Shortcomings

Stephanie Hsu had a good cameo, you forget about it as the movie progresses but it comes up again and plays an small but enlightening and important role for what the movie's convey. There are a lot of Asian-American movie's coming out recently, I think EEAAO took the spotlight but I watched joy ride a few weeks ago which was great, and now Shortcomings, even though it seems like it'll fly under the radar.

Some elements of the movie reminded me of Wes Anderson movies, with frequent pauses to divide the movie into chapters as if it were a novel. It didn't forgo realism in favor of his orange sunset dollhouse aesthetic feel however. Something that I realized was that the movie was awfully quiet, like minimal surrounding sounds and you barely notice the scene's background characters too. I love how Spider-Man exists here and Jacob Batalon recognizes it.

Subtitle's would be nice but the movie is in English in almost it's entirety. It's not the funniest but the funny scenes did feel real. It feels like real people and above all the movies story, events and characters were believable so the moments that need to invoke emotions do that well... the cringe moments, the romantic moments, the humiliating moments, self realizing moments all felt like you were there in the moment for the characters.

I think it's less of a romcom and more of a drama comedy, even though Ben's relationships play a huge role I think it was a character study in the end for the character himself, self reflection and all that; so his love interest are just used as tools to that end. I liked that they each got meaningful endings too. He reminds me of Ramy from the tv show of the same name, in the sense of the second hand embarrassment, his world views and how much his decisions or what he says annoyed me because I wanted him to choose better. A man child basically.

It's not as excitingly paced, so not one of those cinema experiences were you get to have a blast, probably a movie better watched alone. Reminds me a little of Destination Wedding too in it's anti-romcom-ness, except this has a few more cute scenes. It did make me feel mushy inside at points but it's still not a romance as I said. I think it gets better as it goes, I wasn't sure at the start but I loved it by the time the movie was done.

Ok. I overrated it. It's not that something worth a 10/10. But I really enjoyed watching it. It reminds me when I'm young. When I don't know how to appreciate what I have. Keep chasing the feelings like trophy collection. Obsessed with one relationship. Biased. Sometimes frustrated. All of these are actually called growing up. It's a period of time, while you learn how to fight, how to let go and move on. Learn how to live with it en enjoy the moment. Learn how to appreciate and respect. Park, I think I got what you trying to say.

There are several times in the movie people used the term of "what age is he living in". I think that was a key of explaining some times we are deeply impacted by the ideals that we were educated or lectured during our childhood. One day when you wake up and start to think and selectively review these things we were taught, that's called maturity.

That's what this movie made me think of. Kinda deep. Again, I really enjoyed it.

Of course, a protagonist can be a loser, but he or she has to have something of quality that the audience can fall in love with or even at least can relate to or root for. Ben is controlling, unfaithful, negative, and being a racist himself. Most importantly, he's the biggest hypocrite. All the other things, he can be loved by character development, but he does what he despises and criticizes without any moral conflict. That's when the audience drops any interest left in him. The ending is weak as well.

As Randall Park's directorial debut, 'Shortcomings' is not bad at telling the story and continuing it smoothly without any huge leap of logic.

"Shotcomings"... Man, I've had bigger laughs watching paint dry. I mean, the previews had me thinking this was going to be the comedy of the year. Remember those? Hilarious. But the movie? A couple of chuckles here and there, but mostly crickets. And what was up with that plot? More like "What plot?" If movies had arcs, this one was stuck in the flatlands. Honestly, by the end, I was just sitting there thinking, "Did we really need this movie in our lives?" I guess I set my hopes too high. Thought I was in for a comedy feast but left feeling like I just had a light snack. Bit of a letdown, tbh.

Greetings again from the darkness. In the past twenty years, Randall Park has built an excellent acting career, likely best known as nice guy dad, husband, and restauranteur on the long-running TV series "Fresh Off the Boat". He also had prominent roles in the mini-series "WandaVision", "Veep", and the Ant-Man movies. Now taking his shot as a feature film director, Mr. Park sticks closely to the Asian community, while simultaneously taking a step forward by not emphasizing generational aspects and familiar cultural tropes. He's working from a script that Adrian Tomine adapted from his own graphic novel.

The film opens with Miko (Ally Maki, "Wrecked") and Ben (Justin H Min, AFTER YANG) watching the end of a film festival movie. It plays as a parody of the hugely successful CRAZY RICH ASIANS (2018) and leads to contrasting reactions and an argument for Miko and Ben. Miko is the curator of the film festival and is thrilled the movie received such positive audience reactions, while Ben, a struggling indie filmmaker, is totally offput by the film's pandering and mass appeal. We quickly realize Ben is a condescending jerk and Miko is fed up.

Ben manages a small arthouse movie theater in Berkeley and often has lunch at a local diner with his only other friend, Alice (a terrific Sherry Cola, JOY RIDE), who points out that his smugness doesn't play well with others. Alice is gay and laughs off her tendency to 'play the field'. Miko calls out Ben on his blonde, blue-eyed white girl fetish, and then soon after announces she is taking an internship in New York City, causing us to realize this movie is probably going to deal with Ben's road to redemption (hopefully resulting in a worthwhile human being).

With Miko living across the country, Ben seems to be at his most comfortable with Classic Movies and solo chill. He's a film school dropout with no filter and no sense of timing with his comments and critiques. Basically, he's not a likable guy, and we see this in his separate pursuit of two blond, blue-eyed white girls. He hires performance artist Autumn (Tavi Gevinson) to work the ticket booth at the theater, and has no idea how to deal with her emotional swings and artistic leanings. Things are even worse with Sasha (Debby Ryan), who is coming off a breakup with her girlfriend. Despite warnings from Alice to stay clear, Ben's pompous nature is once again exposed, leaving him all alone.

Ben's world changes abruptly when Alice informs him she is also moving to New York and invites him to come visit. He sees this as a chance to get back together with Miko, who has quasi-ghosted him since she left. When Ben arrives, he finds Alice living with Meredith (Sonoya Mizuno, EX MACHINA) in a serious relationship, and stumbles on Miko in a situation that causes confusion, and of course, conflict. Leon (Timothy Simons, "Veep") is a NYC fashion designer with an Asian fetish plays a key role in this segment.

The film is billed as a comedy, and while there are some funny moments, there is actually a sadness throughout ... most of it related to how most everyone is searching for love while trying to avoid loneliness. During this search, we are often our own worst enemy (Ben being the prime example here). The message here is that while we are all flawed, one can only find joy once they sincerely enjoy the happiness of others. Watching Ben's journey is not always a pleasant viewing experience, however his story is well told.

In theaters beginning August 4, 2023.