Game Changer
- 2025
- 2h 45min
NOTE IMDb
5,2/10
28 k
MA NOTE
Ajouter une intrigue dans votre langueAn honest IAS officer's fight against a corrupt political system through fair and transparent elections.An honest IAS officer's fight against a corrupt political system through fair and transparent elections.An honest IAS officer's fight against a corrupt political system through fair and transparent elections.
- Réalisation
- Scénario
- Casting principal
Ram Charan
- Ram Nandan
- (as Ram Charan Teja)
Sunil
- Side Sathyam
- (as Suneel)
Avis à la une
The story is decent, but the narration drags and feels messy. Some scenes hit the mark, some miss, and most are just "meh".
Ramcharan pulls off his two roles well, but his performance doesn't blow you away. His beardless look? Let's just say it's not his best. Anjali shines in her limited role, while Kiara adds glamour but not much else. SJ Suryah steals the show as the villain but it feels very monotonous and the rest of the cast does their job.
The production is lavish-maybe too lavish, like they burned cash just for songs and fights to look grand. Music is nice, and the cinematography is impressive. Shankar's direction is okay, but it's not his prime-level magic.
Overall? It's not worth watching.
Ramcharan pulls off his two roles well, but his performance doesn't blow you away. His beardless look? Let's just say it's not his best. Anjali shines in her limited role, while Kiara adds glamour but not much else. SJ Suryah steals the show as the villain but it feels very monotonous and the rest of the cast does their job.
The production is lavish-maybe too lavish, like they burned cash just for songs and fights to look grand. Music is nice, and the cinematography is impressive. Shankar's direction is okay, but it's not his prime-level magic.
Overall? It's not worth watching.
I went to this movie with no expectations and it is not outright bad as his previous movie, Indian 2. The flashback episode is decent, the cat and mouse game between Ram and Mopidevi is engaging to some extent, interval block was interesting.
The movie starts with a hint in the beginning that it's a commercial entertainer supposed to be out 30 years ago. I hate having a mass fight sequence followed by an introduction song. Shankar could have used this time to establish the plot line.
Dance numbers are untimely. Can't even mention about the counless physics defying fight sequences and brainless cringe scenes. It is silly that Ram had to address his anger issues so that he can channel anger to become IPS officer.
It's worth watching once in OTT when it's available.
The movie starts with a hint in the beginning that it's a commercial entertainer supposed to be out 30 years ago. I hate having a mass fight sequence followed by an introduction song. Shankar could have used this time to establish the plot line.
Dance numbers are untimely. Can't even mention about the counless physics defying fight sequences and brainless cringe scenes. It is silly that Ram had to address his anger issues so that he can channel anger to become IPS officer.
It's worth watching once in OTT when it's available.
What a stupid film to watch in 2025! A bare plot for an entertaining film. No intelligent storytelling approach has been applied in this film. Just wasted money for color grading and set designs. The directorial unit only thought about cheap claps from witty, conventional dialogues and attitudes. Sadly, that did not work. If the directors nowadays still think that the audiences will love their work just because they checked not to forget mixing all the emotional tablets in every seconds of their film to fool the audiences, then they are wrong, and they obviously need to change their vision. These types of movies are enough to kill any actor's career.
Disaster movie. Expected great movie from shankar and ram charan after indian 2. But its total irritating. Expected something new concept and good story line from ram charan's movie after RRR. But this movie having the same old and predictable story which will not feel Worthy to watch. Not sure how ram charan had accepted this role and worked in this movie may be beacause of shankar's direction.
Nowadays this filmy media are making so much of hype of any movies but not delivering the something new which will make audiances to feel great after watching movie. Not a theatre movie at all. Save your money to watch chhava(vickey kaushal)movie in theatre.
Nowadays this filmy media are making so much of hype of any movies but not delivering the something new which will make audiances to feel great after watching movie. Not a theatre movie at all. Save your money to watch chhava(vickey kaushal)movie in theatre.
While this isn't as terrible as Indian 2 overall, the entirety of the first hour is some of the worst bits of filmmaking I have seen from the once-iconic director. The comedy sucks (Sunil and Vennela Kishore characters desperately need the "DELETE" button), the intro fight & song combo is horrendous, the romance between Charan and Kiara's characters is so poorly written, and SJ Suryah does eccentric SJ Suryah for the millionth time. Yeah, I should stop looking at this as a Tamil film, because it clearly isn't aiming to be one.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
Le saviez-vous
- AnecdotesThe film marks director Shankar's first direct film in the Telugu language after years of releasing his tamil films dubbed into telugu. Director Shankar owes the success of the Telugu dubbed versions to producer, A.M. Rathnam. Rathnam's association with Shankar dates back to buying Shankar's first 2 films for their Telugu dubbed release. It was the successes of these two films that led to Rathnam to produce Indian & later his debut Hindi film, Nayak.
- Versions alternativesThe UK release was cut, the distributor chose to make cuts to strong violence in order to obtain a 12A classification. An uncut 15 classification was available.
- Bandes originalesJaragandi (Telugu)
Lyrics by Anantha Sriram
Music by S. Thaman
Performed by Daler Mehndi & Sunidhi Chauhan
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 100 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 100 000 $US
- 12 janv. 2025
- Montant brut mondial
- 2 849 061 $US
- Durée2 heures 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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