Les derniers mots énigmatiques d'un homme mourant envoient le fils du vicaire, Bobby Jones, et son amie mondaine, Lady Frankie Derwent, dans une aventure de résolution de crime.Les derniers mots énigmatiques d'un homme mourant envoient le fils du vicaire, Bobby Jones, et son amie mondaine, Lady Frankie Derwent, dans une aventure de résolution de crime.Les derniers mots énigmatiques d'un homme mourant envoient le fils du vicaire, Bobby Jones, et son amie mondaine, Lady Frankie Derwent, dans une aventure de résolution de crime.
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This Agatha Christie story has a gripping, instant hook but a rather underwhelming resolution; by the time you finally learn who Evans is and why they didn't ask him, you may wish that you never wondered in the first place. Hugh Laurie aka Dr. House, who writes, directs and plays a supporting role, does not bring very much new to the table, apart from a flourish here and a photographic trick there, and Will Poulter is merely OK as Bobby Jones. But Lucy Boynton is magnetic as Frankie: beautiful, playful, witty (especially in the first of the three episodes), she really brings the character to life. On the basis of this performance, she totally deserves a regular spot in a possible future Agatha Christie series - one that, hopefully, will resolve its cases in fewer than 175 minutes. *** out of 4.
Having been produced for Britbox last year, Hugh Laurie's adaptation of the Agatha Christie story aired on ITV around Easter of 2023, which is when I saw it. There were aspects of it that I loved but I felt one fairly major failing too.
Bobby Jones (Will Poulter) and Lady Frankie Derwent (Lucy Boynton) investigate the 'accidental' death of a man, who fell from the cliffs of the small Welsh town they live in. Their light-hearted probe turns serious when there is an attempt on Bobby's life. They track a man who was in the village that day, Roger Bassington-ffrench (Daniel Ings) back to his family home and decide to go in undercover.
I liked the presentation of this. There's some lovely 1930's cars and clothes. Laurie calls in a few favours with the cast, including a single but impactful scene from Emma Thompson and a couple of scenes with Jim Broadbent as Lord and Lady Derwent. The rest of the performers are really good, and it feels like a classic ITV Agatha Christie ensemble. Morwenna Banks, Conleth Hill, Miles Jupp, Paul Whitehouse, Amy Nuttall and Alistair Petrie round it out. There's a great chemistry between Poulter and Boynton, and Boynton especially is magnetic throughout, funny, and charming and she's clearly a star.
I think the plot of the story is perhaps a little too complicated for the speed that it's run through though. I think I followed what happened and reading the plot of the story again on Wikipedia I did manage it. I do think that perhaps "show rather than tell" would be the way to go, as there are several scenes of Jones and Derwent putting together what happened that could have done with a bit more video explaining who they were talking about.
Unfortunately, I'd have though that with Marvel stardom coming for Poulter, and for Boynton already having a pretty busy film and TV career, were not likely to see the couple reunite for another adaptation, which is sad. What we have is a good, if not perhaps great time, but one that's worth going with, if only for the performances.
Bobby Jones (Will Poulter) and Lady Frankie Derwent (Lucy Boynton) investigate the 'accidental' death of a man, who fell from the cliffs of the small Welsh town they live in. Their light-hearted probe turns serious when there is an attempt on Bobby's life. They track a man who was in the village that day, Roger Bassington-ffrench (Daniel Ings) back to his family home and decide to go in undercover.
I liked the presentation of this. There's some lovely 1930's cars and clothes. Laurie calls in a few favours with the cast, including a single but impactful scene from Emma Thompson and a couple of scenes with Jim Broadbent as Lord and Lady Derwent. The rest of the performers are really good, and it feels like a classic ITV Agatha Christie ensemble. Morwenna Banks, Conleth Hill, Miles Jupp, Paul Whitehouse, Amy Nuttall and Alistair Petrie round it out. There's a great chemistry between Poulter and Boynton, and Boynton especially is magnetic throughout, funny, and charming and she's clearly a star.
I think the plot of the story is perhaps a little too complicated for the speed that it's run through though. I think I followed what happened and reading the plot of the story again on Wikipedia I did manage it. I do think that perhaps "show rather than tell" would be the way to go, as there are several scenes of Jones and Derwent putting together what happened that could have done with a bit more video explaining who they were talking about.
Unfortunately, I'd have though that with Marvel stardom coming for Poulter, and for Boynton already having a pretty busy film and TV career, were not likely to see the couple reunite for another adaptation, which is sad. What we have is a good, if not perhaps great time, but one that's worth going with, if only for the performances.
I read the book prior to the release of this, and I have to say it isn't a favourite of mine, nor was the awful Marple adaptation some years ago.
Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.
The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.
Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.
If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.
Let's hope we get more quality adaptations soon, this was very good, 8/10.
Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.
The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.
Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.
If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.
Let's hope we get more quality adaptations soon, this was very good, 8/10.
What a delightful piece of television entertainment! Tip-of-the-hat to Mr. Laurie for this witty, at times silly (but in a good way) and suspenseful storytelling packed in the technically nicely executed and well acted three part series.
I'm positive Mrs. Christie, knowing what I know about her and admiring her both as a writer and a woman of strong character, excellent sense of humour and great intellect, would love this adaptation of her work.
Again, hugely entertaining, never a dull moment, and, dare I say, quite a brilliantly romantic finale.
8 stars from me, which is as far as I am concerned very high - I gave 10 stars to only a handful of movies, and Only Fools And Horses.
I'm positive Mrs. Christie, knowing what I know about her and admiring her both as a writer and a woman of strong character, excellent sense of humour and great intellect, would love this adaptation of her work.
Again, hugely entertaining, never a dull moment, and, dare I say, quite a brilliantly romantic finale.
8 stars from me, which is as far as I am concerned very high - I gave 10 stars to only a handful of movies, and Only Fools And Horses.
Hugh Laurie has done a fabulous job deftly infusing humour into this script. The cinematography is delightful, with gorgeous costumes, lovely architecture and rugged scenery brought to life. A strong cadre of actors with the wonderful character of Frankie (Lucy Boynton) pulling all the strings, Boynton is in her element with this persona.
It is drawn out at some points, it would have benefited from shorter episodes, also some plot elements are overly contrived.
It is drawn out at some points, it would have benefited from shorter episodes, also some plot elements are overly contrived.
Le saviez-vous
- AnecdotesThe character Frankie calls Bobby by the nickname "Steve," explaining that she has always thought of him that way for reasons she can't explain. In the original novel she only calls him Steve once, as part of the phrase, "I get you, Steve," which was a somewhat common saying at the time and can be seen in various novels from the early 20th century, including Dorothy L. Sayers' "The Unpleasantness at the Bellona Club" from 1928, and the 1912 novel "Officer 666" by Augustin McHugh. The origin of this saying appears to be lost.
- Versions alternativesAlso aired in four parts (with each episode running ~43 minutes) in some countries.
- ConnexionsVersion of Why Didn't They Ask Evans? (1980)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Why Didn't They Ask Evans?
- Lieux de tournage
- Three Cliffs Bay, Gower Peninsula, Pays de Galles, Royaume-Uni(Cliffs adjoining golf course)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 58min
- Couleur
- Mixage
- Rapport de forme
- 1,90 : 1
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