NOTE IMDb
6,1/10
2,3 k
MA NOTE
Un meurtre mystérieux dans le cadre d'un concours de coiffure. L'extravagance et l'excès s'entrechoquent, alors que la mort d'un concurrent sème la division dans une communauté dont la passi... Tout lireUn meurtre mystérieux dans le cadre d'un concours de coiffure. L'extravagance et l'excès s'entrechoquent, alors que la mort d'un concurrent sème la division dans une communauté dont la passion pour les cheveux frise l'obsession.Un meurtre mystérieux dans le cadre d'un concours de coiffure. L'extravagance et l'excès s'entrechoquent, alors que la mort d'un concurrent sème la division dans une communauté dont la passion pour les cheveux frise l'obsession.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 8 nominations au total
Luca Pasqualino
- Angel
- (as Luke Pasqualino)
John Alan Roberts
- Mosca
- (as John Roberts)
Avis à la une
Medusa Deluxe directed by Thomas Hardiman, is a captivating film that seamlessly delivers a gripping cinematic experience.
The cinematography is mesmerizing, with each frame meticulously composed to evoke a sense of both awe and unease. Camera work is really impressive - you can really appreciate the tech side to the film
The score perfectly complements the visuals, further immersing the audience into the film's world.
Casting is put together really well throughout with talent that engages you throughout the film with they're interesting personas.
Would really recommend to check this out. The film has been released nationally in the UK.
The cinematography is mesmerizing, with each frame meticulously composed to evoke a sense of both awe and unease. Camera work is really impressive - you can really appreciate the tech side to the film
The score perfectly complements the visuals, further immersing the audience into the film's world.
Casting is put together really well throughout with talent that engages you throughout the film with they're interesting personas.
Would really recommend to check this out. The film has been released nationally in the UK.
The film, with its stunning long take, makes us feel as if we are walking alongside the characters, traversing various captivating settings and hypnotic scenes. Consequently, the beginning may appear bewildering and somewhat disorienting, as we adjust to the rapid influx of information: the breathtaking scenery, the characters' magnificent hair, their dialogues, understanding what is unfolding, among other aspects. Nevertheless, after this initial phase, we are thrust into the midst of a plot that consistently prompts us to question certainties, sow seeds of doubt, and introduce minor twists and turns. The film keeps us pondering all the time: "Where is this leading us?"
This sensation can also have a bittersweet taste, as some scenes appear shallow, lacking a proper conclusion. Regrettably, the conclusion of the story ends up being predictable and monotonous, which is disappointing. Furthermore, the decision to include a scene that seems to come out of a "scriptwriting manual," outside of the continuous shot, is debatable and should not have been included. This scene alters the perception of concepts that were subverted throughout the film, rendering them inconsistent with what had been built up until that point.
This sensation can also have a bittersweet taste, as some scenes appear shallow, lacking a proper conclusion. Regrettably, the conclusion of the story ends up being predictable and monotonous, which is disappointing. Furthermore, the decision to include a scene that seems to come out of a "scriptwriting manual," outside of the continuous shot, is debatable and should not have been included. This scene alters the perception of concepts that were subverted throughout the film, rendering them inconsistent with what had been built up until that point.
I randomly booked into see this film, knowing basically nothing about it apart from the two word synopsis "murder, hairdressing". Sign me up! It's got to be one of the most entertaining cinema experiences I've had in the last year.
Set backstage in a run-down events centre outside Preston bus-station, every character feels alive (a little stage-y perhaps). It's pretty funny, although it makes you wait for the darkest-of-dark humour to develop. The film is presented as a Children of Men-style real-time single shot and the camera's always following someone down a rabbit hole - it feels like there's always a lot more plot going on than perhaps there actually is. The whodunnit is not the most compelling thing about the film - it really nails it's atmosphere, characters, costumes and hair (naturally!)
It's beautifully filmed, soundtrack is great too - see it on the biggest screen you can find.
Set backstage in a run-down events centre outside Preston bus-station, every character feels alive (a little stage-y perhaps). It's pretty funny, although it makes you wait for the darkest-of-dark humour to develop. The film is presented as a Children of Men-style real-time single shot and the camera's always following someone down a rabbit hole - it feels like there's always a lot more plot going on than perhaps there actually is. The whodunnit is not the most compelling thing about the film - it really nails it's atmosphere, characters, costumes and hair (naturally!)
It's beautifully filmed, soundtrack is great too - see it on the biggest screen you can find.
The one-take movie is a fun concept. But the fact still remains that if the script isn't good, the concept isn't going to cover up that fact. This was actually the first one-take film I've seen that I haven't enjoyed. All the other ones have had a great script to back up the concept. On this occasion though I wonder if they were using it to mask the weakness of what they had to work with, rather than doing it for purely artistic reasons.
The first thing a film has to do is make you care, and this one never did. I never found a character I could relate to or even enjoy their presence on screen. And I was never given a reason to care about the murder-mystery. We never meet the person who is murdered or even see them murdered. We are just told and then expected to spend 90 minutes desperately wondering whodunnit. That's not possible to do.
A one-take whodunnit should have been an absolute dream film for me to enjoy, but if the execution isn't there then it doesn't matter. This one was sadly a big misfire for me. 3/10.
The first thing a film has to do is make you care, and this one never did. I never found a character I could relate to or even enjoy their presence on screen. And I was never given a reason to care about the murder-mystery. We never meet the person who is murdered or even see them murdered. We are just told and then expected to spend 90 minutes desperately wondering whodunnit. That's not possible to do.
A one-take whodunnit should have been an absolute dream film for me to enjoy, but if the execution isn't there then it doesn't matter. This one was sadly a big misfire for me. 3/10.
Medusa Deluxe offers a visually striking and stylistically ambitious experience, featuring a faux single-take camera that glides through the hallways and dressing rooms of a regional hairstyling competition just before one of the contestants, Mosca, is murdered. The film introduces a large cast of suspicious characters-rivals, lovers, and associates-creating an atmosphere filled with intrigue and gossip.
However, despite its unique visual approach, the movie falls short narratively. The plot lacks depth and momentum, and the characters never develop beyond surface-level traits. The initial mystery quickly loses steam, and the pacing slows considerably, making it hard to stay engaged.
The long-take technique, while impressive and fluid, ultimately works against the film. Without real suspense or danger in the characters' movements, it drags on, stretching the runtime and diluting the tension. As a whodunit, Medusa Deluxe disappoints; it feels more like a stylish showcase of dialogue and cinematography rather than a compelling mystery.
Director Thomas Hardiman and cinematographer Robbie Ryan deliver a sleek and elegant film, but it's missing the emotional punch needed to make the story resonate.
However, despite its unique visual approach, the movie falls short narratively. The plot lacks depth and momentum, and the characters never develop beyond surface-level traits. The initial mystery quickly loses steam, and the pacing slows considerably, making it hard to stay engaged.
The long-take technique, while impressive and fluid, ultimately works against the film. Without real suspense or danger in the characters' movements, it drags on, stretching the runtime and diluting the tension. As a whodunit, Medusa Deluxe disappoints; it feels more like a stylish showcase of dialogue and cinematography rather than a compelling mystery.
Director Thomas Hardiman and cinematographer Robbie Ryan deliver a sleek and elegant film, but it's missing the emotional punch needed to make the story resonate.
Le saviez-vous
- AnecdotesCleave (Clare Perkins) says that the elaborate Fontange hairstyle, incorporating a sailing ship, is based on 'Orient 1791'. Orient was the French flagship at The Battle of the Nile (1798)and was destroyed when her magazine caught fire and exploded during the battle.
- Crédits fousIn the end credits: "Dedicated to the hairdressers of the world"
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Medusa Deluxe?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Медуза делюкс
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 68 560 $US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant