NOTE IMDb
5,8/10
8,5 k
MA NOTE
Le détective Bob Hightower tente de s'infiltrer dans une secte maléfique pour sauver sa fille kidnappée et venger le meurtre de sa femme.Le détective Bob Hightower tente de s'infiltrer dans une secte maléfique pour sauver sa fille kidnappée et venger le meurtre de sa femme.Le détective Bob Hightower tente de s'infiltrer dans une secte maléfique pour sauver sa fille kidnappée et venger le meurtre de sa femme.
- Réalisation
- Scénario
- Casting principal
Brendan Sexton III
- Granny Boy
- (as Brandon Sexton)
Avis à la une
Award winning novel very well adapted. Film conveys saga of complexity and brutality of similar films like American History X.
Not at all drawn out, the world building is expansive. S
This film is a stunningly well done work based on the ancient theme of descent into the dark world in order to pull a victim back out. It deeply mines themes of revenge and rage. It is quite violent. But none of the violence is actually gratioutious.
The villains in this are not cardboard cutouts that most audiences are used to. I don't mean they are good and bad, I mean the amount of raw villainy is intense.
How often do you see a hard bitten, jaded urban vice detective, who presumably has seen everything, shaken and shocked?
Not at all drawn out, the world building is expansive. S
This film is a stunningly well done work based on the ancient theme of descent into the dark world in order to pull a victim back out. It deeply mines themes of revenge and rage. It is quite violent. But none of the violence is actually gratioutious.
The villains in this are not cardboard cutouts that most audiences are used to. I don't mean they are good and bad, I mean the amount of raw villainy is intense.
How often do you see a hard bitten, jaded urban vice detective, who presumably has seen everything, shaken and shocked?
What I saw was a great story ruined by amateur-hour filmmaking. Shockingly, Nick Cassavetes - the same guy who directed The Notebook, directed this mess. You're supposed to get better the more films you make, not worse. A fifth grade drama class could've come up with a better production.
This was so poorly and lazily directed and written, it was riddled with plot and technical issues. It was tedious and exhausting without enough emotional depth, nuance or palpable suspense. It's a grimy, violent exploitation movie dressed up pretending it has something to say, yet fails to yield any visceral emotional impact. Even some of the dialogue was absolute nonsense, moronic and cringe, worthy of eyerolls.
There were so many filmmaking errors, they started off as hilarious, then became annoying. At about the midway part of the (two hour) film, the scenes where Case and Bob are in the pick-up, Case's nose cut and black eyes vanished for a couple of camera angles, then magically re-appeared. Then we're supposed to believe that Nikolaj's character got all these tattoos in one sitting, and they all healed with no redness or scars. It doesn't get any more lazy and amateur-hour filmmaking than that. Even the action scenes at the end where laughable and defied logic and reasoning. The filmmaking also lacked urgency, was bloated, boring for the most part, and poorly paced. I pity those that had to sit trough the longer version of this nonsense.
Aside from the outstanding performances, and decent cinematography and score, this was a huge misfire plagued by amateur-hour and lazy filmmaking. God Is a Bullet may be loaded, but it's only firing blanks. Too bad a better filmmaker wasn't hired to make this film, it had tons of promise with its based-on-true-events story.
This was so poorly and lazily directed and written, it was riddled with plot and technical issues. It was tedious and exhausting without enough emotional depth, nuance or palpable suspense. It's a grimy, violent exploitation movie dressed up pretending it has something to say, yet fails to yield any visceral emotional impact. Even some of the dialogue was absolute nonsense, moronic and cringe, worthy of eyerolls.
There were so many filmmaking errors, they started off as hilarious, then became annoying. At about the midway part of the (two hour) film, the scenes where Case and Bob are in the pick-up, Case's nose cut and black eyes vanished for a couple of camera angles, then magically re-appeared. Then we're supposed to believe that Nikolaj's character got all these tattoos in one sitting, and they all healed with no redness or scars. It doesn't get any more lazy and amateur-hour filmmaking than that. Even the action scenes at the end where laughable and defied logic and reasoning. The filmmaking also lacked urgency, was bloated, boring for the most part, and poorly paced. I pity those that had to sit trough the longer version of this nonsense.
Aside from the outstanding performances, and decent cinematography and score, this was a huge misfire plagued by amateur-hour and lazy filmmaking. God Is a Bullet may be loaded, but it's only firing blanks. Too bad a better filmmaker wasn't hired to make this film, it had tons of promise with its based-on-true-events story.
I'm a big Vigo fan and read the book, so had to give this a shot. I just can't figure out why they went this way with the film. I was getting bored but then they played "Maggot Brain" by Funkadelic and it got my attention again. The acting is good but characters are pretty dull. They could have done so much more with the time they used for mostly incoherent dialogue to learn about the characters. And the over acting by one of the cult members (won't spoil it) was just so over-the-top I rolled my eyes and laughed. Also, not sure how the parental guide got approved but the violence is definitely not that bad, and there's no nudity.
Despite its fine (tho under-rated) two leads, and its noted writer/director Nick Cassavetes, crime thriller "God Is A Bullet" is a sluggish disappointment. When cop Nikolaj Coster-Waldau's ex-wife (and her husband) are killed & teen daughter kidnapped by Karl Glusman's evil demonic cult (including Ethan Suplee), ex-cult member Maika Monroe (strong again) helps him track them to Mexico to get the daughter back (helped by Jamie Foxx). Tho an apparently true tale it seems far fetched, simplistic, hole-filled, and a tad repetitive & slow. While nowhere near matching the best of those involved (like Coster-Waldau's similarly toned "Shot Caller") it's still just about watchable.
At the beginning of the story, a cult snatches a girl who is the daughter of a policeman. Another girl who used to work for the cult teams up with the policeman to help him find his daughter. The story is well-written. It is hard to predict the next scenes. The acting crew is well-selected. Nikolaj Coster-Waldau and Maika Monroe, Jamie Foxx, and Karl Glusman are awesome in this movie. The movie is full of nice action scenes. I liked the angles of the camera and its movement during the scenes especially in the car chasing scenes. There are many different locations in the movie. In general, I recommend this movie to horror and action movie fans.
Le saviez-vous
- AnecdotesApproximately 35 minutes were cut for a Russian (and Spanish) release. Also the title was changed to "He Is a Bullet," although it wasn't initially planned, and posters with the correct translation were released - presumably it was done to avoid the controversial blasphemy law.
- GaffesWhilst appearing drunk (at 1:50 in the film), the character, played Nikolaj Coster-Waldau is seen drinking a 0.0% alcohol Heineken.
- Citations
Case Hardin: The Devil's only an idea, Bob, an excuse for evil, just as your God is an excuse for good. They're concepts.
- Versions alternativesBesides the original 156 minute version, there also exists a cut 120 minutes version.
- Bandes originalesCarol of the Bells
Performed by Libera and Robert Prizeman
Written by Mykola Dmytrovych Leontovych and Peter Wilhousky
Courtesy of Invisible Hands Music
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- How long is God Is a Bullet?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 189 899 $US
- Durée2 heures 36 minutes
- Couleur
- Rapport de forme
- 2.39:1
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