is both talented and stunning.
If you like classic drama done well watch this.
The Ipcress File is quite enjoyable. In a classic style of way. One way is the fact is that it doesn't have the necessary action, booms and bangs that current movies have. More cerebral and dialogue driven. Multiple homages to the original movie and Michael Caine. Yet there are moments that "drag" on a tad too much.
The style of shooting of the "Dutch tilt" is effective and relevant for particular suspense moments. Unfortunately it is over used, and not necessarily required in literally 90% of the show.
Acting from the main cast is realistic and well portrayed for the relevant time / era.
Always enjoyable to see Tom Hollander excel as usual.
The style of shooting of the "Dutch tilt" is effective and relevant for particular suspense moments. Unfortunately it is over used, and not necessarily required in literally 90% of the show.
Acting from the main cast is realistic and well portrayed for the relevant time / era.
Always enjoyable to see Tom Hollander excel as usual.
I think the reviews here are overly negative.
Sure, we all like to stand up for old movies with actors like Michael Cain and proudly announce how superior that is to anything that's new. This is also the people that think vinyl is superior due to the warmer sound....
I thought this show was pretty entertaining. Sure, it has its flaws - it struggles to find its place in comedy, drama and thriller - but does it have to be one thing?
And sure the angled camera shots gets REALLY old already half-way through episode one - but, I just felt that it added to the whole 'cartoonish' take on the story. It doesn't take itself too seriously. It has some fun with the source material.
I for one rather enjoyed the ride.
Sure, we all like to stand up for old movies with actors like Michael Cain and proudly announce how superior that is to anything that's new. This is also the people that think vinyl is superior due to the warmer sound....
I thought this show was pretty entertaining. Sure, it has its flaws - it struggles to find its place in comedy, drama and thriller - but does it have to be one thing?
And sure the angled camera shots gets REALLY old already half-way through episode one - but, I just felt that it added to the whole 'cartoonish' take on the story. It doesn't take itself too seriously. It has some fun with the source material.
I for one rather enjoyed the ride.
While some may be overly critical of this show by comparing it to the classic 1965 movie, I think this show can stand on its own. I loved the "vintage" cinematic look they achieved. They could have done something atrocious as many remakes do, of "re-imagining" to the modern era (and they certainly could have--the cold war is back). As this show sets out to be a very different animal than the earlier classic, there's no need to compare.
The story moves quickly and smoothly, though it meanders a bit in the middle episodes to establish a second arc. But very little is wasted; no unnecessary side arcs, no eyerolling overtures to politically correctness or woke agenda. It stays laser-focused on telling the story.
The acting is very good if not excellent. Cole doesn't fit the stereotype British agent, but he makes it work, though he deadpans most scenes. Boynton is well cast as a beautiful but cold and bitter agent who warms up to Palmer in a believable way, and really carries the show. Hollander gives an excellent performance, as well, as a pragmatic veteran spook who finds himself trapped by his past.
I'm not sure if they will fabricate a second series, but this first one can stand alone very nicely.
The story moves quickly and smoothly, though it meanders a bit in the middle episodes to establish a second arc. But very little is wasted; no unnecessary side arcs, no eyerolling overtures to politically correctness or woke agenda. It stays laser-focused on telling the story.
The acting is very good if not excellent. Cole doesn't fit the stereotype British agent, but he makes it work, though he deadpans most scenes. Boynton is well cast as a beautiful but cold and bitter agent who warms up to Palmer in a believable way, and really carries the show. Hollander gives an excellent performance, as well, as a pragmatic veteran spook who finds himself trapped by his past.
I'm not sure if they will fabricate a second series, but this first one can stand alone very nicely.
New six part TV adaptation of Len Deighton's classic spy thriller with the protagonist spy Harry Palmer played so memorably by Michael Caine in the 1965 film.
I liked it, excellent period detailing, a snappy soundtrack, a strong ensemble cast throughout, so stylish and a script as sharp as Harry Palmer's suits. Production values were high and it was really well directed.
Joe Cole vs. Michael Caine - well who was ever going to top Caine? But he put up a good fight and played it well in his own understated way - Lucy Boynton was a revelation and Tom Hollander also excelled. All round a winner and the ending was satisfying and very neatly done.
Congrats to all involved, can see a few Bafta's heading its way..
I liked it, excellent period detailing, a snappy soundtrack, a strong ensemble cast throughout, so stylish and a script as sharp as Harry Palmer's suits. Production values were high and it was really well directed.
Joe Cole vs. Michael Caine - well who was ever going to top Caine? But he put up a good fight and played it well in his own understated way - Lucy Boynton was a revelation and Tom Hollander also excelled. All round a winner and the ending was satisfying and very neatly done.
Congrats to all involved, can see a few Bafta's heading its way..
Le saviez-vous
- AnecdotesThe character names "Harry Palmer" and Jean Courtney" are retained for the central characters from the 1965 film. In the novel, the hero has no name - although it is specifically stated that his name is NOT Harry - whilst Jean is surnamed "Tonneson".
- GaffesWhilst in the South Pacific, Harry has no trouble making a phone call to Britain. In 1963, before satellite communications, this would in fact have been very difficult and time consuming. He would have had to call the operator and book a call, which would have had to travel over copper cables. At that time you could not even call the USA from Britain without booking a call with the operator.
- ConnexionsFeatured in Jeremy Vine: Épisode #5.55 (2022)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Ipcress File
- Lieux de tournage
- Zagreb, Croatie(Berlin, Vienna, Helsinki exteriors)
- Sociétés de production
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