NOTE IMDb
7,6/10
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MA NOTE
Un conte de fées homérique qui raconte le voyage aventureux de deux jeunes garçons, Seydou et Moussa, qui quittent Dakar pour rejoindre l'Europe.Un conte de fées homérique qui raconte le voyage aventureux de deux jeunes garçons, Seydou et Moussa, qui quittent Dakar pour rejoindre l'Europe.Un conte de fées homérique qui raconte le voyage aventureux de deux jeunes garçons, Seydou et Moussa, qui quittent Dakar pour rejoindre l'Europe.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 38 victoires et 35 nominations au total
Ndeye Khady Sy
- Madre di Seydou
- (as Khady Sy)
Oumar Diaw
- Sisko
- (as Cheick Oumar Diaw)
Affif Ben Badra
- Autista pickup
- (as Afif Ben Badra)
Jackie Zappa
- Middle man
- (as Jacky Zappa)
Avis à la une
It's really hard to watch, as a privileged European. Being that comfortable, in a movie theatre, knowing that everything you see is true and is happening right now to people that was just born on the other side of our common sea, makes your stomach sick.
I loved it, and yet I don't know if I could see it again. Makes you feel helpless.
On the bad side (yes the other one was the good sire), it is too fast on some parts, you feel like they are skipping a lot. The story was probably just too long to be told in 2h. Some characters are not developed enough, they lack depth. I also felt like the true story was a little sweetned, to make it easier to watch.
I loved it, and yet I don't know if I could see it again. Makes you feel helpless.
On the bad side (yes the other one was the good sire), it is too fast on some parts, you feel like they are skipping a lot. The story was probably just too long to be told in 2h. Some characters are not developed enough, they lack depth. I also felt like the true story was a little sweetned, to make it easier to watch.
This is one of the most outstanding movies that I've seen in recent years, and one that should be compulsory viewing for all.
Illuminating, heart-breaking but ultimately uplifting, LO CAPITANO casts an unflinching eye upon the gruelling journey that so many illegal immigrants undertake in the hope of a better life.
The two innocents at the heart of the story are captivating in their naivety which is quickly crushed by the brutality of the heartless opportunists who exploit them at every step.
Yet, it also conveys a message of hope and triumph of the spirit. A superb film that's not to be missed. If I could rate it 11 out of 10, I would.
Illuminating, heart-breaking but ultimately uplifting, LO CAPITANO casts an unflinching eye upon the gruelling journey that so many illegal immigrants undertake in the hope of a better life.
The two innocents at the heart of the story are captivating in their naivety which is quickly crushed by the brutality of the heartless opportunists who exploit them at every step.
Yet, it also conveys a message of hope and triumph of the spirit. A superb film that's not to be missed. If I could rate it 11 out of 10, I would.
Seydou and Moussa from Senegal have saved some money to make their dream come true - go to Europe and hopefully become famous. We see a bit of their life in Dakar, and then their journey to Sicily, through the desert partly on foot, abandoned by traffickers who had promised to bring them to Libya, and then they cross the Mediterranean Sea with a rotting ship without any sailor who'd know how to steer it. The film makes you live the experience; this was what I came to see, and this is what I got. It is based on the experiences of at least one of the main actors (don't know for sure about others). The film has grim and sad moments, some suspense, some despicable behaviour, greedy and ruthless, but also some poetic dream sequences, heartwarming humanity, and even some inspiring optimism. It is a very tough and dangerous undertaking and nobody should be forced to put themselves through it. The acting was great and we get some impressive scenery and photography as well even though the protagonists are not there to enjoy it. Highly recommended, best film I saw this summer.
One aspect that made me think is that in the beginning the life of the two cousins in Dakar doesn't look all too gloomy, and furthermore some people give them very realistic warnings about what they are going to go through. They decide to leave their families and take on the "adventure" anyway, which can be seen as rather stupid or at least naive really, but given they are 16 years old and have some drive to distance themselves from their childhood, this has some credibility. Still already in the beginning we can think that even if they reach Europe, chances are their life there will be no better, and there will be a point at which they will regret this. Although the film conveys a lot of sympathy for them, and for what the refugees have to go through generally, it could also be used to argue that Europe should close borders more strictly and do what it can to stop people being attracted to Europe based on unrealistic hopes. Certainly the film makes no attempt to convince the spectators that the two protagonists suffer real hardship in their home country and need to go away to have a bearable life. Certainly there will be refugees like this, but is it a majority? I'd still imagine many of those who go have stronger reasons than these two. No criticism of the film as it is certainly credible, still I think we are better off having clearly in mind that not all of these stories are like this one.
One aspect that made me think is that in the beginning the life of the two cousins in Dakar doesn't look all too gloomy, and furthermore some people give them very realistic warnings about what they are going to go through. They decide to leave their families and take on the "adventure" anyway, which can be seen as rather stupid or at least naive really, but given they are 16 years old and have some drive to distance themselves from their childhood, this has some credibility. Still already in the beginning we can think that even if they reach Europe, chances are their life there will be no better, and there will be a point at which they will regret this. Although the film conveys a lot of sympathy for them, and for what the refugees have to go through generally, it could also be used to argue that Europe should close borders more strictly and do what it can to stop people being attracted to Europe based on unrealistic hopes. Certainly the film makes no attempt to convince the spectators that the two protagonists suffer real hardship in their home country and need to go away to have a bearable life. Certainly there will be refugees like this, but is it a majority? I'd still imagine many of those who go have stronger reasons than these two. No criticism of the film as it is certainly credible, still I think we are better off having clearly in mind that not all of these stories are like this one.
If you've watched enough movies or series, it's the same story over and over again, so you rather focus on how they express the topic and do not pay attention to the core, the topic itself. However, 'Io Capitano' presents a whole new level of the story that I never even thought about. I mean, of course, I read the news and watch documentaries, but those are not enough to live vicariously through refugees. 'Io Capitano' provides a closer and more personal look at their journey from Africa to Europe. Some parts are hard to watch, reminding me of modern slavery. I'm shocked that there is no civilization out there, that only the law of the jungle applies, that only physical violence decides the superiority of a human being, and that all aspects of humanity are taken away.
Authenticity of the movie is unreal. I feel as if I have been following Seydou and Moussa's journey right behind the camera for about a month. When they leave Senegal, it starts cheerful, and I'm also excited for the new adventure. However, the sudden turn of events is horrifying. It's slowly coming but sudden at the same time. When Seydou manages to drive the boat safely to Italy, I am relieved as heck and scream with him in my seat. Especially, when the close-up of faces changes into a wide shot of the Sahara Desert, looking the same everywhere, hopelessness and lostness hit me so hard.
'Io Capitano' does the most important thing a film can do, heralding or experiencing prevalent and relevant social issues that are not dealt with frequently enough because of how uncomfortable it is. It has been a valuable lesson for me, bringing more awareness to refugees' hardship.
Authenticity of the movie is unreal. I feel as if I have been following Seydou and Moussa's journey right behind the camera for about a month. When they leave Senegal, it starts cheerful, and I'm also excited for the new adventure. However, the sudden turn of events is horrifying. It's slowly coming but sudden at the same time. When Seydou manages to drive the boat safely to Italy, I am relieved as heck and scream with him in my seat. Especially, when the close-up of faces changes into a wide shot of the Sahara Desert, looking the same everywhere, hopelessness and lostness hit me so hard.
'Io Capitano' does the most important thing a film can do, heralding or experiencing prevalent and relevant social issues that are not dealt with frequently enough because of how uncomfortable it is. It has been a valuable lesson for me, bringing more awareness to refugees' hardship.
This marvellous film is a real piece of art, beautiful and terribly painful at once. I left the theatre shivering and I could not think about much else for days.
This is the realistic story of a couple of young Senegalese boys, who want to go after their dreams and leave their homeland to get to Europe, mistakenly perceived as the land where dreams come true. Unfortunately their decision leads them to an ordeal, a hellish journey in which survival is all they are left with.
What hurts terribly is the fact that what you see on screen is what actually happens in reality, in a world which is falling apart more and more and in which humanity has lost every sense of being human.
We always think that the devil is an entity hidden in an outer dimension, but in my opinion it is actually in human beings themselves...
Nevertheless the most beautiful and moving aspect of this incredible movie is that the protagonists don't lose their humanity, their compassion and their love, they are not turned into the devils that captured them. This is exactly the point where we should all start from...
This is the realistic story of a couple of young Senegalese boys, who want to go after their dreams and leave their homeland to get to Europe, mistakenly perceived as the land where dreams come true. Unfortunately their decision leads them to an ordeal, a hellish journey in which survival is all they are left with.
What hurts terribly is the fact that what you see on screen is what actually happens in reality, in a world which is falling apart more and more and in which humanity has lost every sense of being human.
We always think that the devil is an entity hidden in an outer dimension, but in my opinion it is actually in human beings themselves...
Nevertheless the most beautiful and moving aspect of this incredible movie is that the protagonists don't lose their humanity, their compassion and their love, they are not turned into the devils that captured them. This is exactly the point where we should all start from...
Le saviez-vous
- AnecdotesFilm debut of Moustapha Fall.
- ConnexionsFeatured in The Oscars (2024)
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- How long is Io Capitano?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Io Capitano
- Lieux de tournage
- Casablanca, Maroc(as Tripoli)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 113 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 150 048 $US
- Montant brut mondial
- 7 636 951 $US
- Durée
- 2h 1min(121 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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