NOTE IMDb
5,5/10
92 k
MA NOTE
L'histoire de deux flics de la NYPD à la recherche d'une carte de baseball volée, rare mais en parfait état, et qui se retrouvent vite face à un impitoyable gangster obsédé par les objets so... Tout lireL'histoire de deux flics de la NYPD à la recherche d'une carte de baseball volée, rare mais en parfait état, et qui se retrouvent vite face à un impitoyable gangster obsédé par les objets souvenirs !L'histoire de deux flics de la NYPD à la recherche d'une carte de baseball volée, rare mais en parfait état, et qui se retrouvent vite face à un impitoyable gangster obsédé par les objets souvenirs !
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Juan Carlos Hernández
- Raul
- (as Juan Carlos Hernandez)
Guillermo Diaz
- Poh Boy
- (as Guillermo Díaz)
Avis à la une
There are so many films within this genre, plus a whole host on TV, that the risk of making it is that we have all seen it before. There is inevitably a touch of that in this film, but it does have some solid acting by all the main characters to give it some impetus at crucial times.
Cop Bruce Willis must raise face saving money for his daughter's wedding and he has worked out a legal way of doing so. From there we have a carefully interwoven sequence of events that lead us through the story to an ending not quite what you may expect.
It is enjoyable, funny in places, doesn't take itself too seriously, and whisks you through a couple of hours. Not everyone's cup of tea given the competition but still an okay film. Six out of ten.
Cop Bruce Willis must raise face saving money for his daughter's wedding and he has worked out a legal way of doing so. From there we have a carefully interwoven sequence of events that lead us through the story to an ending not quite what you may expect.
It is enjoyable, funny in places, doesn't take itself too seriously, and whisks you through a couple of hours. Not everyone's cup of tea given the competition but still an okay film. Six out of ten.
After a clumsy operation trying to capture a drug dealer, the N.Y.P.D Detectives Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) are suspended for one month by their Captain Romans (Sean Cullen). Jimmy decides to sell his rare baseball card to pay the expensive wedding of his daughter while his jealous partner believes that his wife is cheating him with their next-door neighbor. When Jimmy is selling his card to a memorabilia store, the place is stolen by two smalltime thieves and the detective loses his card. They track down the thieves and discover that he exchanged the card per drugs with the powerful drug lord Poh Boy (Guilermo Diaz). Jimmy and Paul seek out the gangster that proposes to trade the card per his car that had been carjacked. The detectives find the car but when they open the truck, they have a huge surprise.
"Cop Out" is a film that uses the old formula of combination of action and comedy that usually works. Kevin Smith is no longer that bold independent director from "Clerks" or "Chasing Amy" and follows the easy way of Hollywood making a conventional film, supported by the chemistry between Bruce Willis and Tracy Morgan. The story is entertaining and predictable. My vote is six.
Title (Brazil): "Tiras em Apuros" ("Cops in Trouble")
"Cop Out" is a film that uses the old formula of combination of action and comedy that usually works. Kevin Smith is no longer that bold independent director from "Clerks" or "Chasing Amy" and follows the easy way of Hollywood making a conventional film, supported by the chemistry between Bruce Willis and Tracy Morgan. The story is entertaining and predictable. My vote is six.
Title (Brazil): "Tiras em Apuros" ("Cops in Trouble")
I guess you could call a few scenes mildly amusing but this movie never delivered any laugh out loud moments. It certainly never rings true as an action film. I don't know if they were mocking or paying homage to movies like Lethal Weapon and that's precisely the problem. Bruce Willis was solid but Tracy Morgan was severely out of place. While I find Morgan funny, his act wears thin fast. Also, Kevin Smith experimenting with the hand-held shaky camera craze has to be considered a colossal failure. Maybe it wasn't even intentional but I had to look away from the screen on some simple shots because of the motion. What was he thinking? Doesn't anyone screen the final cut and let him know what was wrong?
Kevin Smith is one of my favorite modern filmmakers, but everyone makes mistakes and Smith's latest is COP OUT. I really wanted to enjoy this movie. Unfortunately, the movie was so mediocre that I found my attention wandering through most of it. The film, Smith's attempt at recreating the fun of 80's buddy cop films, stars Bruce Willis and Tracey Morgan as two disgraced cops who are suspended after a botched stake-out. The timing couldn't be worse, as Jimmy (Willis) is trying to pay for his daughter's wedding. He decides to sell off a rare baseball card to raise the funds, but a robbery relieves him of the card before he can. Jimmy and his long-time partner Paul (Morgan) set out to track down the baseball card and find themselves in the middle of a case to bring down a local drug lord who hopes to expand his business.
See, it even sounds like an 80s buddy cop movie!! The problem here is that the film isn't funny enough to be a full comedy, and the action isn't strong enough to be a decent action film. So it just sits in the middle, failing to appease people who watched it for either reason. Smith has created some of my favorite comedies (DOGMA was awesome, and JAY & SILENT BOB STRIKE BACK is one of my guilty pleasures), but those were films he'd written and directed. Here, the writing duties had been given to Robb and Mark Cullen. I've never seen anything written by the Cullens and, thanks to COP OUT, I'm not in any real rush to do so. Smith's trademark borderline-juvenile comedy that usually has me laughing so hard I can't breathe is pretty much gone (though he does manage to toss in his obligatory STAR WARS reference) and replaced by cringe-worthy low(er) brow toilet humor.
The problem isn't just with the writing and weak action sequences, it's with the casting. I love Willis but he doesn't really seem to get much to work with, and for most of the movie he comes off as bored. Morgan was all right back in the day on SNL and he's pretty good on 30 ROCK, but he grinds on my nerves here. He has a few funny moments, but you need more than a few when you're helping carry an entire feature. The worst bit of casting came in the form of Guillermo Diaz as Poh Boy, the drug lord villain. Maybe it's because I can only remember him as Scarface from HALF-BAKED but I couldn't take any of his bad guy schtick seriously. Sean William Scott has the only real funny role in the movie as the S**t Bandit (so named because the cops spy him using the bathroom in the middle of a burglary). Scott earns the most laughs with his eccentric, childish games eating away at Paul's nerves.
I don't consider COP OUT a bad movie, because it's not so terribly done that I can't watch it. It has a couple fun moments but they're not enough to save the movie. The film never rises above mediocre and I hope this serves as a lesson to Smith that he should continue to write his own movies. I'm sure if he had put this together himself, it would've been light years better and we'd be applauding Smith for trying a new genre instead of wishing he hadn't.
See, it even sounds like an 80s buddy cop movie!! The problem here is that the film isn't funny enough to be a full comedy, and the action isn't strong enough to be a decent action film. So it just sits in the middle, failing to appease people who watched it for either reason. Smith has created some of my favorite comedies (DOGMA was awesome, and JAY & SILENT BOB STRIKE BACK is one of my guilty pleasures), but those were films he'd written and directed. Here, the writing duties had been given to Robb and Mark Cullen. I've never seen anything written by the Cullens and, thanks to COP OUT, I'm not in any real rush to do so. Smith's trademark borderline-juvenile comedy that usually has me laughing so hard I can't breathe is pretty much gone (though he does manage to toss in his obligatory STAR WARS reference) and replaced by cringe-worthy low(er) brow toilet humor.
The problem isn't just with the writing and weak action sequences, it's with the casting. I love Willis but he doesn't really seem to get much to work with, and for most of the movie he comes off as bored. Morgan was all right back in the day on SNL and he's pretty good on 30 ROCK, but he grinds on my nerves here. He has a few funny moments, but you need more than a few when you're helping carry an entire feature. The worst bit of casting came in the form of Guillermo Diaz as Poh Boy, the drug lord villain. Maybe it's because I can only remember him as Scarface from HALF-BAKED but I couldn't take any of his bad guy schtick seriously. Sean William Scott has the only real funny role in the movie as the S**t Bandit (so named because the cops spy him using the bathroom in the middle of a burglary). Scott earns the most laughs with his eccentric, childish games eating away at Paul's nerves.
I don't consider COP OUT a bad movie, because it's not so terribly done that I can't watch it. It has a couple fun moments but they're not enough to save the movie. The film never rises above mediocre and I hope this serves as a lesson to Smith that he should continue to write his own movies. I'm sure if he had put this together himself, it would've been light years better and we'd be applauding Smith for trying a new genre instead of wishing he hadn't.
'Cop Out' is perhaps Kevin Smith's most 'un-Kevin Smith' film. It lacks the brand of humour his previous works had. Even though he has made his share of bad films next to a few great ones, the jokes usually work. In 'Cop Out' most of them fall flat. The story (if there is one) has no direction at all. The characters are annoying. Supporting characters appear and disappear randomly. In Smith's defence, he wasn't part of the writing department (though he was involved in the editing) and the script is just one big mess. I still wonder why he decided to make this? Even the actors seem to lack interest. Tracy Morgan is completely miscast and he has no chemistry with any of his costars. Actually none of the actors have chemistry. Bruce Willis too is unimpressive. Perhaps he's finally tired of playing the same kind of role over and over again. The title is somewhat right for the movie although I don't think it ever had potential.
Le saviez-vous
- AnecdotesSeann William Scott said on Kevin Pollak's Chat Show that a lot of his scenes were improvised, such as the scene where he finishes Tracy Morgan's lines and the jail scene.
- GaffesTowards the end of the film when Jimmy arrives at Poh Boys house during a "shoot out" he has a white bandage on his right forearm, despite not incurring any injury to his arm earlier in the film. The injury to his arm actually occurred in a deleted scene with a fight with a waitress in the restaurant where they went for translation help.
- Citations
Paul Hodges: [screaming random movie lines to get a suspect to talk] Yippie-ki-yay, motherfucker!
Jimmy Monroe: I've never seen that movie before.
- ConnexionsFeatured in Trailer Failure: Cop Out, Furry Vengeance (2010)
- Bandes originalesNo Sleep Till Brooklyn
Written by Mike D (as Michael Diamond), Adam Horovitz, Rick Rubin and Adam Yauch
Performed by Beastie Boys
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Dos inútiles en patrulla
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 44 875 481 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 211 126 $US
- 28 févr. 2010
- Montant brut mondial
- 55 611 001 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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