American Dreamer

Very bad and not entertaining to watch and kinda boring to be honest, the cast is great but its just not an interesting premise and the lackluster performance don't help to fix this mess, its a very lame movie and im very sad after watching it, its just a mess, there are only scenes after scenes after scenes and there is no connection or nothing interesting happening, Peter i guess he is stuck, he always act the same and he doesn't even try anymore and that's so sad because i love the way, he is the same a Esposito from Breakking Bad, he act always like the character that made him famous overall 5/10.

Peter Dinklage is Phil, a 50-something non-tenured professor of Economics at a college in Massachusetts (actually shot in British Colombia). As he tells a few of his students when they are in a bar for beers, a man just wants two things, to go home and a good sandwich.

Phil wants both, the sandwich he gets at the vending machine at work, it is sparse but add enough mustard and BBQ sauce from the small packets in the drawer and it fills the bill. Going home is a bit harder. He wants his own house with a strip of yard but can't really afford much.

That is until he sees the ad, an older woman has a very nice, expensive estate and will sell it for an affordable price with one condition - she is allowed to remain living there until she dies while Phil occupies the small adjoining apartment. Phil pools all his resources and takes the plunge.

I have long been a Shirley MacLaine fan, she is the same age as my older sister Sylvia, here she plays the older lady Astrid. Much of the fun in the movie is the interplay between her and Phil after he signs the papers and moves in.

My wife and I watched it streaming on Prime, a totally entertaining movie.

Owning a home is more than just a roof over your head in America-it's a cornerstone of financial security. Imagine stumbling upon a deal to buy a mansion valued at $5 million for a mere $240,000, with a catch: it becomes yours only after the current owner's demise. Would you leap at this chance, gambling on a future windfall?

This premise unfolds in "American Dreamer," a film inspired by a remarkable account from Chicago Public Radio's This American Life. Peter Dinklage stars as Phil Loder, an economically struggling, twice-divorced economics professor whose dream of homeownership feels like a distant mirage. That is until he crosses paths with Astrid Finnelli, portrayed by Shirley MacLaine, a childless, elderly widow. She offers him her vast mansion for a fraction of its worth, plunging Phil into a whirlwind that challenges his perceptions of the American dream.

Peter Dinklage and Shirley MacLaine form an unforgettable pair, infusing their roles with a blend of gruff charm and deep emotional resonance that begs viewers to metaphorically embrace them through the screen. Their dynamic breathes life into the film, supported by a stellar supporting cast including Matt Dillon, Danny Glover, Kim Quinn, and Danny Pudi, who add their unique zest to the narrative.

Directed by Paul Dektor and written by Theodore Melfi, the film brings laughter, high-stakes antics, and moments that might leave you puzzled. Yet, at its core, "American Dreamer" poses profound inquiries about the essence of happiness, the lengths we'll go to secure it, and how solitude shapes our most transformative choices.

Dinklage's portrayal of Phil makes him irresistibly endearing and authentic, while MacLaine's performance is a delightful reminder of her unparalleled ability to blend sharp wit with deep sentimentality. Notably, the film teases themes of reincarnation, a subtle homage to MacLaine's well-documented beliefs in the subject.

"American Dreamer" not only entertains but also invites reflection on the evolving nature of the American dream, making it a cinematic journey that resonates on multiple levels.

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Is "the American Dream" still alive and well, or is it a pipe dream whose time has come and gone (and perhaps never really was)? That's the question rhetorically posed in this modestly entertaining fact-based debut feature comedy from director Paul Dektor, which examines the efforts of an optimistic yet cynical economics professor/would-be novelist (Peter Dinklage) with meager means who repeatedly attempts to buy a home far above his pay grade. He's discouraged by his frank but somewhat oily real estate broker (Matt Dillon) from continuing in this futile Quixotic pursuit until he finds an offer that seems too good to be true, one proposed by an eccentric wealthy widow (Shirley MacLaine) who's in the early stages of dementia and is fiercely defended by her daughter (Kim Quinn), an astute lawyer determined to liquidate the deal before she and her heirs get swindled. The result is a comedy of errors with warm, fuzzy edges that makes for an often-sweet and tender comedic romp, despite an occasional overreliance on slapstickish humor to sustain laughs. The script is full of delicious little twists and turns, though sometimes the overall narrative doesn't hang together quite as well as it could have due to its inconsistent character development and occasionally meandering story flow. However, the film's fine ensemble cast capably holds this project together, thanks to the fine performances of its principals and the solid work of its supporting players, including Danny Glover, Danny Pudi, Michelle Mylett and Raresh DiMofte. "American Dreamer" is far from epic cinema, but it's certainly an enjoyable watch and a good first effort from the filmmaker. With some further refinement and more experience behind the camera, here's hoping we can expect more and better work from this promising first-time director.

In quirky, meandering, sub-mediocre dramedy "American Dreamer" struggling college professor Peter Dinklage buys (with the help of realtor Matt Dillon) his dream mansion at a crazy low price by accepting its owner, elderly Shirley Maclaine, as its live-in tenant til she passes. Events complicate as Dinklage trysts with the likes of student Michelle Mylett & one of Maclaine's kids Kimberley Quinn (despite her staunch opposition to the house deal)... and private investigator Danny Glover gets involved too. What exactly notable writer Theodore Melfi was intending is unclear, but Paul Dektor (making various debut director goofs) surely didn't deliver it. Its a disappointingly mess.