Une comédie romantique sur un scénariste de thriller et une actrice spécialisée dans les comédies romantiques. Alors que le scénariste choisit de ne pas sortir avec quelqu'un, l'actrice ne s... Tout lireUne comédie romantique sur un scénariste de thriller et une actrice spécialisée dans les comédies romantiques. Alors que le scénariste choisit de ne pas sortir avec quelqu'un, l'actrice ne semble pas vouloir sortir avec quelqu'un.Une comédie romantique sur un scénariste de thriller et une actrice spécialisée dans les comédies romantiques. Alors que le scénariste choisit de ne pas sortir avec quelqu'un, l'actrice ne semble pas vouloir sortir avec quelqu'un.
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This drama started off well, but kinda lost interest by episode 6. The female lead is supposed to be this kind, helpful, thoughtful actress while the male lead is an eccentric writer who is a bit narcissistic.
By episode 7, by the magic of God knows what, the female lead suddenly can't decide between the two guys who've confessed to her and instead chooses to play the field, saying she likes them both. That's a complete 180 from her behavior. Also, the male lead is portrayed as a clingy, jealous baby. It's like both the leads drank a magic potion of stupid provided by the writer. The male lead instead of spending precious moments with his dying mother, instead decides to run around the female lead trying to get his attention. All the character development until ep 5-6 goes out the window, along with the storyline and quite possibly the interest of the viewers with episode 7. The drama crew probably wanted to start a love triangle between Joo-in, Bi-soo and whatshisname (who surprisingly has just one expression on his face because apparently his script described his character to act goofy at all times) but this drama should know when not to kdrama. So, they used the love triangle plot. What's next? Bi-soo is going to die(the angel guy said he just extended Bi-soo's lifespan by a short while) so he meets an accident. Then we'll have the female lead finding out about it and rushing to be on his side, realizing she loved him all along. He survives but loses his memory and she tries to win his heart again (because kdrama has to kdrama).
By episode 7, by the magic of God knows what, the female lead suddenly can't decide between the two guys who've confessed to her and instead chooses to play the field, saying she likes them both. That's a complete 180 from her behavior. Also, the male lead is portrayed as a clingy, jealous baby. It's like both the leads drank a magic potion of stupid provided by the writer. The male lead instead of spending precious moments with his dying mother, instead decides to run around the female lead trying to get his attention. All the character development until ep 5-6 goes out the window, along with the storyline and quite possibly the interest of the viewers with episode 7. The drama crew probably wanted to start a love triangle between Joo-in, Bi-soo and whatshisname (who surprisingly has just one expression on his face because apparently his script described his character to act goofy at all times) but this drama should know when not to kdrama. So, they used the love triangle plot. What's next? Bi-soo is going to die(the angel guy said he just extended Bi-soo's lifespan by a short while) so he meets an accident. Then we'll have the female lead finding out about it and rushing to be on his side, realizing she loved him all along. He survives but loses his memory and she tries to win his heart again (because kdrama has to kdrama).
For a start the title Lady Lord is ridiculous - it would be Landlady if anything. I am wondering how a mother could sell the house her son lives in without telling him - and how if she is the owner - he has the power to stop the sale. This is the standard of writing in this series.
Th FL is a poor actress taking the part of a poor actress - you'd think she would be good at that but she wasn't.
I only watched this for Li Min ki - I have no idea why he signed on for this which was a total rip-off of "Because this is my first life". That series was better in every regard including acting - writing and directing.
I guess it was just a means to a financial end.
Th FL is a poor actress taking the part of a poor actress - you'd think she would be good at that but she wasn't.
I only watched this for Li Min ki - I have no idea why he signed on for this which was a total rip-off of "Because this is my first life". That series was better in every regard including acting - writing and directing.
I guess it was just a means to a financial end.
This kdrama hits many of the familiar tropes, but nails them with such accuracy and charm that viewers will be willing to forgive the familiarity. Lee Min-ki and Nana are both excellent in this type of rom-com, and they exhibit great chemistry. The side characters are all well drawn and have nice story arcs too. The first few episodes are light and fresh... but the show teases hidden depths to come. This is a great drama for those experienced with the kdrama aesthetic... or for those who want a perfect introduction. With this... and last year's fantastic "Into the Ring", Nana is quickly becoming the go-to-actress for this type of role -- the strong independent woman with a heart of gold.
Part 2, at the end part 1 is the beginning of part 2, he wakes up from a coma to his real father sitting next to him. His real father is alive, he was kept secret from him until he ended up in a coma. Everyone is still alive. When he gets out of the hospital he rewrites the story. Joo-in doesn't like him and is in relationship with Yu-jin. Anyway Joo-in is convinced into acting in the series. BI-soo ends up with Joo-in after she realizes he wrote the series for her. Bi-soo's mother doesn't have cancer divorces the step dad and dates Kim Cang wan. Bi-soo's mother and Joo-in's mother move into their own place, traveling all over the world.
This is a classic example of what I like to call a waste of carbon emission. It's impressive how a drama can fail on every metric there is and still get to finish its full run. It's fundamentally dysfunctional even if we were to disregard the epilogue. Yikes! On another note, Nana needs to figure out how to turn on her facial muscles appropriately with the scene. This is a classic example of what I like to call a waste of carbon emission. It's impressive how a drama can fail on every metric there is and still get to finish its full run. It's fundamentally dysfunctional even if we were to disregard the epilogue. Yikes! On another note, Nana needs to figure out how to turn on her facial muscles appropriately with the scene.
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