The Breach

There are some kind of cool practical effects but they're shown in bright light and the digital enhancement is not good. It reminded me very much of From Beyond but with a drastically lower budget.

Some monsters near the end just kind of seem like zombies stumbling around outside, which is disappointing. The idea isn't bad but as a horror fan, I really want a lot more practical effects and the lighting is rather flat.

You can see elements of The Fly in there too but it's not really unique enough on its own. The pacing is a tad slow too although I was entertained enough. The ending was great. I probably wouldn't watch it again though.

I had never heard about this 2022 movie titled "The Breach" from writers Nick Cutter and Ian Weir prior to sitting down to watch it. But I have to admit that I was initially drawn in by the movie's cover right away when I stumbled upon it by random chance here in 2024. Suffice it to say, that with it being a horror movie that I hadn't already seen and an interesting cover, of course I opted to sit down and watch what director Rodrigo Gudiño had to offer.

The storyline in "The Breach" had potential, I will say that much. However, writers Nick Cutter and Ian Weir just never really tapped fully into the potential readily available within the concept of the story. A shame really, because "The Breach" could have been so much more than what director Rodrigo Gudiño managed to deliver.

I was not familiar with any of the cast members in the movie. And that is something that I actually do enjoy when I sit down to watch a movie. And I will say that the cast ensemble in "The Breach" were good, and the actors and actresses put on good performances throughout the course of the movie.

Now, something that I really enjoyed about "The Breach" were the special effects. There were some nice special effects in the movie, and that definitely helped to make up for an otherwise bland script and storyline.

While I did manage to sit through the entire movie, I can honestly say that it is not a movie that I will ever return to watch a second time. It just simply was a bit too mundane, bland and without much of anything thrilling or scary for the audience to enjoy.

My rating of "The Breach" lands on a generous four out of ten stars.

So yeah... this is based on the book by Nick Cutter. He also wrote one of the craziest horror books called, THE TROOP. He also wrote one of my favorites called, THE DEEP.

His writing style is very aggressive. He really gets dirty & brutal, some really wicked stuff... not for everyone lol.

HOWEVER! I then see this on Amazon... I had semi hopes of it being good.

What I got was... well... sorta bland & nothing special...the monster was neat when first shown (bedroom) and how it moved in that scene was great... then... you start seeing a bunch of them lol and well... let's just say some of them are painfully obvious a rubber body suit...

The story was fine ish... but Cutters books are SO SO SO in depth, & fleshed out that you just can't really properly explain a doorway built to other dimensions in a 90 minute film lol.

Actually would've probably been a very decent 4 part mini series or something!

The ending I saw coming a mile away... I'll just say... Cutter doesn't do "happy endings" in his novels.

This had a lot of potential to be a 7+ rating movie imo.

If you're just killing time? It'll do. If you're looking for some wicked good horror from outer dimensions? Just go with THE VOID.

I'll start by admitting that I watched this because I saw Alex Lifeson in the cast and did a double-take. Unfortunately his scenes seemed to be shot from his own webcam in his studio with his amplifiers in the background lol. But hey, he got me to watch it!

The movie is a sci-fi/horror mystery that doesn't really explain anything and ends up being more confusing than interesting. Even though you can predict where things are going, you have no idea why. The story felt largely inspired by "From Beyond", but this movie fell short in every way. The overall production was about on the level of a moderately budgeted SyFy original movie from 2005. None of the actors stood out as being particularly effective in their roles. I saw that Slash did the music and was listed as an executive producer, and then there was a scene at the end with "Are You Afraid of the Dark?" style music that made me laugh out loud.

The biggest positives I can give are to the editing, some of the prop design, and there was some effective cinematography. And even though I wasn't enjoying the movie, the director knew how to keep me engaged and the movie was decently paced.

4/10 - I'd recommend this to someone who has fun watching bad movies, it's not painful to get through.

If you watch a lot of movies influenced by the stories of William Hope Hodgson, H. P. Lovecraft and August Derleth, you might rate this a point or two higher because on some weird level you enjoy having your hopes dashed. For anyone else, this score might even be too generous.

It's a real shame, because the early setup of the film is great. It makes you think you're actually going to get a good Lovecraft-esque film (there's the ol' masochism again!). The opening titles are stylish. The actor who plays Connie has immediate charisma (sadly, she is underused). There's an intriguing early discovery which legitimately leads on to the next stage of the story. Sure, it's a tiny bit shaky, a little bit goofy, but that's par for the course in indie movies of the type; overall it looks like it's shaping up to be one of the good ones in the cosmic horror genre. You'll even see an actor who might recognise if you're a glutton for punishment: her from The Strain, yes (along with Connie's actor, the best performances here).

But there's a point where the wobbles suddenly escalate and soon after that the project completely falls on its arse. Any enthusiasm I had for the film ebbed away to nothing. It's as if an evil film crew came through the veil and replaced the original crew, wickedly sabotaging and unpicking all the good work that went before. Even Slash's soundtrack, which is never good, gets noticeably worse throughout.