Moi, capitaine

A film that allows you to evaluate a socio-political theme, strongly felt in Italy, from the perspective of the victims, first introducing the Senegalese culture and then following the migratory odyssey of two young boys towards an unknown Europe.

The journey from Dakar to Sicily, through the desert and sea, is inspired by real events lived by interviewed migrants.

The hardness and ruthlessness of these events is sweetened by dreamlike, magical, even mythological inserts, as if the told realities reached a level of incredibility such as to take the form of a fairy tale.

The choices of photography, screenplay and soundtracks are excellent and sometimes they elevate the raw scenes to a poetic level.

If you've watched enough movies or series, it's the same story over and over again, so you rather focus on how they express the topic and do not pay attention to the core, the topic itself. However, 'Io Capitano' presents a whole new level of the story that I never even thought about. I mean, of course, I read the news and watch documentaries, but those are not enough to live vicariously through refugees. 'Io Capitano' provides a closer and more personal look at their journey from Africa to Europe. Some parts are hard to watch, reminding me of modern slavery. I'm shocked that there is no civilization out there, that only the law of the jungle applies, that only physical violence decides the superiority of a human being, and that all aspects of humanity are taken away.

Authenticity of the movie is unreal. I feel as if I have been following Seydou and Moussa's journey right behind the camera for about a month. When they leave Senegal, it starts cheerful, and I'm also excited for the new adventure. However, the sudden turn of events is horrifying. It's slowly coming but sudden at the same time. When Seydou manages to drive the boat safely to Italy, I am relieved as heck and scream with him in my seat. Especially, when the close-up of faces changes into a wide shot of the Sahara Desert, looking the same everywhere, hopelessness and lostness hit me so hard.

'Io Capitano' does the most important thing a film can do, heralding or experiencing prevalent and relevant social issues that are not dealt with frequently enough because of how uncomfortable it is. It has been a valuable lesson for me, bringing more awareness to refugees' hardship.

I always had a negative mindset about illegal immigrants, but here, in this outstanding movie, I found it so much easier to understand how difficult it is to leave everything you have to live a normal life. It shows how unquestionably unfair life can be for some people, dealing with hundreds of difficulties just to be able to pursue a dream which can not be true in their own country. I believe, all of us, as humans have this amazing ability to find a better way to help preventing this mount of pain for people like these teenagers. And this movie changed my perspective about this crisis. I am expectantly waiting to see a better life for every human, regardless of where on this planet they are living.

It's really hard to watch, as a privileged European. Being that comfortable, in a movie theatre, knowing that everything you see is true and is happening right now to people that was just born on the other side of our common sea, makes your stomach sick.

I loved it, and yet I don't know if I could see it again. Makes you feel helpless.

On the bad side (yes the other one was the good sire), it is too fast on some parts, you feel like they are skipping a lot. The story was probably just too long to be told in 2h. Some characters are not developed enough, they lack depth. I also felt like the true story was a little sweetned, to make it easier to watch.

Seydou and Moussa from Senegal have saved some money to make their dream come true - go to Europe and hopefully become famous. We see a bit of their life in Dakar, and then their journey to Sicily, through the desert partly on foot, abandoned by traffickers who had promised to bring them to Libya, and then they cross the Mediterranean Sea with a rotting ship without any sailor who'd know how to steer it. The film makes you live the experience; this was what I came to see, and this is what I got. It is based on the experiences of at least one of the main actors (don't know for sure about others). The film has grim and sad moments, some suspense, some despicable behaviour, greedy and ruthless, but also some poetic dream sequences, heartwarming humanity, and even some inspiring optimism. It is a very tough and dangerous undertaking and nobody should be forced to put themselves through it. The acting was great and we get some impressive scenery and photography as well even though the protagonists are not there to enjoy it. Highly recommended, best film I saw this summer.

One aspect that made me think is that in the beginning the life of the two cousins in Dakar doesn't look all too gloomy, and furthermore some people give them very realistic warnings about what they are going to go through. They decide to leave their families and take on the "adventure" anyway, which can be seen as rather stupid or at least naive really, but given they are 16 years old and have some drive to distance themselves from their childhood, this has some credibility. Still already in the beginning we can think that even if they reach Europe, chances are their life there will be no better, and there will be a point at which they will regret this. Although the film conveys a lot of sympathy for them, and for what the refugees have to go through generally, it could also be used to argue that Europe should close borders more strictly and do what it can to stop people being attracted to Europe based on unrealistic hopes. Certainly the film makes no attempt to convince the spectators that the two protagonists suffer real hardship in their home country and need to go away to have a bearable life. Certainly there will be refugees like this, but is it a majority? I'd still imagine many of those who go have stronger reasons than these two. No criticism of the film as it is certainly credible, still I think we are better off having clearly in mind that not all of these stories are like this one.