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Vortex

  • 2021
  • Tous publics
  • 2h 22min
NOTE IMDb
7,4/10
10 k
MA NOTE
Dario Argento and Françoise Lebrun in Vortex (2021)
The last days of an elderly couple stricken by dementia.
Lire trailer1:29
1 Video
25 photos
DrameDrame psychologique

Les derniers jours d'un couple de personnes âgées frappé par Alzheimer.Les derniers jours d'un couple de personnes âgées frappé par Alzheimer.Les derniers jours d'un couple de personnes âgées frappé par Alzheimer.

  • Réalisation
    • Gaspar Noé
  • Scénario
    • Gaspar Noé
  • Casting principal
    • Dario Argento
    • Françoise Lebrun
    • Alex Lutz
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    10 k
    MA NOTE
    • Réalisation
      • Gaspar Noé
    • Scénario
      • Gaspar Noé
    • Casting principal
      • Dario Argento
      • Françoise Lebrun
      • Alex Lutz
    • 32avis d'utilisateurs
    • 144avis des critiques
    • 82Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 10 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:29
    Official Trailer

    Photos25

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 21
    Voir l'affiche

    Rôles principaux20

    Modifier
    Dario Argento
    Dario Argento
    • Lui
    Françoise Lebrun
    Françoise Lebrun
    • Elle
    Alex Lutz
    Alex Lutz
    • Stéphane
    Kylian Dheret
    • Kiki
    Vuk Brankovic
    Kamel Benchemekh
    • L'épicier
    Charles Morillon
    Frank Villeneuve
    Corinne Bruand
    • Claire
    Joël Clabault
    • Le voisin
    Philippe Rouyer
    • Ami de la Rédaction
    Jean-Pierre Bouyxou
    • Ami de la Rédaction
    Eric Fourneuf
    • L'aide à domicile
    Nicolas Hirgair
    • L'agent des pompes funèbres
    Nathalie Roubaud
    • La junkie
    Sylvain Rottee
    • Homme crématorium
    Laurent Aknin
    • Ami de la Rédaction
    • (non crédité)
    Stéphane Derdérian
    Stéphane Derdérian
    • Ami de la rédaction
    • (non crédité)
    • Réalisation
      • Gaspar Noé
    • Scénario
      • Gaspar Noé
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs32

    7,410.4K
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    Avis à la une

    7Xstal

    The Dangers of Dementia...

    Françoise Lebrun delivers an outstanding and unforgettable portrayal as Elle, a lady in her senior years struck down with dementia and living in a world that's alien, confusing, bewildering and extremely dangerous. So convincing is her presentation that you spend most of the film half believing that she must genuinely be suffering, that this is a documentary, a fly on the wall observation. Similarly, Dario Argento fulfils the role of the loving but ever so slightly irritated grumpy old man, wishing to get on with his life while more often than not, turning a blind eye to his wife's descent, knowing only too well the consequences once others take control of the situation.

    This film recognises what most people have gone through, or will go through, either directly or as close witnesses. Filmed in an imaginative style by the progressive Gaspar Noé, my only complaint is that I was extremely keen for the end to arrive as it outstayed its welcome by around 30 minutes and, as such, I'm unlikely to revisit it again any time soon.
    8yeqks

    Gaspar Noe proves he is one of the most exciting filmmakers working today.

    A slow moving, disturbing, and emotionally powerful cinematic experience. Gaspar really doesn't disappoint, as this film packs some of the most potent performances in any of his previous films, Dario Argento, François Lebrun and Alex Lutz do a surprisingly amazing job performing. The split screen used in the film's visuals are wonderfully implemented with a clear artistic purpose, the film is incredibly well shot and though the pacing is very slow it never feels dull whatsoever. The disturbing moments are much more subtle and quiet when compared to Noe's previous works, though their subtlety doesn't hinder these moments whatsoever. The dialogue is wonderful, every bit of human drama between these characters feels like it was ripped right out of reality with how raw every second is, at points it feels like I'm watching a documentary rather than a drama.

    My main issues lie with the film's narrative feeling a little scatter-brained and random, a few plot threads feel picked up and dropped without much development and though I appreciate the use of empty scenes that feel like nothingness as a way to illustrate how our lives are made up of 50% nothingness, there's a point where those additions aren't needed anymore.
    6stylss

    "To all those whose brains will decompose before their hearts."

    Intimate, haunting, quiet, and sad with very raw and incredible performances by the two main characters. It's very slow but the unique transitions paired with the split screen keeps your eyes constantly darting around trying to take in everything which at times isn't much at all. I have to admit this was uncomfortably long and it didn't completely sink in until the very final scene. Getting old is so scary.
    7sarahbasak

    Not your average Gaspar Noe movie

    Watched Vortex at the very first night it was screening in Paris. To be fair, I don't understand French and there were no subtitles, but it made me feel vulnerable and bitter even in that circumstance.

    The movie doesn't contain scenes of any kind of abuse as other Gaspar Noe movies, but still, it leaves you looking blank at the screen. Before going in to the movie theater I knew what the movie was about and I've seen the trailer as well; however, Noe still managed to impress me and others. When the movie ended everyone at the theater was extremely quite, and their faces looked like the movie touched their souls somehow; and I think that's because every single scene is so real. There are no surreal settings or extreme characters that you probably wouldn't meet throughout your life, every scene feels like you could have been there.

    Also, the split screen (in my opinion) explains how even though you meet people and spend some, or most of your life with them, at the end, you're all alone. I feel like this is a common theme Noe enjoys reminding his viewers, and to me, this technique did the job quite right. I especially enjoyed watching Françoise Lebrun's facial expression and hand while the screen was splitting: I don't know whether this was done on purpose, but it made me think that she was anxious because she was realizing how they're drawn apart, and tried to prevent it until the very last moment.

    Structure-wise, it's nothing like other movies of Gaspar Noe's- I guess it's more of an experimental one; so you might be disappointed if you expect the crazy visuals, the scenes built around 'dirty realism', or that underground feeling in general. But feeling-wise, Gaspar Noe once again managed to draw the audience into their own inner worlds and leave them alone with their staggering emotions. I definitely think this movie is more than another product of the culture industry that you consume mindlessly and instinctively, and rather an actual piece of art that makes you feel emotions. Can't wait to see the English version!
    8Jeremy_Urquhart

    Absorbing and hard-hitting

    Even by Noe's standards, Vortex is truly unflinching and horrifically brutal, and does so without showing the sorts of extreme sexual and/or violent content that can often be found in his other films.

    There's no real optimism or sentimentality. This film is just "getting old is horrible and here's what can happen" with no filter. The characters are similarly honest- Dario Argento's character is asked how his wife is. He bluntly replies "Not good." His character's son echoes a similar sentiment.

    It takes a similar premise to 2012's Amour yet makes it even more impactful. It uses a bolder stylistic decision too, which I won't spoil here (I think it kind of works. It makes some moments extra devastating, but I couldn't always work out its explicit purpose on a scene to scene basis).

    While it's definitely not a fun or fast-paced movie, 142 minutes passed by surprisingly quick, which I think speaks to how absorbing and well-acted it is. It may well be Gaspar Noe's best film so far.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Gaspar Noé created the project after suffering a dangerously severe brain hemorrhage which very nearly killed him. When he recovered, he became sober and began filming.
    • Crédits fous
      Like his previous films, the film has an entire opening credits from the end.
    • Connexions
      Features Vampyr, ou l'étrange aventure de David Gray (1932)
    • Bandes originales
      Mon Amie la Rose
      Music by Cécile Caulier and Jacques Lacome

      Lyrics by Cécile Caulier

      Performed by Françoise Hardy

    Meilleurs choix

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    FAQ18

    • How long is Vortex?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 avril 2022 (France)
    • Pays d’origine
      • France
      • Belgique
      • Monaco
    • Langues
      • Français
      • Anglais
    • Aussi connu sous le nom de
      • Au bord du monde
    • Lieux de tournage
      • 50 Rue du Château Landon, Paris 10, Paris, France(apartment building exteriors)
    • Sociétés de production
      • Rectangle Productions
      • Wild Bunch International
      • Les Cinémas de la Zone
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut aux États-Unis et au Canada
      • 145 708 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 27 828 $US
      • 8 mai 2022
    • Montant brut mondial
      • 340 619 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 22min(142 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.40 : 1

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