Pendant l'été 1989, un groupe d'enfants tyrannisés par les autres s'unissent pour détruire un monstre capable de changer de forme, qui se déguise en clown et s'attaque aux enfants de Derry, ... Tout lirePendant l'été 1989, un groupe d'enfants tyrannisés par les autres s'unissent pour détruire un monstre capable de changer de forme, qui se déguise en clown et s'attaque aux enfants de Derry, leur petite ville du Maine.Pendant l'été 1989, un groupe d'enfants tyrannisés par les autres s'unissent pour détruire un monstre capable de changer de forme, qui se déguise en clown et s'attaque aux enfants de Derry, leur petite ville du Maine.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 12 victoires et 49 nominations au total
Jaeden Martell
- Bill Denbrough
- (as Jaeden Lieberher)
Molly Atkinson
- Sonia Kaspbrak
- (as Molly Jane Atkinson)
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Avis à la une
Better for Younger
For a younger audience, unjaded by so many horror and suspense flicks, this movie will probably be creepier. This version of the story is somewhat a victim of itself. So many derivatives have occurred over the years, many from King novels, including this one, that this remake suffers as somewhat less of the same. At my 55 years of age, it just never hit a fear climax. Sure, some great scenes, just not enough impact. For the younger audience, I expect it would be great. Also, perhaps by the edit- down for the screen play, the story seemed to leave a lot of plot holes uncompleted, and seemed to violate its own plane of existence. Appropriate for Netflix, or a young couple on a date.
A decent next attempt at IT
This 2017 production of Stephen King's book is a well-crafted, decently acted imagining of the story. I really enjoyed it but did speak to some people who were disappointed that it had diverged from the book too much.
In brief, the children of Derry are going missing at an alarming rate. Something evil lurks in the town and it's up to the Loser's Club to overcome their fear and unite to confront IT ...
I found the old TV movie somewhat dull in the second half. The first half, which this movie is concerned with, was always the stronger half and I think this version is probably just as good, if not better than the original TV movie. It's certainly more gruesome and scary.
I'm not sure Tim Curry's Pennywise has been upstaged though. Bill Skarsgard has done a good job but I think Curry's is hard to beat.
IT 2017 is refreshingly old-school, in that it focuses on character and story, unlike too many recent "horror" movies. It is beautifully shot and superbly acted but perhaps could move at a slightly better pace.
IT will divide opinions due to story vs screenplay issues but it's definitely not a bad remake.
In brief, the children of Derry are going missing at an alarming rate. Something evil lurks in the town and it's up to the Loser's Club to overcome their fear and unite to confront IT ...
I found the old TV movie somewhat dull in the second half. The first half, which this movie is concerned with, was always the stronger half and I think this version is probably just as good, if not better than the original TV movie. It's certainly more gruesome and scary.
I'm not sure Tim Curry's Pennywise has been upstaged though. Bill Skarsgard has done a good job but I think Curry's is hard to beat.
IT 2017 is refreshingly old-school, in that it focuses on character and story, unlike too many recent "horror" movies. It is beautifully shot and superbly acted but perhaps could move at a slightly better pace.
IT will divide opinions due to story vs screenplay issues but it's definitely not a bad remake.
light on scares
So I went and saw IT, and came back unimpressed. I mean it was a good movie, no doubt about that. A bunch of kids, outcasts in their own right, being terrorized by an ancient demon that plays upon the fears of its victims is pretty much the standard in Hollywood horror movie territory. All the kids are well cast, the script is funny and tight, and there are plenty of monster shots. The cinematography is great, the pace is even and the CGI is flawless. But is more funny than terrifying- it's R rating more a justification of teenage slang in the script, rather than for true scares.
But that is what typically Stephen King is all about. His stories are studies on relationships rather than all out horror. In IT, King reversed Spielberg's E.T, and explored everyday monsters of childhood- abuse, violence and neglect. Juxtapose that with an eternal evil shape-shifting entity who wakes up every 27 years to prey, and you have a shawarma of a plot. The book is scary, the movie isn't. Probably so because today, we are used to Stranger Things.
We are used to kids doing stupendous stuff these days- whether running billion dollar companies, or bringing back lost souls from other dimensions. It all seems very easy for today's generation to figure things out- most of IT establishes this narrative. A wonderful group of actors face off against Bill Skarsgard's Pennywise the Dancing Clown, and they all nail their parts. The movie takes place in a town where all the adults are essentially villains- so its not just the kids versus the clowns everyone else. But for sheer impact, IT never reaches the highs it achieves in its first sequence.
It is a great example of how strong marketing can make mediocre movies look a billion bucks. Other reviewers are putting IT right up there with other Stephen King adaptions such as The Shining and The Thing. Oh please, that would be laying it too thick. Director Andy Muschietti's earlier take on the genre- Mama, is a far better contender.
No good horror movie can get away by being light on scares, however good the characters and the script are. So look at IT as an extension of Goonies or Stranger Things, a PG-13 romp, not an iconic horror movie. 7/10
But that is what typically Stephen King is all about. His stories are studies on relationships rather than all out horror. In IT, King reversed Spielberg's E.T, and explored everyday monsters of childhood- abuse, violence and neglect. Juxtapose that with an eternal evil shape-shifting entity who wakes up every 27 years to prey, and you have a shawarma of a plot. The book is scary, the movie isn't. Probably so because today, we are used to Stranger Things.
We are used to kids doing stupendous stuff these days- whether running billion dollar companies, or bringing back lost souls from other dimensions. It all seems very easy for today's generation to figure things out- most of IT establishes this narrative. A wonderful group of actors face off against Bill Skarsgard's Pennywise the Dancing Clown, and they all nail their parts. The movie takes place in a town where all the adults are essentially villains- so its not just the kids versus the clowns everyone else. But for sheer impact, IT never reaches the highs it achieves in its first sequence.
It is a great example of how strong marketing can make mediocre movies look a billion bucks. Other reviewers are putting IT right up there with other Stephen King adaptions such as The Shining and The Thing. Oh please, that would be laying it too thick. Director Andy Muschietti's earlier take on the genre- Mama, is a far better contender.
No good horror movie can get away by being light on scares, however good the characters and the script are. So look at IT as an extension of Goonies or Stranger Things, a PG-13 romp, not an iconic horror movie. 7/10
A movie's movie - stunningly beautiful, mystical, haunting
I absolutely loved the new 'IT' movie and didn't expect it to be that good. It is a perfectly paced and beautifully shot movie that captures some of the love for 80's horror movies.
But 'IT' is actually much more than just a rehash of a plain-old horror movie: The characters are all interesting and the kids' acting skills are surprisingly convincing and moving. You really do feel for them and you want them to succeed, which is really what makes a horror movie be a hit or a flop. The emotional subplots are not too shallow as well—the love story does not feel haphazardly attached onto everything else; the interactions between the characters feel meaningful and real.
The new clown is also quite well done with some very creepy acting and a compelling voice. What's more: I didn't even mind the CGI of the horror effects. Usually CGI puts me off, but here, everything was done rather well with some really suspenseful moments.
In the end, what really got me to love the new 'IT' is that this is a movie for people who love movies. The cinematography is just like true movie fans like it: Lots of stunning landscape and wide shots, perfect lighting and atmosphere, and on top of that a great score! What do you want more?
But 'IT' is actually much more than just a rehash of a plain-old horror movie: The characters are all interesting and the kids' acting skills are surprisingly convincing and moving. You really do feel for them and you want them to succeed, which is really what makes a horror movie be a hit or a flop. The emotional subplots are not too shallow as well—the love story does not feel haphazardly attached onto everything else; the interactions between the characters feel meaningful and real.
The new clown is also quite well done with some very creepy acting and a compelling voice. What's more: I didn't even mind the CGI of the horror effects. Usually CGI puts me off, but here, everything was done rather well with some really suspenseful moments.
In the end, what really got me to love the new 'IT' is that this is a movie for people who love movies. The cinematography is just like true movie fans like it: Lots of stunning landscape and wide shots, perfect lighting and atmosphere, and on top of that a great score! What do you want more?
Slightly updated, partial retelling of Stephen King's massive tome
It's 1988, and a group of young teens in the town of Derry, Maine are terrorized by an otherworldly clown named Pennywise (Bill Skarsgard), who can make them see their worst fears. They must band together to stop the fiend before it kills them all.
King's novel succeeded in large part due to the nostalgic immersion into Baby Boomer cultural touchstones. The filmmakers decision to update the setting to the late 1980's is understandable in the sense that the follow-up, featuring the adult versions of the characters, will now chronologically fit with modern times. The filmmakers also decide to forgo any excessive wallowing in 1980's pop iconography, with a movie poster here and a song there the only references. That boils the story down to the horror film essentials, and while there's nothing original in the mix, it is well presented, and features a handful of memorable scare moments. The special effects are also largely successful, and Skarsgard is good as the monstrous clown. The filmmakers also made the interesting decision to not explain Pennywise, perhaps leaving that for the sequel. I'd be curious what a first time viewer, with no knowledge of the source novel or the previous 1990 TV mini-series version, thought of the story.
I recently caught up with the first season of the TV series Stranger Things, which almost certainly had some impact on this film version of It, even going so far as to cast one of the show's leads in this as well. That's not a problem, though, as that kid (Wolfhard) is good in both, and the rest of the cast in this is also terrific, with Lillis, as the sole girl in the group, and the aforementioned Wolfhard, as the foul-mouthed jokester, the stand-outs.
King's novel succeeded in large part due to the nostalgic immersion into Baby Boomer cultural touchstones. The filmmakers decision to update the setting to the late 1980's is understandable in the sense that the follow-up, featuring the adult versions of the characters, will now chronologically fit with modern times. The filmmakers also decide to forgo any excessive wallowing in 1980's pop iconography, with a movie poster here and a song there the only references. That boils the story down to the horror film essentials, and while there's nothing original in the mix, it is well presented, and features a handful of memorable scare moments. The special effects are also largely successful, and Skarsgard is good as the monstrous clown. The filmmakers also made the interesting decision to not explain Pennywise, perhaps leaving that for the sequel. I'd be curious what a first time viewer, with no knowledge of the source novel or the previous 1990 TV mini-series version, thought of the story.
I recently caught up with the first season of the TV series Stranger Things, which almost certainly had some impact on this film version of It, even going so far as to cast one of the show's leads in this as well. That's not a problem, though, as that kid (Wolfhard) is good in both, and the rest of the cast in this is also terrific, with Lillis, as the sole girl in the group, and the aforementioned Wolfhard, as the foul-mouthed jokester, the stand-outs.
Stephen King Movie Adaptations, Ranked
Stephen King Movie Adaptations, Ranked
See how every feature film adaptation of Stephen King's work stacks up, according to IMDb ratings.
Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- AnecdotesJack Dylan Grazer (Eddie) was the first one out of all the kids to work with Bill Skarsgård (Pennywise). During their scene, Grazer would cry and gag while Skarsgård was right in his face yelling and drooling. Skarsgård was genuinely concerned for Grazer and after the scene ended, asked him if he was okay. Grazer looked right at him and said, "Love what you're doing with the character!" Skarsgård was left confused and impressed at Grazer's attitude, calling the child actors "little professionals."
- GaffesDerry, Maine is in the USA, however, a war memorial contains the line "For king and country", revealing the filming location in Canada.
- Citations
Richie Tozier: I hear the list is longer than my wang.
Stanley Uris: That's not saying much.
- Crédits fousThe film title "It" appears at the start as the camera zooms out of a Derry sewer tunnel.
The title appears again in the closing credits with "Chapter One" added to it.
- ConnexionsFeatured in Blackcatloner: The Last Week of Work Workout (2017)
- Bandes originalesLove Removal Machine
Written by Ian Astbury and Billy Duffy (as William Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd.
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Détails
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 328 874 981 $US
- Week-end de sortie aux États-Unis et au Canada
- 123 403 419 $US
- 10 sept. 2017
- Montant brut mondial
- 719 766 009 $US
- Durée
- 2h 15min(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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