Roadrunner: A Film About Anthony Bourdain

This was an honest and at times brutally unflinching look at a very famous person who had a very enigmatic end. It will make you feel lots and miss the man more, but it's doesn't answer anything and leaves you feeling both sad at what happened, but glad that you were there for the ride.

Still miss him, his show was so great... This is very much worth seeing.

Greetings again from the darkness. As the film begins, we understand there will be no happy ending. Anthony Bourdain committed suicide by hanging in 2018 at the age of 61. As it was reported, everyone was shocked. Oscar winning documentarian Morgan Neville (TWENTY FEET FROM STARDOM, 2013) interviews those who knew him best, and by the end of the film, we are left wondering why these folks were shocked at how his demise.

Bourdain ... called Tony by those who knew him ... spent most of the last 20 years of his life with a camera focused on him, so director Neville allows Bourdain to tell much of his own story. "I got very lucky" is how he explains turning a dishwasher job into the position of Chef at Brasserie Les Halles on Park Avenue in New York, and then evolving into an author, talk show guest, and host of TV travel and culinary shows.

Perhaps you read Bourdain's first book "Kitchen Confidential: Adventures in the Culinary Underbelly", or maybe you know him from one of his four TV shows where he traveled around the globe eating strange food and exploring unusual cultures. Then again, to some, he'll always be known as the guy who was filmed eating a live cobra heart. All of those bits are discussed here, but the real interesting segments occur as others talk about the man they knew/loved/worked with.

Bourdain's second wife Ottavio, his brother, his friends, his agent, and his production crew are all interviewed here and are surprisingly forthcoming in their recollections and insight into Tony. We even see clips of Bourdain with his daughter, though she is not interviewed. The descriptions add up to a complicated guy. A natural storyteller who was a control freak and hard on those he worked with. Yet he was also charming, immensely intelligent and articulate, and eager to make satisfying TV. He also comes across a bit lost as a person most of the time, never more than when he's filmed asking Iggy Pop, "What thrills you?" There is even a segment with Tony in a session with his therapist.

The film, and Bourdain himself, don't shy away from his addictive nature. He admits to a drug problem when he was younger, and for the rest of his life he jumped from one non-drug related addiction to another. His personal life seemed to take a turn when he fell for Italian actress Asia Argento and he became an advocate for the #MeToo movement. His tragic end is discussed, and maybe those closest to him were simply too close to see what seems obvious to us now. Director Neville uses no shortage of archival footage and photos, but it's the personal interviews that strike the emotional chord here. Two films, APOCALYPSE NOW and VIOLENT CITY apparently had a dramatic impact on Bourdain, and though the end is tragic, his legacy as an adventurous storyteller lives on.

In theaters on July 16, 2021.

Roadrunner: A Film About Anthony Bourdain is a personal, honest-albeit loving-look at and into the life of Anthony Bourdain and all the various detours it took. This documentary charts his journey from chef to writer to acclaimed TV host, as told by his closest friends, the people he worked with, and his family.

After an opening credits sequence that runs through the years leading up to Bourdain's career as a chef, Roadrunner begins its sprint in 1999 after he's secured a deal to write a book about his experiences in the restaurant world, Kitchen Confidential, the New York Times bestseller that would put Bourdain on the talk show circuit, and kickstart his ascent towards celebrity. In preparation for writing his second memoir, A Chef's Tour, he was approached by TV producers who pitched an ongoing series in tandem with the upcoming book, thus forming a partnership that would spawn multiple shows, win several Emmys and begin Bourdain's long tenure on television screens and secure his status as a world-famous traveler.

This film is a challenge on many levels. For starters, Bourdain's suicide is still a recent event in the public eye, and, I'm certain, a fresh wound for those who knew him. It's difficult to watch a feature-length story of someone's whole life, knowing that it's going to end so inevitably, suddenly, and sadly; however, Roadrunner succeeds by showing us Bourdain in his totality which balances the sadness of his inevitable end. And yet, audiences may find it unavoidable to wonder who he really was, along with his loved ones striving to answer the question: Who was Anthony Bourdain off-screen?

Roadrunner mirrors Bourdain's own frequent departures from home and journeys to parts unknown, taking us back and forth from his television world and his home life with his daughter. We see a conversation between Bourdain and a friend, where they discuss the paradox of wanting to return home when they're away, but immediately wanting to get back on the road when they get home. This tragic conversation gets right to the heart of the movie's title, Roadrunner, and just how reflective it was of Bourdain's own everyday life.

After a TV episode goes awry, Bourdain talks about his faltering belief in the power of the table at which we eat and share, yet Roadrunner becomes a testament to that power. Nearly every interview in the film is organized across a table, where deeply personal details and anecdotes from those who knew Bourdain are exchanged. Director Neville operates with a wealth of outtakes from his TV shows and all the excess footage of Bourdain's 20 years on screen, but it's these genuine moments with Bourdain's tribe that cut the deepest.

I give Roadrunner: A Film About Anthony Bourdain 4 out of 5 stars and recommend it for ages 15 to 18, plus adults, for mild language and strong themes throughout. Roadrunner lands in theaters on July 16, 2021. Reviewed by Benjamin P., KIDS FIRST!

Bourdain is no Gandhi, Martin Luther King or Joan of Arc. He's not someone who made a stunning contribution to world history. He's a celebrity chef, food and travel writer. But he was a man with a high profile whose suicide baffled a lot of people, including myself, leaving us to wonder why.

This cleverly edited doco lays that out. Finding the answer is not at all easy but the filmmakers did find it. There was no cataclysmic moment but instead a build up and confluence of factors over many years. A man forever searching for IT, throwing himself into new things and new people only to find that for him they weren't IT and could never be IT. The fact is, there is no IT. Or perhaps IT, is something much more simple and yet profound, as Iggy Pop tells him at one point.

This doco will stay with me for a very long time - unlike a lot of films that I find almost instantly forgettable - and deserves repeat viewing. If you're fascinated by the psychology of individuals then it is a rewarding experience.

Side note: On the issue of using AI to replicate his voice in some parts, I have no issue. The words spoken are his and the filmmakers intentions are noble.

This is a brilliant documentary on the adult life and success of Anthony Bourdain, warts and all. I found myself mesmerized by his charismatic charm and his authentic, complicated nature as a "mediocre cook" to a global book and television sensation. The film has great historical footage which showcase this wild ride. The film also is filled with interviews of people that knew and worked with Tony. These folks clearly loved and admired him, but were very forthcoming about the challenges of working with Tony. The film is good film making. Not too long. It is well structured and well made-unlike many modern, so called, documentaries. The look at Bourdain in the light of Conrad and Colonel Kurtz is brilliant. The film starts out, in Tony's own words, telling you the story will not have a happy ending. The story night not have a happy ending, but the ride is joyous.