Lebanon

Lebanon is based on director Samuel Maoz's own experiences as a soldier in the 1982 Israel- Lebanon conflict. The film focuses exclusively on the experiences of the four young Israelis that are responsible for operating a tank that rolls into Lebanese territory at the start of the war.

For almost the entire duration, the characters and the audience are trapped inside the vehicle; we can see only what they can externally through the narrow tunnel vision of a gun turret periscope. With no wider political context and little character background, this viewpoint successfully creates a claustrophobic, tense atmosphere and provides originality and intrigue to what might have been overlooked as 'another war film'.

The soldiers, confined to the tank, are inexperienced, tired, hungry, thirsty, scared, homesick, dirty, feverish and unable to work competently as a team. In the opening scene, their collective callowness leads to the deaths of a fellow soldier and an innocent civilian. From here, difficulty after difficulty presents itself in the form of hostile forces, indignant superior officers, technological issues and internal disputes.

The way the characters respond, the powerful use of imagery - and the contrast between the constant mechanical noise and darkness inside the tank, and the bright environment and varied action outside - combine to shape a potent viewing experience.

It's only so so. As mentioned before, there is no character development, the dialogue and plot is unrealistic, the movie plods, and builds to no climax or resolution. Yes, war is hell, and some people are unprepared for the human face of killing. it's all been done before. And the novelty of he entire film taking place in the tank gets old after the first 20 min. It's just not a very good movie on any terms. It starts with a lot of potential, and then goes nowhere; you never care about the characters, so you never care what happens to them. It's fine for a foreign rental, but best war movie ever? Hardly. Might want to watch Glory or Black Hawk Down again...

"Man is steel, the tank is only iron." Sign inside the Israeli tank.

Lebanon is a claustrophobic cinema verite about an Israeli tank patrolling the First Lebanon War in 1982. On its way with paratroopers to survey a leveled, hostile town, the tank encounters enemies, and the inconvenience, boredom, and terror of living inside an iron box with not even enough room to pee. The above sign is amply ironic about the decidedly unsteel-like humans. The voice of Central Command coming over the communication network reminds me of Pinter or Beckett, ominous and remote, not anyone's idea of a benevolent god.

Comparisons have been made between this film and Das Boot (1981), the memorable submarine movie, also mostly shot inside the warship. However, Das Boot seems like a 4000 square foot condo next to Lebanon's 600 square apartment, so much more room does the sub seem to have with walking and just standing upright. Comparisons also have been made with last year's Oscar winner, The Hurt Locker. Their minimalism has much in common, but Hurt Locker gives richer characters and more breathing space.

The conflicts in Lebanon besides the grubby, grueling tank interior include the choice of shooting the enemy or not. The Solomon choices of blasting or not a car with passengers, a farmer's truck, and a young boy are dramatically intense. Also, when a Syrian prisoner is taken, the choice of how to treat him is not so easy because a supposedly helpful but devious Phalangist (Christian Arab) may want to torture him, unbeknownst to the Israelis.

The close up camera work is expertly done as it invites the audience to look while being repulsed at the same time, not an easy cinematic feat. The first and last shots of a sunflower field are another ironic touch.

This is a film to help us understand the harrowing life of soldiers and the ambiguous morality of war.

It sure is way better than Fury. It is also rather immersive since its been spoken in a local language. It is about men in war, not heroes, men. There is not much in the characters, but since the performances are great, you can really see that no one of them is having a nice time inside that hot, sweaty and terrifying steel box, and the fact that the whole movie is shot inside the tank and only view outside is the tanks gun sight.

Sure there are some things that aren't right, for example the tank looks too big from inside and the guys should definitely wear something in theyre head.

Anyway it sure is a very distressing, gross and terrifying war movie that isnt enjoyable to watch, that doesnt mean that it wouldnt keep me on the edge of my seat for the whole short runtime.

ihrtfilms did a lovely job reviewing this film and I agree with every word. MY additional comments are based on the fact that I am a VERY nit-picky person when watching a film. I drive people nuts when I point out faults in this or that. With that being said, I can SEE where some might find fault with some of the particular errors in this film (i.e. the lack of helmets) but to be truthful, though I am ONE OF THEM, I was so caught up in the intensity of this film, I didn't even notice the irregularities.

This film IS intense and very well acted. I literally was on the edge of the couch I usually lay back on while watching movies and it takes a fair amount to get me on that edge.

Lebanon may not be perfect, but it's perfectly good. I could find no fault with it and didn't even try. It sucks you in from the minute it starts. The very fact that you NEVER LEAVE THE TANK is amazing. If you are even remotely claustrophobic, maybe you shouldn't watch this movie. You might be in your own home in a spacious room with windows and everything, but once you get into this movie, you feel like you're with the crew and they won't let you out until the end.

I won't say more primarily because, as simple as the story line is, it's a complex movie and to say much, would say TOO much.