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7,0/10
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MA NOTE
Un jeune garçon juif est kidnappé et converti de force au catholicisme en 1858.Un jeune garçon juif est kidnappé et converti de force au catholicisme en 1858.Un jeune garçon juif est kidnappé et converti de force au catholicisme en 1858.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 16 nominations au total
Daniele Aldrovandi
- Bonaiuto Sanguinetti
- (as Pietro Daniele Aldrovandi)
Avis à la une
I like every part of the movie and everyone really got into their roles, because basically it is a very sensitive topic and a part of the history of a people and the influence of religious divisions. It is known that the Vatican is responsible for many evils, which are not talked about, and this story is just one of the details in all of that. It's not an ordinary story either, but something that happened in the second half of the nineteenth century to many families and it known that the influence of the Inquisition was strong also centuries before that. It is good to be. It is good to watch, even if it is for the sake of some knowledge about the history of the Catholic Church.
Kidnapping is a crime, and so is "Kidnapped".
Truly astonishing how a truly astonishing story translates into a truly astonishing piece of passable cinema on the big screen. A young Jewish boy, secretly baptized into the Catholic faith by his babysitter, is abducted from his family under religious rule. Crazy, but this is 1857 Bologna, 1857 Italy, and 1857 Pope.
The film is presented in grand oil painting style, with golden lighting, velvety robes a flowing, and evil lurking in the shadows. Looks great. Plays, not so much. Hard to imagine a juicier topic handled with such a soft touch. Everyone involved seems detached of real emotion, instead relying on business like restraint, especially in what should be an inflammatory kidnapping scene. Weird.
The set up is tantalizing enough to give hope, but steam is lost quickly as "Kidnapped" starts to spin its wheels while going nowhere slow.
A tale as such, and it is a true one, begs for a grand, epic treatment, where religion, country and family come together in a clash of Biblical proportions. Instead we get an educational history lesson with easily forgettable characters.
Truly astonishing how a truly astonishing story translates into a truly astonishing piece of passable cinema on the big screen. A young Jewish boy, secretly baptized into the Catholic faith by his babysitter, is abducted from his family under religious rule. Crazy, but this is 1857 Bologna, 1857 Italy, and 1857 Pope.
The film is presented in grand oil painting style, with golden lighting, velvety robes a flowing, and evil lurking in the shadows. Looks great. Plays, not so much. Hard to imagine a juicier topic handled with such a soft touch. Everyone involved seems detached of real emotion, instead relying on business like restraint, especially in what should be an inflammatory kidnapping scene. Weird.
The set up is tantalizing enough to give hope, but steam is lost quickly as "Kidnapped" starts to spin its wheels while going nowhere slow.
A tale as such, and it is a true one, begs for a grand, epic treatment, where religion, country and family come together in a clash of Biblical proportions. Instead we get an educational history lesson with easily forgettable characters.
- hipCRANK.
Marco Bellocchio has made some interesting movies in the past like "Fists in the Pockets" and "The Traitor" which I have enjoyed. This movie focuses on the Mortara case and the controversial aspects behind the Catholic Church which are complex yet interesting subjects to learn about. Unfortunately, the movie doesn't really do justice to it's concept and it was underwhelming.
Throughout, the production and costumes are pretty good as they help to capture the environment and time period of the old times. Bellocchio's direction is pretty solid as Bellocchio does offer his talents on showing the themes of political power, religion corruption, and secularism within the historical context. The narrative, unfortunately, does feel as impactful as Bellocchio hoped for as the narrative, while does have some interesting ideas, it felt mostly too standard and too bland that it made the movie pretty difficult to fully connect with emotionally. Around the first 35 minutes of the movie was pretty interesting but then the movie struggles to keep heads up high which creates the narrative further dull.
The performances from the cast members were a mix of good and bad with some of the performances like Barbara Ronchi were good but the others were either bland or pretty wooden as it felt like some kind of poor television movie at times. The child performance wasn't great either. Some of the dialogue moments were pretty bad and the characters weren't interesting which I struggled to fully connect with them.
There are some good soundtrack moments, some of the pacing could improve and some of the editing was pretty bad. There were some serious moments that were meant to be emotional, gut-wrenching and sad but it ended up accidentally being unintentionally hilarious at times. Good atmosphere at least.
Undeniably, Bellocchio is definitely offering some of his talents within this movie but as a whole, it was mostly really mid and not something I would see again from his works.
Throughout, the production and costumes are pretty good as they help to capture the environment and time period of the old times. Bellocchio's direction is pretty solid as Bellocchio does offer his talents on showing the themes of political power, religion corruption, and secularism within the historical context. The narrative, unfortunately, does feel as impactful as Bellocchio hoped for as the narrative, while does have some interesting ideas, it felt mostly too standard and too bland that it made the movie pretty difficult to fully connect with emotionally. Around the first 35 minutes of the movie was pretty interesting but then the movie struggles to keep heads up high which creates the narrative further dull.
The performances from the cast members were a mix of good and bad with some of the performances like Barbara Ronchi were good but the others were either bland or pretty wooden as it felt like some kind of poor television movie at times. The child performance wasn't great either. Some of the dialogue moments were pretty bad and the characters weren't interesting which I struggled to fully connect with them.
There are some good soundtrack moments, some of the pacing could improve and some of the editing was pretty bad. There were some serious moments that were meant to be emotional, gut-wrenching and sad but it ended up accidentally being unintentionally hilarious at times. Good atmosphere at least.
Undeniably, Bellocchio is definitely offering some of his talents within this movie but as a whole, it was mostly really mid and not something I would see again from his works.
Based on a bizarre true story, this follows the tale of the young Edgardo Sala who was living quite happily with his Jewish parents and siblings in Bologna until an official arrives one evening to tell them he is to be removed from their care. Why? It appears that many years earlier when he was in his cradle, he has been baptised and so must therefore be looked after by the church. Despite their appeals and protestations, he is swiftly taken to Rome where he is enrolled in a Catholic school where his is pretty thoroughly indoctrinated into the ways of his new Church - even becoming of special interest to Pope Pius IX (Paolo Pierobon). The story really centres around the trial many year later of the Papal Officer Feletti (Fabrizio Gifuni) after the city had become part of the Italian Kingdom, and those proceedings are used to fill in some of the backstory and to test the theories of responsibility of actions done in the name of the State. Perhaps unsurprisingly, the young man grows up to become conflicted - his love of Jesus struggles with his love of family and of the Talmud that was so important to him as a child. What I didn't really understand was just why the Pope would ever been at all interested in the fate of a small Jewish lad when the Papal States were in permanent decline, but Marco Bellochio uses a solid cast and a sparing, but frequently impassioned, amount of dialogue to deliver a stylishly made intrigue that show the last vestiges of the once all-powerful Papacy and of the inconsequential hopes of a family and a small boy.
It's been presented as one of the movie of the year but despite the premises it doesn't fly. The founding idea is good, it's an historical movie about changes, political power and secularism. Cast is great but I couldn't keep away from my nose the scent of Italian bad tv. Despite all to me these are not the major flaws, the main problem is I was not hooked by the subject and therefore this was not interesting to me. Probably 20 years ago this would have been way controversial showing a Pope in crisis of conscience during the making of the Republic of Italy and the atomization of Church. I need to add that it was quite inflated by media as well therefore my expectations were high. It's still a well made movie just not for me. But you should give it a try especially if you are a parent.
Le saviez-vous
- AnecdotesSteven Spielberg was intending to direct a version of this story around 2016. He even was looking at casting the young boy's role though open auditions from Jewish Schools in Europe and America. Although he had cast Mark Rylance as Pope Pius IX and Oscar Isaac as the older Edgardo Mortara, Spielberg's inability to find the right child actor led to the project becoming stalled.
- Citations
Salomone Mortara: What were we supposed to do?
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- How long is Kidnapped: The Abduction of Edgardo Mortara?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Kidnapped: The Abduction of Edgardo Mortara
- Lieux de tournage
- Piazza Maggiore, Bologne, Émilie-Romagne, Italie(views of the cathedral facade)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 36 459 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 925 $US
- 26 mai 2024
- Montant brut mondial
- 4 138 472 $US
- Durée
- 2h 14min(134 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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