Honja saneun saramdeul

A young girl works at a call-in centre for a credit card company. Aside from greeting customers and looking at her cellphone constantly, she hasn't much of a social life. She is a misanthrope, avoiding any human interaction. When she is forced to have a trainee she is rude and abrupt to her.

All this is well done by the main actress (Jeong Da-eun) and she certainly can't be accused of over-acting. The film is also sprinkled with humour, which alleviates the atmosphere and prevents the film from being overly world-weary.

Obviously the purpose is to demonstrate the alienation and loneliness of young people in today's' world - yet hasn't this been a perennial problem - listen to some of the folk music from the 1960s.

Film, like all art forms, has to offer us something personally. That also means that there will be lot of film that just never click. I would ask those who were bored, however, that they consider what the director was trying to do. Here we have a young woman who has fallen into a sort of despair. She works at a call answering service for a credit card company. We get to see how this could be really unpleasant. People often call because their own incompetence led them there. Some are angry because they needed their cards to work but they don't. And some treat these operators as if they were like minded friends. One guy has supposedly built a time machine and he doesn't want to carry cash into the past. He is a frequent caller and always gets the same response. What has happened to this young woman as that her life has become so consistently withdrawn, that she has lost all the joy. A man dies next door to her, and it turns out she never really knew him. She retreats to her apartment and shuts out the outside. Her father has become a widower and she can't handle his loneliness and rejects him out of hand. Eventually, she gets an epiphany from a young woman whose incompetence invites her cruelty. But there is much more to the story. I rather enjoyed this.

Jinah is an einzelgänger, someone who really prefers to be alone over socializing with others. She has her reasons and slowly begins to feel the angst of loneliness after her neighbor suddenly dies in the film Aloners.

This movie is very realistic and sometimes feels more like a documentary and abstract commentary on the daily lives of some people who are considered loners.

Summary

Notable directorial debut by the Korean Hong Sung-eun, which exposes with a subtlety as extraordinary as it is forceful the crisis of a young woman who chose solitude as a way of life.

Review

A young woman leads a solitary existence until certain events begin to question that way of life.

Jina (or Jin-ah) works in a credit card customer service call center. She is a holojok, a term that defines in South Korea people who live alone in cities, without relatives, partners or friends. She avoids as much as possible any contact and verbal communication, unless it is unavoidable. The film recounts how certain circumstances begin to crack this emotional strength: the reunion with her father, being forced to train a new employee, the death of a neighbor, circumstances that force her to socialize and that in some cases constitute an uncomfortable mirror.

Hong Sung-eun's remarkable debut feature exposes with extraordinary subtlety what Jina is feeling (she is not the only lonely one in the story), in front of that game of mirrors that speak to her of her present and perhaps of her future and those interactions who lives as intrusions in his world dominated by efficient and dispassionate work and permanent connection to screens. The story is not content with sticking to the drama, but rather adds some disturbing elements and few but accurate touches of humor, creating a climate that captures the viewer. And always with what I call the "elegance" of South Korean fiction.

All of this could not work without the extraordinary performance of Gong Seung-yeon as Jina, who owns a mask of infinite shades that perfectly describe what she expresses and suggest what she hides.

We work the 9/5 to get along. We survive and yet we feel so disconnected by the people around us. I would compare this movie to Fight Club, but a drowned out introspective feminine version. It's a story about a woman working a job, living in a one room apartment, as life happens around her. Of course she doesn't have a murderous compulsion to do violence, but a slow realization that life isn't what it seems and that life is of the habit to keep us from living. If you are into film and understand the lifeless grind of working to survive, this movie hears you.

If you want a solid Korean movie about the working class that has zero frills and tons of humanity, this movie is for you. If you need action and still want some class consciousness, there is always Snowpiercer or Parasite. This one is a much more low key vibe.