Polaris

I am not writting reviews very often (ok maybe it's my first one), but because the movie has such a bad one, I had to jump on my keyboard and give it the respect it deserves.

I am part of these people saying "nowadays all movies are the same, just a copy of a copy of a copy" yet I can still enjoy blockbusters, but not having my mind blew, if you follow me.

But that movie is the most original I have seen in long long time, one that is not affraid to go out of the paved roads and that's what give it that refreshing taste.

Taking place in a futuristic polar wastelands, Sumi (the main character) is babling some unknown languages and interract only occasionally with other characters and except for a very short narrative at the beginning, at the middle and finally at the end of the movie, there is no understandable speech, sounds like a strange realisator's choice right?

Yet you manage to understand what's up and feel it all, thanks to a good casting, it makes the whole atmosphere almost tangible.

Even if the plot itself is quite thin (Sumi is following a purple star in the sky, like the 3 wise kings going after Jesus), it's mystical enough to pick your curiosity just right and keep you entertained without being able to guess the end (even if you torture me I won't reveal it).

Finally I want to talk about the last unusual element that I really enjoyed, at the very beginning the narrative sounds very childish, almost candide like a soft fairy tale, but no longer after you realise that it's a violent world we are evolving in, these two aspects will continue to oppose each other until the end and somehow create a consistent balance like a yin/yang.

Up to this point you probably understood how much I enjoyed that experience and that I highly recommend it, if I picked your curiosity with the above lines, please make yourself a favor, switch your phone off and watch that movie.

The boldness and originality of vision blew me away. This is movie-magic... a fantastical ride that propels the imagination. For me the film's emphasis on empathy (yes, even with the bloodshed) intuition, and connection with Nature, make it standout. I think the filmmaker created an original female centred story world and put characters and story themes on screen that feel wildly relevant and unique. I get the "Mad Max" reference, but it also reminds me of a French film, "The Bear" (1980s) and the Japanese anime "Princess Mononoke". Can't wait to see what this team does next... I'm hoping for a sequel and/or a prequel...

"Set in 2144 against the harsh backdrop of a subarctic wasteland, SUMI, a human child raised by MAMA POLAR BEAR, narrowly escapes capture from a brutal MORAD hunting party and sets out across the vast winter landscape. When Sumi stumbles across FROZEN GIRL, an unlikely friendship is forged and together they race ahead of the vindictive hunters towards the only guiding light Sumi knows, the POLARIS star."

7.5/10

I have to admit this kind of film is not my usual cup of tea, BUT this is what I love about Sitges, having the chance to explore new territories. This is a bold and expertly crafted picture, with a strong lead child performance, so it deserves at least an extra half star for the effort. And I loved the made-up language!

Polaris is a visually captivating cinematic experience. And the made up language was wow!

Set against the backdrop of the frozen and harsh Canadian Arctic, the film follows the journey of a young warrior girl, who is navigating the realities of life in the war-torn North. The storytelling is poignant, highlighting the resilience and strength of the human spirit in the face of adversity.

The cinematography beautifully captures the vast, frozen landscape, enhancing the film's mystical qualities. The performances and supporting cast, are deeply authentic, drawing viewers into the characters' struggles and triumphs. My daughter and I especially loved the opportunity to meet a couple of the actors at the end of the screening.

Carthew skillfully weaves together themes of humanity, our natural environment, self-discovery and survival creating a compelling narrative that resonates on a profound level. Additionally, the film's music, composed by the talented Tanya Tagaq, enhances the overall impact and raw emotion.

Carthew's masterful storytelling makes her a director to watch and this gem is a must-see for anyone seeking a powerful and thought-provoking exploration of humanity and resilience.

À predominantly nonverbal arrangement of Arctic scenes is the only redeeming quality of the film. This film has been weighed, it has been measured, and it most certainly has been found extremely wanting. It lends itself to a mad Max themes slowed down to a crawl, while disincorporating a viable dialogue. No insult to Mad Max, which is somewhat of a cult classic, but does have somewhat of a low budget. Minute, by minute you wait for a pivotal moment. That satisfaction will never be realized. Even the ending, which culminates in a seeming crescendo, leaves one rolling their eyes, leaves one wanting, leaves one most definitely nonplussed.