Paranoïa

What a misleading title for a movie? Nobody's even paranoid in this movie at all so calling it Paranoia doesn't really make sense to me. Instead, they could've titled it Generic Conveniences. Know why? Because everything in this movie is written in so conveniently for the characters to succeed in the most generic way. So, I guess you can tell it's not a very likable movie. Before seeing this movie, the premise sounded pretty cool. One guy is spying on a company for a rival company but not everything goes according to plan and then stuff happens. Plus, the CEOs of the companies are played by none other than two of the best actors in the business! We got Gary Oldman, one of the most diverse actors of modern cinema, and Harrison Ford (Indiana Jones & Han Solo: 'nough said). On top of that, it stars Thor's brother, Liam Hemsworth, who's good in The Expendables 2 and The Hunger Games, but this could have been his breakout role as a leading actor! Sadly, it's not.

Hemsworth's character in this movie is so unlikable; the only reason an individual would enjoy him in this movie is because he's an attractive guy. However, his acting in this movie is pretty bad. I found myself comparing him to Taylor Lautner's performance in Abduction but at least with that movie we knew it was gonna be bad. Just as bad as his acting are the choices made by his character. The whole plot is put into motion because he got fired from a company and then he decides to go out clubbing with the credit card that's issued by the company he got fired from that he still luckily has! How stupid is that! And then, through a sequence of events, they choose him of all people to be a spy; this irresponsible guy who just goes out clubbing after he's fired? Wow. The writing in this movie clearly is off-putting, but we'll get to that later. The chicks, too, that Hemsworth gets with in this movie are really weird as well. One tries playing hard to get even though he already got with her, while the other chick tries to seduce him while he's already trying to seduce her. The only semi-redeeming qualities of this movie are that Gary Oldman and Harrison Ford actually try in this movie. It's undeniable that they're phenomenal actors, and they are, for the most part, good in this movie for what they're given. Nonetheless, they're given crap dialogue and stupid plot points. I cannot bag on the writing of this movie enough; it is so bad. The dialogue is unrealistic and not enjoyable, while the plot is so convoluted and uninteresting that I kept wanting to stop watching the movie.

Additionally, the directing of this movie is a huge weakpoint. It looked like a made-for-TV movie from the '90s. The directing and camera-work were horrible. Sometimes there was a person talking but half their face was off the screen. In another sequence, Hemsworth is running like a little girl, flailing his arms around and whatnot. There's no purpose for him to be running like that; who said that was okay? It's funny seeing how stupid it is, but it's not even supposed to be funny. And with it being a spy thriller with convoluted twists, you'd think that it'd be unpredictable, right? Well it's not. It had those cliché moments like when he has to break into a vault and he's failed two out of three attempts, with the next failed attempt triggering the alarms. And then it tries to build tension in that moment, but you already know he's gonna be alright and his last attempt is gonna get through. The movie has no suspense whatsoever, despite trying to be a suspenseful summer thriller. It's not suspenseful because you always know what's gonna happen and don't really even care for the characters. It's not summer because it's boring and uninteresting rather than being fun. And it's not a thriller because there are absolutely no thrills. The only thing remotely okay about this movie are the performances of Gary Oldman and Harrision Ford, and that sometimes even gets old since Ford never gets the chance to say "Get off my plane!" It's not worth seeing in the theatre or even worth renting. It's one of those movies that will be on cable and you'll have to think about if you actually have nothing better to do than invest your time in it. But you'll probably end up passing anyways

Cassidy and his friends work for Wyatt mobile and are pitching a new idea to the boss. He doesn't care for it and Cassidy gets arrogant. They're fired but for some reason he still has an active expense account credit card and they party that night. He also meets the pretty Emma.

The next day, Wyatt wants to meet with Cassidy. He will get him a job with his childhood competitor Goddard so that he can steal Goddard's next big idea. He's got a behavioral specialist on board and sets Cassidy up with the good life and trains him. Cassidy gets the job and Goddard is impressed with his idea. And as it turns out Emma also works for Goddard. Everything is going fine until Wyatt's people become more pushy and want him to steal the future device from Goddard's corporate vault. Of course he's caught and with that Goddard wants to buy Wyatt's company or put him in jail, but Cassidy has some plans of his own.

Paranoia has a lot going for a it- a decent budget, impressive cast, an OK story, good visuals. It even starts with some important discussion about how America has completely ceased being the country of opportunity it once was. The direction is poor and the script could have used some work. The movie's title is wrong or if they intended to highlight the moment of Cassidy's paranoia they failed. As a whole, emotionally, this movie is pretty flat. There should be a far greater sense of dread and danger. Perhaps it's because they went with a PG-13 rating. As an R-rated movie this could have been better. I get the sense that they aimed for a mature teen audience looking for a serious movie. And perhaps it would work for that crowd- not sure. Paranoia had a lot of potential. I wanted to like this movie as the cast does a good job, except for Oldman's and Davidtz's obnoxious British accent. But the director did his best and succeeded at frustrating the audience and not giving us as good a movie as it should have been.

"The lights always look brighter across the river." After saying the wrong things, Adam (Hemsworth) an up-and-coming employee at a powerful corporation finds himself and his friends out of a job. After the owner Nicolas Wyatt (Oldman) recruits him to spy on rival Jock Goddard (Ford) to find out what his company is coming up with Adam finds himself stuck in the middle of a dangerous game. When he wants out he realizes that it's not just his life is threatened unless he completes his task. I was looking forward to watching this for two reasons. Harrison Ford and Gary Oldman, also Richard Dreyfuss is in this but in a lesser role. I cannot recall a movie they have been in that has been bad (Kingdom of the Crystal Skull was bad but its still Indiana Jones so I can't hate it and I blame Lucas for that anyway). I did find out how to mess up a movie with those two legendary actors...add baby Thor (Liam Hemsworth). I'm not saying he was a bad actor in this because it wasn't terrible but when you have those two in a movie and you make baby Thor the main focus you have screwed up somewhere. I'd compare this to the movie Son Of No One in the way that you have Ray Liotta and Al Pacino and you make Channing Tatum the focus. Nothing personal against Hemsworth or Tatum but when you have such high caliber actors why waste them? As far as this movie goes the scenes with Oldman and Ford are amazing as expected, as far as the rest goes it was slow, a little boring and not exciting at all. With the plot being about the seedy underworld of the cellphone app industry though you don't have much to work with. Overall, a movie that could have been so much better but ended up being almost not worth seeing. It pains me to do this but I give it a C.

"Privacy. Absolute myth. There's no such thing."

The film starts off on the wrong foot and never manages to get on track. In the very opening scene you have Liam Hemsworth using voice over narration explaining to us what we are about to see, and you realize that you are going to watch a clichéd unoriginal action thriller. Then there is a scene where Gary Oldman's character is looking at some art pieces with Liam and he mentions how Picasso once said that there are no original ideas, that everything is either copied or stolen. You kind of get a sense of a similar thing going on with this script. Paranoia is an action thriller that seems recycled with no fresh ideas and unfortunately lacks thrills. The script was adapted by Jason Dean Hall (Spread) and Barry Levy (Vantage Point) from Joseph Finder's novel, but nothing about it feels inspiring or original. It is a shame because I was excited to get to see Harrison Ford and Gary Oldman face off once again, but Paranoia easily belongs on my worst films of 2013 list mainly because these talented actors can't do anything to improve a weak script. Paranoia gets half a star for Amber Heard who looks stunning despite not adding anything to the story, and another star for Oldman and Ford's presence alone. I could forgive the uninspiring script if at least this technological thriller actually had some thrills, but it doesn't. There aren't any interesting thrills either and the narrative is pretty straight forward and predictable.

Adam Cassidy (Liam Hemsworth) has been working for an important technological company known as Wyatt Corporation for the past six years. He hasn't been able to ascend the corporate ladder the way he pictured it as he continues to be an entry level employee, but he and his team are expecting a break through when given the opportunity to present their next project to the boss, Nicolas Wyatt (Gary Oldman). The presentation doesn't go as planned and Adam is left unemployed along with the rest of his team. Feeling bad about the way things turned out, Adam invites them to a fancy club where they use the company's credit card. The next day Adam is called back to Wyatt's office as he is confronted for his crime. Taking advantage of Adam's hunger for wealth and power, Wyatt recruits him to spy on his nemesis: Jock Goddard (Harrison Ford). Goddard happens to run another billion dollar tech company which is his biggest competition. Wyatt wants Adam to win Jock's trust and discover what they are working on, and in return he promises him the life he has always dreamed of. Blinded by greed Adam accepts and soon will find himself way in over his head.

Richard Dreyfuss has a small role in this film as well and his presence only reminds us that a film focusing on him or the other secondary characters such as Oldman and Ford, would be so much better. Instead they allow Hemsworth to play the lead role and he simply doesn't have that on screen charisma to carry a film on his own. I don't think he's a bad actor, but he needs stronger material to keep the audience's interest. He is just outclassed in this film by the other talented actors and we are left out wanting to see more of them. Another issue I had with Paranoia is that the plot doesn't make much sense and it is so dull that it allows you to begin to think too much about it and find all sort of holes. Robert Luketic has just directed his third straight flop after the disappointing Killers and The Ugly Truth. I will defend him for 21, which was a film that at least kept me entertained, but his latest efforts have been really disappointing. Paranoia might just top them all; stay away from this film.

PARANOIA is one of those corporate suspense thrillers about rival businesses, spying, and the like. All of these films seem to owe a debt to WALL STREET in the depiction of fresh-faced newcomers going under the wings of seasoned and cynical professionals.

Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.

One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.