Polaris

Overall summary: This movie takes on more the role of a fantasy folk tale than post apocalyptic sci fi. Be warned ahead of time the plot will make no sense whatsoever.

This film consists of excellent cinematography in what was likely one of the most uncomfortably cold film "sets" ever devised: solid snow, all the time. One has to wonder how the actors survived, much less the fictional characters.

The actors do a good job, considering what little "plot" they had to work with. The cinematography was good... but that does not of itself make a good movie.

What this movie completely lacks is any semblance of comprehensible story whatsoever, and throws in a considerable amount of blood and gore as topping. Agreed it is a movie about survival: kill or be killed. But the cause and need for such is completely invalidated by a ton of questions unanswered, and an ending that makes absolutely. No. Sense. Whatsoever. Why trudge through that excessive gore for no purpose or any semblance of resolution?

Non-spoiler questions: How was the girl raised by a polar bear? Where did she get her tailor-made fur clothing? (Is the polar bear a master seamstress?) Why was an old woman supplying diesel fuel out of a barrel in the middle of nowhere... and where did she get it to start with? Why in the world did the old woman... never mind. The list goes on and on.

The main question, which goes completely unanswered, is "What / why / where / whattheblazes is Polaris and how does it figure into all this nonsense?" If you believe you will be able to watch this film and figure out the answer to that question, you will be sorely disappointed.

If you decide to give this one a skip, you may be confident you won't miss anything special. I have a feeling the majority of positive reviews are plants from staff and family. While the main actress and her two friends do an admirable job of portraying their parts, those parts go nowhere.

I have to consider the few 9 and 10 star ratings a sham. This is another one of those, "Let the audience make of it what they will" films. If I wanted to do that, I'd write my own story... and it would be a lot better than the non-existent plot of this film. Whatever the director had in mind, it definitely doesn't come across to the audience.

À predominantly nonverbal arrangement of Arctic scenes is the only redeeming quality of the film. This film has been weighed, it has been measured, and it most certainly has been found extremely wanting. It lends itself to a mad Max themes slowed down to a crawl, while disincorporating a viable dialogue. No insult to Mad Max, which is somewhat of a cult classic, but does have somewhat of a low budget. Minute, by minute you wait for a pivotal moment. That satisfaction will never be realized. Even the ending, which culminates in a seeming crescendo, leaves one rolling their eyes, leaves one wanting, leaves one most definitely nonplussed.

9/10

I went into this movie knowing nothing about what it was about. In the beginning I was confused but weirdly intrigued, like I couldn't take my eyes off of the screen. A big lesson I learned from this movie is the power it has to change my perspective with no words. Words are the main source of understanding, so when that's taken away you're forced to use your imagination. What are the characters trying to say but instead with their words showing it with their actions?

If I could talk to myself before watching this movie I wouldn't say anything. I'm glad I experienced exactly how I did with no background information.

The boldness and originality of vision blew me away. This is movie-magic... a fantastical ride that propels the imagination. For me the film's emphasis on empathy (yes, even with the bloodshed) intuition, and connection with Nature, make it standout. I think the filmmaker created an original female centred story world and put characters and story themes on screen that feel wildly relevant and unique. I get the "Mad Max" reference, but it also reminds me of a French film, "The Bear" (1980s) and the Japanese anime "Princess Mononoke". Can't wait to see what this team does next... I'm hoping for a sequel and/or a prequel...

Set in a distant postapocalyptic future, Polaris (2022) follows a young girl named Sumi who moves away from her life with a polar bear that raised her. The frozen land that surrounds her is occupied by violent gangs in repurposed rusted steel armour, reminescent of the survivors in Mad Max and Waterworld.

As a fan of both of these works, I went into this movie wanting to like it given the comparisons it has received in the press, in addition to it being a Canadian production. However, this movie felt like the filmmakers had all of these interesting ideas they wanted to put on the screen, except for a compelling story with interesting characters that the audience can feel invested in. What I experienced in this film was a hollow story with some mildly interesting gore in between.

The characters in the film speak an unrecognizable language (and Sumi who makes animal noises). The audience is invited to pay attention to the non-verbal performances of the actors, which is a refreshing and bold move by the filmmakers that fit perfectly with the atmosphere of the film... until there is a complete, tone-shattering voiceover in plain English somewhere in the middle of the movie and once more at the end.

The relationships that the protagonist Sumi builds with different characters seemed rushed and forced. I didn't feel that there was any character development over the course of the film. Also, there were elements of environmentalism that I hoped the film could have explored more deeply, instead of simply through superficial reactions by the protagonist. The production design is what you would expect from a low-budget film and does not detract too much from the immersiveness.

The movie does shine in some aspects. The cinematogrpahy is excellent in showing both the desolate and hopeful sides of the Yukon landscape. Muriel Dutil gives a powerful and emotional performance as Dee, an old woman Sumi meets in her journey and the only interesting character in the film.