Better Man
L'ascension fulgurante, la chute spectaculaire et la remarquable résurgence de la superstar de la pop britannique Robbie Williams.L'ascension fulgurante, la chute spectaculaire et la remarquable résurgence de la superstar de la pop britannique Robbie Williams.L'ascension fulgurante, la chute spectaculaire et la remarquable résurgence de la superstar de la pop britannique Robbie Williams.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 13 victoires et 44 nominations au total
Résumé
Reviewers say 'Better Man' is a unique biopic exploring Robbie Williams' life, struggles, and fame, featuring him as a CGI monkey. It delves into themes of fame, addiction, and mental health, praised for bold storytelling and emotional depth. The integration of Williams' music is lauded, though some criticize the pacing, monkey character, and self-indulgence. Despite mixed opinions, many appreciate the honest portrayal and creative CGI use.
Avis à la une
Never a big fan of Robbie Williams, but I am the right age to have seen most of the public events of the film unfold and I did really end up enjoying this film.
From an early age, Robbie Williams (Jonno Davies) is told two conflicting ideas. His father Peter (Steve Pemberton) is a small-time singer and comedian and tells him that you have to be a star, or you're nothing. And also, by guidance councillors and bullies, that he has no talent and won't amount to anything. He takes his desire to show off and auditions for a new boyband being put together in Manchester. Take That become a nationwide phenomenon, and whilst it's not professionally satisfying for Williams, it does give him money, booze, girls and drugs. When the excesses become unmanageable, he's asked to leave the band and decides to become a solo artist and though success arrives there too, his demons are never too far behind.
It's hard not to start by talking about the films U. S. P - that throughout the story, Williams is played by a CGI chimpanzee. I thought this ended up really working in the films favour, as it allows for versions of the character to be extra vulnerable, cheeky and, in particular, scary as the film goes on. The CGI work is really well done too, maybe because there's always a sheen of otherworldliness to it anyway. If you're concern was that the monkey might infantilise the rest of the film, he does not. There is copious amounts of sex and drugs and perhaps the most prolific usage of "the C word" I've enjoyed in a film for a while.
Away from that it's what is perhaps a fairly common musical biopic, success leads to temptations, leads to problems and ultimately a redemption. It's a fairly clear theme of the film that Williams was going to live this sort of life of excess regardless of what he did for a living, it's just that the musical success gave it to him earlier and to a scale he couldn't have possibly imagined.
There are some excellent performances from humans in the film too, particularly Alison Steadman, as his doting grandmother and Steve Pemberton, as the father whose career, and early departure from the family home have a massive effect on his life.
I enjoyed it. I thought it was funny and well made and the choreography on the dance numbers are excellent.
From an early age, Robbie Williams (Jonno Davies) is told two conflicting ideas. His father Peter (Steve Pemberton) is a small-time singer and comedian and tells him that you have to be a star, or you're nothing. And also, by guidance councillors and bullies, that he has no talent and won't amount to anything. He takes his desire to show off and auditions for a new boyband being put together in Manchester. Take That become a nationwide phenomenon, and whilst it's not professionally satisfying for Williams, it does give him money, booze, girls and drugs. When the excesses become unmanageable, he's asked to leave the band and decides to become a solo artist and though success arrives there too, his demons are never too far behind.
It's hard not to start by talking about the films U. S. P - that throughout the story, Williams is played by a CGI chimpanzee. I thought this ended up really working in the films favour, as it allows for versions of the character to be extra vulnerable, cheeky and, in particular, scary as the film goes on. The CGI work is really well done too, maybe because there's always a sheen of otherworldliness to it anyway. If you're concern was that the monkey might infantilise the rest of the film, he does not. There is copious amounts of sex and drugs and perhaps the most prolific usage of "the C word" I've enjoyed in a film for a while.
Away from that it's what is perhaps a fairly common musical biopic, success leads to temptations, leads to problems and ultimately a redemption. It's a fairly clear theme of the film that Williams was going to live this sort of life of excess regardless of what he did for a living, it's just that the musical success gave it to him earlier and to a scale he couldn't have possibly imagined.
There are some excellent performances from humans in the film too, particularly Alison Steadman, as his doting grandmother and Steve Pemberton, as the father whose career, and early departure from the family home have a massive effect on his life.
I enjoyed it. I thought it was funny and well made and the choreography on the dance numbers are excellent.
Better Man (2024) is a movie I first heard about from Fantastic Fest back in September and I thought that this was the most ridiculous thing I've heard about all year long. Then I watched the movie and it kicked a lot of ass.
Positives for Better Man (2024): Now on paper, this is a movie that shouldn't have worked for me and somehow the filmmakers actually got me to care about the story of Robbie Williams as a CGI ape via Planet of the Apes. Yes, I know it sounds like I made that stuff up, but I swear that this is a real movie. There are moments where I cared about what was happening in the story. I also have to give props to the filmmakers for making this a fantasy musical because as wacky as the movie is, everything about it worked for me. And finally, this movie is a perfect example of how to take a ridiculous premise for any movie and actually get audiences to care about the story and the characters.
Overall, Better Man (2024) is one of the biggest surprise for in 2024 and I am so happy that I love this movie. This is one of the movies that I will be recommending to people the most.
Positives for Better Man (2024): Now on paper, this is a movie that shouldn't have worked for me and somehow the filmmakers actually got me to care about the story of Robbie Williams as a CGI ape via Planet of the Apes. Yes, I know it sounds like I made that stuff up, but I swear that this is a real movie. There are moments where I cared about what was happening in the story. I also have to give props to the filmmakers for making this a fantasy musical because as wacky as the movie is, everything about it worked for me. And finally, this movie is a perfect example of how to take a ridiculous premise for any movie and actually get audiences to care about the story and the characters.
Overall, Better Man (2024) is one of the biggest surprise for in 2024 and I am so happy that I love this movie. This is one of the movies that I will be recommending to people the most.
I've never felt moved enough by a film before to feel the need to write a review - I haven't laughed and cried so much in the cinema for a very long time
I've never been a massive Robbie Williams/Take that fan - so this is not a super fan review
This film was a first hand gut wrenching look at how awful fame can be in all its inglorious brutal reality.
In a year of lacklustre disappointing cinema this was a shining light of entertainment - with some excellent story telling, singing and dance routines (and an all too real glimpse into the lives of Robbie and his family).
Watching the main themes of abandonment, alcoholism, addiction, helplessness & forgiveness play out in this story was exceptionally moving and a biopic to be remembered and revered.
In a year of lacklustre disappointing cinema this was a shining light of entertainment - with some excellent story telling, singing and dance routines (and an all too real glimpse into the lives of Robbie and his family).
Watching the main themes of abandonment, alcoholism, addiction, helplessness & forgiveness play out in this story was exceptionally moving and a biopic to be remembered and revered.
"Better Man" is a surprising flick.
Not because of the monkey, the effect of that gimmick wears off pretty quickly. Although it is surprising how fast I became accustomed to the singing chimpanzee and how invested and heartened I got by the story.
But even though all of that is true, the main motive for my astoundment was how honest the movie was.
"Better Man" gives us a very raw look into Robbie Williams life, flaws and all. Actually, his flaws are what's under the spotlight. Even the choice of representing himself as an ape reflects that. At the beginning of the movie, Robbie's voice-over explains to us that we are about to see how he sees himself.
William's suffered from eating disorders, self-image problems and a multitude of mental health and drug related issues. "Better Man" doesn't shy away from the various factors that forged this hellish psychological landscape and offers us interesting insight into the life and mind of an artist that, on top of all that, also suffered from "fame".
Despite this, I found the movie to be an assault on the senses. It's too much all the time, with brief moments of rest inbetween. After the story picks momentum, it doesn't stop. Conversations mend with narration. Each event unravels into the next. An emotional moment turns into song and it never lets up. At 2 hours and 15 minutes runtime, it's a very tiring ordeal. Nonetheless, it's narratively cohesive and it makes sense to be like this. It even makes sense that the film offers us zero introspection. It's all a fitting portrayal of the person it aims to represent on-screen and consistent with its objective of entertaining audiences. It's just a shame it didn't reach one.
Not because of the monkey, the effect of that gimmick wears off pretty quickly. Although it is surprising how fast I became accustomed to the singing chimpanzee and how invested and heartened I got by the story.
But even though all of that is true, the main motive for my astoundment was how honest the movie was.
"Better Man" gives us a very raw look into Robbie Williams life, flaws and all. Actually, his flaws are what's under the spotlight. Even the choice of representing himself as an ape reflects that. At the beginning of the movie, Robbie's voice-over explains to us that we are about to see how he sees himself.
William's suffered from eating disorders, self-image problems and a multitude of mental health and drug related issues. "Better Man" doesn't shy away from the various factors that forged this hellish psychological landscape and offers us interesting insight into the life and mind of an artist that, on top of all that, also suffered from "fame".
Despite this, I found the movie to be an assault on the senses. It's too much all the time, with brief moments of rest inbetween. After the story picks momentum, it doesn't stop. Conversations mend with narration. Each event unravels into the next. An emotional moment turns into song and it never lets up. At 2 hours and 15 minutes runtime, it's a very tiring ordeal. Nonetheless, it's narratively cohesive and it makes sense to be like this. It even makes sense that the film offers us zero introspection. It's all a fitting portrayal of the person it aims to represent on-screen and consistent with its objective of entertaining audiences. It's just a shame it didn't reach one.
I wasn't sure what to expect from this movie but went with an open mind. I'm not a massive RW fan but like his music and was intrigued by the premise of Robbie Williams being portrayed as an ape in a film about his life story - er, excuse me?
As a result, you know this won't be a conventional biopic but you soon get used to Robbie the ape and the story moves along in fairly chronological order telling you key moments in his life. The movie is visually spectacular in places and the special effects are very good. The telling of the story gives added poignancy to some of his song lyrics and the music is used to good effect throughout (I left the cinema with some of the songs stuck in my head).
You don't have to be a big Robbie Williams fan to enjoy the film but if you don't like his music, or him as a person, this film is probably unlikely to win you over. The only criticisms I'd make is the amount of swearing in a movie that's rated 15 - it seemed a bit unnecessary and the story lags in a few places. Other than that, it's surprisingly good.
As a result, you know this won't be a conventional biopic but you soon get used to Robbie the ape and the story moves along in fairly chronological order telling you key moments in his life. The movie is visually spectacular in places and the special effects are very good. The telling of the story gives added poignancy to some of his song lyrics and the music is used to good effect throughout (I left the cinema with some of the songs stuck in my head).
You don't have to be a big Robbie Williams fan to enjoy the film but if you don't like his music, or him as a person, this film is probably unlikely to win you over. The only criticisms I'd make is the amount of swearing in a movie that's rated 15 - it seemed a bit unnecessary and the story lags in a few places. Other than that, it's surprisingly good.
Le saviez-vous
- AnecdotesThe film arose from multiple interview recordings filmmaker Michael Gracey made with Robbie Williams during the course of a year and a half in Williams' recording studio in Los Angeles, in the United States. Although the interviews weren't originally for a film, as Gracey "just wanted to capture [Williams] in his own voice telling his story," the majority of Williams' voiceover in the film is from those recordings.
- GaffesIn real life, Robbie Williams' shows at Knebworth happened in 2003, while his Royal Albert Hall appearance was two years earlier, in 2001.
- Citations
Robbie Williams: You've always been there for Robbie Williams, dad. Why couldn't you just be there for Robert?
- ConnexionsEdited from Robbie Williams Live at Knebworth (2003)
- Bandes originalesLet Me Entertain You
Written by Robbie Williams, Guy Chambers
Farrell Music Ltd. administered by Universal Music Publishing Pty Ltd and Bella Figura/Mushroom Music
Produced by Nick Baxter
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- How long is Better Man?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Siêu Sao Nguyên Thủy
- Lieux de tournage
- Belgrade, Serbie(Concert)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 983 648 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 259 $US
- 29 déc. 2024
- Montant brut mondial
- 22 549 151 $US
- Durée
- 2h 15min(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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