Toast of Tinseltown

What's with the one star and ten star reviews?! If it's "I liked it, ten stars," why are we using a 10-point system? It's not a 1 star show either, man, sheesh. It's thoughtful and humorous, and has Larry David appear in the first two minutes. Come on. Ten stars tho? How about saving that for something transcendent and amazing and, well, perfect... I always enjoy Stephen Toast (and pretty much anything Matt Barry is in) so I'm biased in giving it an 8, but if you like absurd, exaggerated comedy- aka British humor- it's probably worth your time.

ToT sees the return of Steven Toast in a new setting - sort of.

The original Toast of London was pure genius and the best comedy I've seen on tv in the last decade. Well, Steven is back but this time he's across the pond - as the title implies - with some of the old supporting cast but quite a few new faces too, some of whom in my opinion work, some don't.

Matt Berry and all the old cast still sparkle but there a few too many dud performances amongst the new faces to make this quite as good as the original series, which is a shame.

Head back to London Toast, you're missed :)

I love Toast, so more is great.

Preferred the "In London" episodes, but was good to see Toast in another locale.

Was so funny, the Shakespeare scene -- "Is he English?

Hope to see more Toast, back in London with his usual buddies -- and Mr and Mrs Ray Purchase!

Deffo worth watching this series for Toast fans! "Yes I can hear you..."

So I've binged all six episodes and here's my conclusion.

Taking esteemed British actor Steven Toast to LA was clearly intended to generate a new angle for the jokes. But it's the American influence that is the series' greatest weakness.

You get the sense that the writers were so star-struck by the cameos they managed to secure - most of which are literally "phoning it in" - that the usual humour of Toast is completely disrupted. I won't spoil who appears in the show - but it's certainly impressive. Perhaps the producers have one eye on international sales?

Episode one is a waste, creating an un-Toast-like situation to force him to leave for the States.

Episode 2 is stuffed with American cameos and a complete failure.

However all is not lost.

Episode 3 loses the American cameos and is all the better because of it. Episode 4 and 5 return to the classic "Toast" format and are right up there with anything from London, while Episode 6 is a fitting climax to his adventure across the pond.

There may not have been any actual filming overseas because the two US stars that have more than a cameo only appear on one set. This is London masquerading as California, with a great cast of British actors and comedians masquerading as Americans.

Stick with it. It has some brilliant moments. But it doesn't reach the sustained peaks of Toast of London.

I, like so many, really love the original three seasons of ToL. They're consistently weird and creative, well-written, with great characters and memorable music, some tunes I still hum to myself today. However I think I laughed maybe once this entire series at something other than the main character, and that hurts. Here are some points to consider--

1. I think this show was made at the wrong time. Celebrity fans of the original are awkwardly skyped in on product-placed laptops and tablets, and it bears the dated stamp of something made during the pandemic. I know no one's getting any younger, but if faced with that choice, use some no-name American actors or just wait for this to pass. It's hard to feel like Toast is in Tinseltown when all of Tinseltown just seems to phone it in.

2. No songs. The songs in ToL were like beautiful little pathos bombs, giving humorous and truthful insights into Toast and others to show an understanding that he isn't just a clown, but an insecure, genuine human. None of that carries over to ToT and it is sorely missed.

3. Watching Fred Armisen is like listening to comedy on its death bed while he holds the pillow over its face. Why he was cast in a major supporting role I'll never understand.

4. The only American celebrity who didn't make me cringe when onscreen was Rashida Jones. She plays a real human being who acts as Toast's confidant. Ed, though a creepy old pervert, always lends an ear or has Toast's back (quite literally in the stage fright episode). A character like Steven needs that, and she provides the other leg for him to stand on.

5. The only reason I give it the score it has is because of Toast himself. Matt Berry is as effortlessly funny and appealing as ever, and a pitiful loser like him (Toast, not Berry) only gets funnier the older he gets. It was a pleasure to see him and his world again.

It is a very disappointing follow-up to a show I truly love. But, as the Man himself sings, "all men somehow pay for love".