- Walter Campbellécrit par &
- Jonathan Glazerécrit par
- Michel Faberbased on the novel by
- Milo Addica(non crédité)
- Krystof Hádek(as Krystof Hadek)
Le reste du casting est classé par ordre alphabétique
- Jerome Boyle(non crédité)
- Robert J. Goodwin(non crédité)
- Steve Keys(non crédité)
- Reno Antoniadesexecutive producer
- Gillian Berrieco-producer
- Claudia Bluemhuberexecutive producer
- Walter Campbellexecutive producer
- Florian Dargelexecutive producer
- Ian Hutchinsonexecutive producer
- Alexander O'Nealco-producer
- Tessa Rossexecutive producer
- Nick Wechslerproduction
- James Wilsonproduction
- Daniel Landindirection de la photographie
- Helen Barretthair stylist / makeup artist
- Christine Beveridgehair designer / makeup designer
- Rebecca Cainprosthetics crew: Asylum Model & Effects (as Becky Cain)
- Jessica Cruickshankhair stylist / makeup artist
- Tom Curtisspecial effects prosthetics crew
- Marianne Gallagherprosthetics crew: Asylum Model & Effects
- Darren Grassbydental technician: Asylum Model & Effects
- Kate McConnellsenior prosthetic supervisor: Asylum Model & Effects
- Esteban Mendozaprosthetics crew: Asylum Model & Effects
- Livia Burtonproduction manager
- Tracey Josephsproduction: Film4
- Richard Lloydpost-production supervisor
- Fiona Morhamhead of production: BFI Film Fund
- Mark Murdochproduction manager: pick-ups
- Brodie Pringleunité de production
- Sean Boyleassistant director: daily
- Grant Butlertrainee assistant director: Screen NETS
- Stephen Carneythird assistant director
- Tom Debenhamsecond unit director: second unit / additional photography
- Marilyn Edmondsecond assistant director: pick-ups / third assistant director: London studio shoot
- David Gilchristfirst assistant director: second unit / additional photography
- Nick Heckstall-Smithfirst assistant director
- Mark Hopkinssecond assistant director: rehearsals
- Brian Horsburghfirst assistant director: second unit / additional photography
- Simon Allenpre-vis artist: Asylum Model & Effects
- Helen Allinghamart department assistant
- Philip Barrattgraphic artist
- Brian Boynecarpenter
- Conor Breenpre-vis artist: Asylum Model & Effects
- Ollie Campbellstand-by greensman
- Tiffany M. Carpentergraphic designer
- Jon Colsongreensman
- Paul Curranpainter
- Sam Currenpainter (as Sam Curran)
- Nigel Albermanicheproduction sound mixer
- Steve Browellsound effects editor
- Johnnie Burnre-recording mixer / sound designer / supervising sound editor
- Simon Carrollfirst assistant sound editor
- Mark DeSimoneadr mixer
- Ed Downhamproduction effects editor
- Bryn Duffysound assistant
- Jussi Honkadialogue editor
- Randall W. Macdonaldmontage son
- Ken Battenmechanical live action special effects crew: Asylum Models and Effects
- Paul Cartermodelmaking crew: Asylum Model & Effects
- Michael Coxmodelmaking crew: Asylum Model & Effects
- Mark Curtissenior special effects supervisor: Asylum Models and Effects
- Tom Curtispyrotechnic effects / senior special effects technician
- Jenny Denhammould shop: Asylum Model & Effects
- Frank Farmanmodelmaking crew: Asylum Model & Effects
- Kerry Flynnmodelmaking crew: Asylum Model & Effects
- Michael Fontainelifecasting: Ms. Johansson
- Sarah Byers3D camera tracker: One of Us
- Earle Stuart Callendervisual effects producer: One of Us
- Jorge Canada Escorihueladigital compositor: One of Us
- Huseyin Canersupervision des effets spéciaux
- Tom Debenhamvisual effects supervisor: One of Us
- Christophe Dehaenedigital compositor: One of Us
- Andrea Falconesenior character technical director: One of Us
- Chaya Feinervisual effects producer: One of Us
- Gary Connerystunt performer
- David Cronnellystunt rigger: London studio shoot (as Dave Cronnelly)
- Rick Englishstunt performer
- Gary Hoptroughstunt performer
- Andy Merchantstunt performer
- Gareth Milnecoordination des cascades
- Sian Milnestunt performer
- Peter Pedrerostunt performer
- Tom Struthersstunt rigger: London studio shoot
- Jaspreet Balfirst assistant camera
- Paul Batesbest boy
- Alasdair Boyceclapper loader: "b" camera, pick-ups
- Bob Bridgesvideo playback operator
- Stuart Bridgesvideo playback assistant
- Robbie Bryantassistant camera
- Donald CampbellDesk op / electrician / lighting technician: Desk op
- Donald Campbellelectrician
- Johnny Colleygaffer (as John Colley)
- Oliver Couchelectrician: underwater shoot
- Dan Jacksonassistance au casting (as Danny Jackson)
- Caroline Stewartcasting associate / crowd casting
- Clementine Charitycostume supervisor
- Amanda Mattescostume buyer
- Nat Van Hallecostume supervisor: pick-ups / stand-by costumer
- Gareth Bishopon-line editor: Dirty Looks
- Katie Bullock-Websterpost-production coordinator
- Paul Dawberassitance au montage
- Andy Hagueadditional assistant editor
- Lawrie Readsupplier: additional cutting rooms, Hireworks
- Céline Zapateradditional assistant editor
- Fiorenza Bagnarioldigital film bureau (non crédité)
- Andrew Hegelemarketing editor (non crédité)
- Timothy P. Jonesdigital film bureau (non crédité)
- Sean Barclaylocation scout
- Morven MacPhersonlocation assistant (as Morven McPherson)
- Eugene Strangelocation manager
- David Taylorassistance à la régie
- Alison Younglocation scout / locations
- Michael Campbelllocation scout: Glasgow (non crédité)
- Luis Almauscore engineer
- Anisa Arslanagicmusician
- Max Bailliemusician
- Alex Bengemusic research
- Samuel Karl Bohntechnical assistant
- Goetz Botzenhardtscore engineer
- Oliver Coatesmusician
- Eugene Feygelsonmusician
- Simone Filialiadditional score mixer
- Rebecca Gardinermusician
- Claire Hewittscript supervisor
- Martin Auldunit driver
- Stewart Browndriver: minibus
- John Burnsunit driver
- Alan Davidsondriver: minibus
- Ben Dillonpicture vehicle coordinator
- Tina Faulknerdriver: London studio shoot
- Andy Finnieunit driver
- Geoff Gowlandfacilities captain: Movie Makers
- Jefferson Gowlanddriver: facilities, Movie Makers
- David Harropdriver
- Helle Absalonsendigital intermediate producer: Dirty Looks
- Tom Balkwilldigital intermediate technical supervisor: Dirty Looks
- John Claudecolorist: Dirty Looks
- Christopher R. Nunncolorist: dailies
- Adam Gilbertcaterer: London, Red Chutney
- Sylvie Nowik Nowikacaterer: London studio shoot, Red Chutney
- Chrissie Saunderscaterer: underwater shoot
- Alan Cousinshealth and safety advisor
- Julie Falconerunit medic
- Pauline Moreunit medic
- Geoff Smithmedic: underwater shoot
- Phil Waltonunit medic: London
- Simon Smallmedic: underwater unit (non crédité)
- Reno Antoniadesproduction legal services: Lee and Thompson
- Debbie Banbury-Morleyscript clearances (as Debbie Banbury)
- Mary Brehonylegals: Creative Scotland, Brehon & Co
- Rebecca Coppinproduction legal services: Lee and Thompson (as Rebecca Pick)
- David Qulilegal services: Silver Reel, Wiggin
- Dan Whybrewlegal services: Silver Reel, Wiggin
- Iain Canningproduction assistant: pick-ups
- Fergus Cookproduction assistant
- Trevor Evansproduction coordinator: underwater shoot
- Georgie Fallonproduction coordinator
- Steven Littleassistant production coordinator
- Neil Cairnsproduction accountant
- Paul Imrieassistant accountant
- Steve Jobernsauditor: Shipleys
- Paul Zieleniecassistant accountant
- John Boothstand-by props
- Paul Cutlerstand-by props: London studio shoot
- Jim Elliottarmourer / property master
- Roddy Gardendressing props
- Alan Harleydressing props
- Liam McCallumaccessoires
- Chris McMillanstand-by props
- Craig Menziesprops buyer
- Matt Mooneydressing props
- Carly Parrisassistant props buyer
- Felicity Aldridgeassistant: Nick Wechsler
- Robbie Allendevelopment and production: Creative Scotland
- Gero Bauknechtrepresentative: Silver Reel
- Martin Blythewaysecurity: Media Security Services
- Sue Bruce-Smithcommercial & brand strategy: Film4
- Neil Caldercompletion guarantor: Film Finances
- Steven Caldwellpersonal security: Ms.Johansson
- Sarah Caugheybusiness affairs executive: BFI Film Fund
- Christopher Collinssenior production and development executive: BFI Film Fund
- Mark Anknerremerciements particuliers
- Angus Bickertonthe filmmakers would like to thank
- Jenny Borgarsthe filmmakers wpuld like to thank
- Antonia Campbell-Hughesthe filmmakers would like to thank
- Gary Connerythe filmmakers would like to thank
- Anna Duffieldthe producers would like to thank
- Simon Duricthe filmmakers would like to thank
- Anne Marie Goldiethe filmmakers would like to thank
- Daniel Hammeleyin loving memory (as Terry Smith)
- Uel Hormannthe filmmakers would like to thank
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