Nemo, un braqueur d'art haut de gamme, est piégé dans un penthouse de New York après que son casse ne se soit pas déroulé comme prévu. Enfermé à l'intérieur avec rien d'autre que des œuvres ... Tout lireNemo, un braqueur d'art haut de gamme, est piégé dans un penthouse de New York après que son casse ne se soit pas déroulé comme prévu. Enfermé à l'intérieur avec rien d'autre que des œuvres d'art d'une valeur inestimable.Nemo, un braqueur d'art haut de gamme, est piégé dans un penthouse de New York après que son casse ne se soit pas déroulé comme prévu. Enfermé à l'intérieur avec rien d'autre que des œuvres d'art d'une valeur inestimable.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 10 nominations au total
Avis à la une
Regrettably, the film takes a sharp turn in the third act, as the plot unravels into complete incoherence. The final act takes place in a "Smart Home," and despite claims of the film being a work of art, the storyline fails to elicit any interest or excitement from the audience, ultimately resulting in a lackluster experience.
The potential displayed in the beginning is ultimately not realized, and the film leaves much to be desired. While the standout performance of Dafoe offers a glimmer of hope, the nonsensical and tedious nature of the latter part of the film leaves a lot to be desired.
And after a slowly paced 100 minutes of an incredible performance by DaFoe - the only reason I kept watching, the ending is not worth the ink the convoluted lazy screenplay was written with. It's all filler with very little substance, and merits no rhyme or reason this film was even made. It just all fades away as a waste of DaFoe's talents, and my invested time to watch this nonsense with hopes of some sort of grand finale.
Classified as a psychological artsy-type thriller, there's been many films like this done before and much better. As the second only film directed, produced and (co-)written film by Vasilis Katsoupis, his work was impressive, especially his camera shots, close-ups and angle choices. He captured the very best of DaFoe's talents. But Katsoupis could only do so much with Ben Hopkins' screenplay. Had Hopkins put more structure to the story, better plot development, and given us a more concrete conclusion, this film could've easily been more compelling than contrived. Sadly the results as-is, are a huge disappointment and I can't recommend this at all. It's a very generous 5/10, all going to DaFoe and Katsoupis doing their best with the terrible script they had to work with.
Movies in a single location with minimal cast are incredibly difficult to pull off but I think this one managed it.
The cinematography was spot on and the photography was there too. The acting made sense the script didn't feel forced and possibly the best atmospheric soundtrack in a very long time with use of tones rather than music tracks.
Now don't get me wrong I'm not fanboying all over this as there were a number of issues that arose but you'll have to watch it to make your mind up about them.
This movie will no doubt be boring to anyone who's a fan of say Michael Bay or Vin Diesel as it isn't an action packed joy ride.
For people who like something a bit weird but focused I'd definitely recommend it.
Art, life, human experience, ecology, our place in the world and in our minds. That, for me, is what this film is mostly about.
Arthouse, yes, but gorgeously so.
If you are a student of film or cinematography or photography this movie keeps serving up shots you wish you could create.
Dafoe's performance is brilliant - in a subtle and internal way.
If you thought Aranofsky's Mother was worth watching, this is for you (although completely dissimilar). If you have enjoyed Baraka, Samsara and the rest, this is probably for you.
In terms of plot, it is minimal and has no thrills to speak of.
I think it's important to say that there's nothing wrong with not liking the film, feeling bored by it, not wanting to see it. Those who will enjoy it are not above anyone else - those who are disinterested are not below anyone else.
I hope this has helped someone.
Le saviez-vous
- AnecdotesThe painting Nemo draws is an original creation of Willem Dafoe.
- GaffesHe grows a bit of a beard, but even after seasons change, no change in his hair length or length of his beard.
- Citations
Nemo: [writing on the wall] As a gesture of thanks for your hospitality, I've saved three things of yours from destruction. I lived in your place only a short time. For you, it was a home. For me, it was a cage. I'm sorry if I destroyed it, but maybe it needed to be destroyed. After all, there's no creation without destruction.
- ConnexionsReferenced in Film Junk Podcast: Episode 910: Aggro Dr1ft (2023)
- Bandes originalesSeventy Four, Version 1
Composed by John Cage
Performed by the American Composers Orchestra
Conducted by Dennis Russell Davies
Used by arrangement with ECM Records (c) Henmar Press Inc., New York licensed by Peters Edition Limited, London, part of the Editions Peters Group
All rights reserved. International copyright secured.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 918 415 $US
- Week-end de sortie aux États-Unis et au Canada
- 510 110 $US
- 19 mars 2023
- Montant brut mondial
- 999 538 $US
- Durée1 heure 45 minutes
- Couleur
- Rapport de forme
- 2.39 : 1