La revanche des Dragons Verts

Reviewed by: Dare Devil Kid (DDK)

Rating: 2.5/5 stars

Andrew Lau's "Infernal Affairs" trilogy became the best-known import in the early 2000s from the storied Hong Kong film industry, supplying Martin Scorsese with material for his Academy Award- winning film "The Departed". But while Mr. Lau's latest, "Revenge of the Green Dragons," leaps forth with a flurry of montage, attitude, and action, it loses its way as a drama.

This film — a crime yarn directed jointly by Lau and Andrew Loo, and set in Queens during the Chinese immigration wave of the 1980s — begins by sketching out the hungry desperation of the era, and how Chinese gangs took hold of two schoolmates, Sonny and Steven, and never let go. Violence and cynicism abound, as the story ratchets forward to track the hotheaded Steven and the more prudent Sonny through gangland intrigue, shootings, and blowbacks. The violence is savage and the torture, graphic. The victims are true-to-life: women, children and the elderly. There are also a few mind games - coupled with a neat albeit unconvincing twist at the end - as there are straight-up acts of brutality. Sadly, the rest of the mayhem that's fueled by drugs, human trafficking, and an unconvincing, supposedly ill-fated romance seem hurriedly patched together, and contribute little towards making this gangster flick as engaging and fresh as it's ruthless and stylish.

Inspired by a 1992 article in The New Yorker, "Green Dragons" gets a certain vigor out of it's prideful battles for power, turf control, and respect in a world where only the murders of whites seem to matter. Yet the busy plotting shoves past the characters, and Justin Chon as Sonny, and Kevin Wu as Steven, can't keep up. A smuggler's speech about America's basis in hatred won't find many buyers, nor will a frozen-faced Ray Liotta referentially cast as a detective benefiting from the efforts of a Chinese-American colleague (Jin Auyeung).

"Revenge of the Green Dragons" starts with promise, but soon becomes predictable, filled with clichés that do little in terms of engagement or spinning a novel, fresh story from an interesting, untouched plot. What initially feels like brash energy peters out until what's left mainly evokes some pretty run-off-the-mill gangster lore.

The plot is good and the direction is also alright. But the weakest link of the movie are the actors of the main characters.

Justin is just too skinny and little to make a credible gangster. If he threatened me I think I woukd laugh. In reality is just difficult to picture it.

The film could be more darker, with more character development. For example, Steven is the crazy one, but sometimes he just doesn't seem that crazy, just plain retarded.

Sonny and Steven could have talked more to give the viewer the sense of bonding, instead the movie is just plain simple. The movie evolves way too fast and the all triad gets arrested too soon. It made them (gangsters) look careless.

It kind reminds you the senseless gang banger movies of Hong Kong

Traveling across an ocean or desert and into a new country, one becomes subject to different rules, and vulnerable to thugs who know the system better. Those unable or unwilling to control their own destinies in this new climate, invite others to do it for them. "Captain leads, sailor sails," is the saying, and some unsavory, yet deceptively wholesome looking, captains appear at the helm. The American dream depends more on one's luck, resources and strength of character, than on equal opportunity, liberty or other tenuous threads. Based on actual events from the 1980s, the film follows the lives of Chinese immigrants to New York City who are pressured into gangs, menial labor and violence. The main characters are two boys who become part of the notorious Green Dragon gang. Despite shaky acting and disjointed transitions, it is an intriguing and insightful glimpse into the underworld of U.S. immigration. Many scenes are predictable, yet there were some twists and turns, especially at the end, that I did not see coming. Seen at the 2014 Toronto International Film Festival.

The movie is based on true events, so the filmmakers had to walk on the thin line between integrity and artistic freedom, which may have effected the story being told, and made everything overall weak.

Andrew Lau, known best for Infernal Affairs, the movie that inspired Martian Scorsese's the Departed, with the help of Andrew Loo, takes his from of crime drama off the streets of Hong Kong, and place it on the streets of Queens, New York, which I thought was perfect.

It's starts out about a boy who gets caught up in the crime underworld in the 1980s and leads to unwinding The FBI's theory that the large amount of Immigration in the city is bringing crime into it.

The movie was just a jumble of events slab together by a story that did not feel really drawn out. I loved the fact that the movie is filled with Asian Actors not doing the stereotypical action Kung Fu genre but wish they had more to work with.

I went into it expecting to see a a great Asian Cinema Crime Drama set in New York which sounds amazing, and even though I liked the movie it was not anywhere as good what I would expect a collaboration between Scorsese and Lau.

Sure it wasn't the greatest film of all time. But it sure as hell wasn't as bad as everybody says it is.

I enjoyed it, with its twists and turns. A lot of well shot scenes. And come on its a gangster movie how could you go wrong.

The ending was good and might have left you wanting a little more but overall I think it will make a good watch on a rainy night. Let me know what you think after watching it because I definitely recommend it. Especially since it is a Scorsese and has Ray Liota in it. The fact that it is based on a true story is a bonus.

You have to keep in mind that this as a movie that you need to watch to appreciate. Don't let the reviews fool you, perhaps people see Martin Scorsese's name and have different expectations.