Apples Never Fall

Absolutely unwatchable. Another Australian story converted, yet again, to an American setting with truly obnoxious characters, trite dialogue and weak plotting. The book wasn't literature but at least provided a decent read. Sam Neil needs to give it up if this is the best he can do. What an insult - Lianne Moriarty should be hung, drawn and quartered for allowing this bastardisation of her Australian story. Why not set it where it belongs and allow excellent Aussie actors to demonstrate their acting chops? She certainly doesn't need the money ffs. Shame on you Ms Moriarity for this faithless act. But if you must make it American try at least to make it good.

This series started well and pulled me in for the first half. Sadly it is another example of a series that ends poorly leaving the viewer wondering what the heck did I just watch. The family dynamics are truly sad with each person being totally self absorbed and the Father, Sam Neill, being truly dislikeable. In the middle of that lot you have the interloper who no one questions. This, in my view, makes the series totally unbelievable. After a complicated six episodes of family dynamics, which, in parts, was full of suspense, the whole lot fell flat with several things left unanswered. This left me wondering what I had just watched.

Two award-winning veteran actors, Annette Bening and Sam Neill drag this predictable plot along, supported by their soap opera children. Robert Taylor, Sheriff Walt Longmire that was, has a small supporting role late in the show.

It's watchable enough, when Annette disappears and the family self-destructs. There are a couple of interesting twists in the backstory as the scenes switch from "then" to "now", but that part of the plot is unbelievable in the end. Everyone swearing to do better and the renewed happy family final scene is laughable. Mom was always taken for granted and left cleaning up after her ungrateful spoiled brats of a family. Mom and Dad's toxic relationship DNA has reproduced to some degree in the children. It's a cautionary tale and one probably familiar to lots of wives and mothers. Not awful, just could have been a lot better.

I enjoyed the slow burn. Sam Neill is excellent. He does a great job of portraying someone who's holding back. While the series progresses he keeps you guessing as to the type of person he might be. It's easy to say in retrospect that you knew the answer all along but, honestly, he made me wonder and I really enjoyed the journey. Annette Bening also does an excellent job of portraying a woman coming to terms with the meaning of her life upon retirement. Her kids are grown and she finds herself being alone with her husband. What happens when your identity for so long has been defined by your family and your profession? Was it all worth it? I enjoyed finding out.

Liane Moriarty's story is transferred to Miami and torn between a satire about the disintegration of a dysfunctional family (who love their tennis) and a TV melodrama mystery. There is lazy dialogue that sounds as if taken directly from the book, and characters not fully realised or fleshed out. Even the actors seem a bit lost, with Sam Neill hamming it up, just going through the motions.

Still the mystery element keeps the interest, with two detectives hot on the trail. Other factors that stood out (and hopefully get wackier) is the children who come together in search of their mother. This forces the siblings to sort out their relationship hang-ups and family squabbles.

Overall disappointing, but the dark humour and mystery just keeps it afloat.