NOTE IMDb
5,6/10
40 k
MA NOTE
Un employé nouvellement embauché dans une puissante société se retrouve dans un bureau de la direction, mais à un prix dangereux: il doit espionner l'ancien mentor de son patron pour lui ass... Tout lireUn employé nouvellement embauché dans une puissante société se retrouve dans un bureau de la direction, mais à un prix dangereux: il doit espionner l'ancien mentor de son patron pour lui assurer un avantage de plusieurs milliards de dollars.Un employé nouvellement embauché dans une puissante société se retrouve dans un bureau de la direction, mais à un prix dangereux: il doit espionner l'ancien mentor de son patron pour lui assurer un avantage de plusieurs milliards de dollars.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Will Peltz
- Morgan
- (as William Peltz)
Avis à la une
With a title like "Paranoia," I expected suspicion, suspense, maybe even a cool chase scene, but this movie not only lacks the characteristics its title suggests, but is really devoid of any depth. It seems to be a vehicle to see Liam Hemsworth shirtless as much as possible, as well as in some gorgeous suits.
Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.
Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.
Not a bad movie, but certainly not a thriller and definitely forgettable
Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.
Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.
Not a bad movie, but certainly not a thriller and definitely forgettable
"Privacy. Absolute myth. There's no such thing."
The film starts off on the wrong foot and never manages to get on track. In the very opening scene you have Liam Hemsworth using voice over narration explaining to us what we are about to see, and you realize that you are going to watch a clichéd unoriginal action thriller. Then there is a scene where Gary Oldman's character is looking at some art pieces with Liam and he mentions how Picasso once said that there are no original ideas, that everything is either copied or stolen. You kind of get a sense of a similar thing going on with this script. Paranoia is an action thriller that seems recycled with no fresh ideas and unfortunately lacks thrills. The script was adapted by Jason Dean Hall (Spread) and Barry Levy (Vantage Point) from Joseph Finder's novel, but nothing about it feels inspiring or original. It is a shame because I was excited to get to see Harrison Ford and Gary Oldman face off once again, but Paranoia easily belongs on my worst films of 2013 list mainly because these talented actors can't do anything to improve a weak script. Paranoia gets half a star for Amber Heard who looks stunning despite not adding anything to the story, and another star for Oldman and Ford's presence alone. I could forgive the uninspiring script if at least this technological thriller actually had some thrills, but it doesn't. There aren't any interesting thrills either and the narrative is pretty straight forward and predictable.
Adam Cassidy (Liam Hemsworth) has been working for an important technological company known as Wyatt Corporation for the past six years. He hasn't been able to ascend the corporate ladder the way he pictured it as he continues to be an entry level employee, but he and his team are expecting a break through when given the opportunity to present their next project to the boss, Nicolas Wyatt (Gary Oldman). The presentation doesn't go as planned and Adam is left unemployed along with the rest of his team. Feeling bad about the way things turned out, Adam invites them to a fancy club where they use the company's credit card. The next day Adam is called back to Wyatt's office as he is confronted for his crime. Taking advantage of Adam's hunger for wealth and power, Wyatt recruits him to spy on his nemesis: Jock Goddard (Harrison Ford). Goddard happens to run another billion dollar tech company which is his biggest competition. Wyatt wants Adam to win Jock's trust and discover what they are working on, and in return he promises him the life he has always dreamed of. Blinded by greed Adam accepts and soon will find himself way in over his head.
Richard Dreyfuss has a small role in this film as well and his presence only reminds us that a film focusing on him or the other secondary characters such as Oldman and Ford, would be so much better. Instead they allow Hemsworth to play the lead role and he simply doesn't have that on screen charisma to carry a film on his own. I don't think he's a bad actor, but he needs stronger material to keep the audience's interest. He is just outclassed in this film by the other talented actors and we are left out wanting to see more of them. Another issue I had with Paranoia is that the plot doesn't make much sense and it is so dull that it allows you to begin to think too much about it and find all sort of holes. Robert Luketic has just directed his third straight flop after the disappointing Killers and The Ugly Truth. I will defend him for 21, which was a film that at least kept me entertained, but his latest efforts have been really disappointing. Paranoia might just top them all; stay away from this film.
The film starts off on the wrong foot and never manages to get on track. In the very opening scene you have Liam Hemsworth using voice over narration explaining to us what we are about to see, and you realize that you are going to watch a clichéd unoriginal action thriller. Then there is a scene where Gary Oldman's character is looking at some art pieces with Liam and he mentions how Picasso once said that there are no original ideas, that everything is either copied or stolen. You kind of get a sense of a similar thing going on with this script. Paranoia is an action thriller that seems recycled with no fresh ideas and unfortunately lacks thrills. The script was adapted by Jason Dean Hall (Spread) and Barry Levy (Vantage Point) from Joseph Finder's novel, but nothing about it feels inspiring or original. It is a shame because I was excited to get to see Harrison Ford and Gary Oldman face off once again, but Paranoia easily belongs on my worst films of 2013 list mainly because these talented actors can't do anything to improve a weak script. Paranoia gets half a star for Amber Heard who looks stunning despite not adding anything to the story, and another star for Oldman and Ford's presence alone. I could forgive the uninspiring script if at least this technological thriller actually had some thrills, but it doesn't. There aren't any interesting thrills either and the narrative is pretty straight forward and predictable.
Adam Cassidy (Liam Hemsworth) has been working for an important technological company known as Wyatt Corporation for the past six years. He hasn't been able to ascend the corporate ladder the way he pictured it as he continues to be an entry level employee, but he and his team are expecting a break through when given the opportunity to present their next project to the boss, Nicolas Wyatt (Gary Oldman). The presentation doesn't go as planned and Adam is left unemployed along with the rest of his team. Feeling bad about the way things turned out, Adam invites them to a fancy club where they use the company's credit card. The next day Adam is called back to Wyatt's office as he is confronted for his crime. Taking advantage of Adam's hunger for wealth and power, Wyatt recruits him to spy on his nemesis: Jock Goddard (Harrison Ford). Goddard happens to run another billion dollar tech company which is his biggest competition. Wyatt wants Adam to win Jock's trust and discover what they are working on, and in return he promises him the life he has always dreamed of. Blinded by greed Adam accepts and soon will find himself way in over his head.
Richard Dreyfuss has a small role in this film as well and his presence only reminds us that a film focusing on him or the other secondary characters such as Oldman and Ford, would be so much better. Instead they allow Hemsworth to play the lead role and he simply doesn't have that on screen charisma to carry a film on his own. I don't think he's a bad actor, but he needs stronger material to keep the audience's interest. He is just outclassed in this film by the other talented actors and we are left out wanting to see more of them. Another issue I had with Paranoia is that the plot doesn't make much sense and it is so dull that it allows you to begin to think too much about it and find all sort of holes. Robert Luketic has just directed his third straight flop after the disappointing Killers and The Ugly Truth. I will defend him for 21, which was a film that at least kept me entertained, but his latest efforts have been really disappointing. Paranoia might just top them all; stay away from this film.
Thankfully, Gary Oldman can make almost any film bearable and his portrayal here of a ruthless, corrupt CEO is just about the only thing that this derivative movie has going for it. He manages to infuse a one-dimensional character with at least one more dimension.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
Cassidy and his friends work for Wyatt mobile and are pitching a new idea to the boss. He doesn't care for it and Cassidy gets arrogant. They're fired but for some reason he still has an active expense account credit card and they party that night. He also meets the pretty Emma.
The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.
Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.
The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.
Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.
If you watch this movie because it has Gary Oldman or Harrison Ford, you won't be alone, but you may be in for a disappointment, I'm sorry to say. Firstly they don't have much screen time and the time they do have seems to have been filmed in a hurry with little effort put into it by anyone.
The main character is that of Liam Hemsworth, who plays Adam Cassidy; the best he has going for him is that he a good looking guy. I didn't find the character very convincing, unlike the part of his dad played by Richard Dreyfuss, but his lines might as well have been written on a napkin. What a waste of talent by writer and director here.
What you might like are the fancy cars and great settings as well as the secondary roles of Kevin and Allison, played respectively by Lucas Till and Angela Sarafyan. It's all so sad that a plot, especially the ending, could have been so much more, I could see the possibilities I did not see on screen.
The main character is that of Liam Hemsworth, who plays Adam Cassidy; the best he has going for him is that he a good looking guy. I didn't find the character very convincing, unlike the part of his dad played by Richard Dreyfuss, but his lines might as well have been written on a napkin. What a waste of talent by writer and director here.
What you might like are the fancy cars and great settings as well as the secondary roles of Kevin and Allison, played respectively by Lucas Till and Angela Sarafyan. It's all so sad that a plot, especially the ending, could have been so much more, I could see the possibilities I did not see on screen.
Le saviez-vous
- AnecdotesKevin Spacey turned down the role of Nicholas Wyatt.
- GaffesWhen Adam Cassidy is playing chess with Wyatt, there is no way he can make a checkmate without making check with his queen.
- Citations
Jock Goddard: Privacy. Absolute myth. There's no such thing.
- ConnexionsFeatured in Chelsea Lately: Épisode #7.121 (2013)
- Bandes originalesAlive (Zedd Remix)
Performed by Empire of the Sun
Composed by Nick Littlemore (as Nicholas Littlemore), Peter Mayes, Luke Steele, Jonathan Sloan, Steve Bach (as Steven Bach) and Zedd (as Anton Zaslavski)
Administered by: Universal Music Publishing Group Pty Ltd, on behalf of
Chenfeld Ltd and Solola Ltd, Sony/ATV Music Publishing (Australia) P ty Ltd.
admin by Sony/ATV Tunes LLC, Pulse Recording Songs (ASCAP) admin by
Downtown DLJ Songs (ASCAP), Bach to Bach Music (ASCAP),
Zedd Music Empire (ASCAP) admin by Kobalt Songs Music Publishing.
Courtesy of EMI Music Australia Pty Ltd./Astralwerks
under license from Universal Music Enterprises
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- How long is Paranoia?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Traición al límite
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 388 654 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 528 376 $US
- 18 août 2013
- Montant brut mondial
- 17 056 265 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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