Après qu'une dépression nerveuse a fait dérailler la dernière tournée de Jocelyn, elle est déterminée à reprendre son statut légitime de pop star américaine la plus grande et la plus sexy.Après qu'une dépression nerveuse a fait dérailler la dernière tournée de Jocelyn, elle est déterminée à reprendre son statut légitime de pop star américaine la plus grande et la plus sexy.Après qu'une dépression nerveuse a fait dérailler la dernière tournée de Jocelyn, elle est déterminée à reprendre son statut légitime de pop star américaine la plus grande et la plus sexy.
- Récompensé par 1 Primetime Emmy
- 2 victoires et 5 nominations au total
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Résumé
Reviewers say 'The Idol' delves into themes of fame, exploitation, and the music industry's darker side, often through sexualized and controversial content. Criticisms include excessive nudity, weak dialogue, and unconvincing performances, especially from The Weeknd. Some praise the show for confronting uncomfortable truths, while others find it exploitative and shallow. The series has a polarizing reception, with some viewers finding it compelling and others considering it a failure.
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I'm shocked at the number of reviewers claiming this show reflects real life. This was like watching a large budget porno. It was so unnecessarily saturated in sex, I found a coherent story hard to tease out of the sleaze. I simply couldn't keep watching it. In retrospect, my final impression of the show reminded me of a line from the old movie, Butterflies Are Free, when Mrs. Baker declaims degeneracy, obscenity and nudity as a part of life, "I know [it's real life], Mr. Santori. So is diarrhea, but I wouldn't classify it as entertainment." If this show is like real life, you can keep it. I need some fresh air.
Ok so it looks good and Lily-Rose Depp is fine in her starring role, but other than that you have to wonder what is the point. What could have been an intriguing examination of how the entertainment business gobbles up and exploits young women becomes just another ugly example of creepy exploitation. Read the Rolling Stone expose to understand how it completely pivoted from its initial premise and got Euphoria-ised by Sam Levinson. What a disappointment. A funny review in the UK Telegraph about Idol, said Levison makes Showgirls look like a masterpiece. No wonder it was decried at Cannes as "luxury sleaze." Two thumbs down.
What an embarrassment.
This series got into hot water because director Amy Seimetz, who was supposed to direct this series, and tell this story from a feminist point of view of a girl being exploited by men and the music industry, left because of intense hostility from the cast and crew. Then Sam Levinson took over and turned into an exploitative torture porn fest. At least that's what the Rolling Stone magazine article said.
And boy were they correct on this one.
There appears to be a good, interesting story about the sleaziness of the music/movie industry and how it mistreats and exploits pop singers, reaching out to get heard. But it never gets the upper hand, and is more interested in showing its very young-looking female lead nude and performing gratuitous, pointless long sex scenes that add nothing to the story.
I don't think I can listen to the Weeknd's music anymore, as Tesfaye not only plays a horrifically sleazy nasty character in this (his acting is low-par and this is his first acting role) but he's also the producer on this show. And the series also uses his songs during the most extreme sex/sadomasochistic scenes. Like WTF?
Almost nothing is from Joslyn (Lily Rose Depp)'s point of view. Her inner thoughts and feelings and past are mostly told by other characters. The cringy, offensive dialogue is just there to shock, and therefore, it's tedious and vomit-inducing.
I'm sick to death of men in Hollywood doing this to female characters on screen. It was bad enough with Blonde and how they disrespected Marilyn Monroe. Now this?
Enough. You are not special, you are not edgy. You are just wrong and untalented.
This series got into hot water because director Amy Seimetz, who was supposed to direct this series, and tell this story from a feminist point of view of a girl being exploited by men and the music industry, left because of intense hostility from the cast and crew. Then Sam Levinson took over and turned into an exploitative torture porn fest. At least that's what the Rolling Stone magazine article said.
And boy were they correct on this one.
There appears to be a good, interesting story about the sleaziness of the music/movie industry and how it mistreats and exploits pop singers, reaching out to get heard. But it never gets the upper hand, and is more interested in showing its very young-looking female lead nude and performing gratuitous, pointless long sex scenes that add nothing to the story.
I don't think I can listen to the Weeknd's music anymore, as Tesfaye not only plays a horrifically sleazy nasty character in this (his acting is low-par and this is his first acting role) but he's also the producer on this show. And the series also uses his songs during the most extreme sex/sadomasochistic scenes. Like WTF?
Almost nothing is from Joslyn (Lily Rose Depp)'s point of view. Her inner thoughts and feelings and past are mostly told by other characters. The cringy, offensive dialogue is just there to shock, and therefore, it's tedious and vomit-inducing.
I'm sick to death of men in Hollywood doing this to female characters on screen. It was bad enough with Blonde and how they disrespected Marilyn Monroe. Now this?
Enough. You are not special, you are not edgy. You are just wrong and untalented.
I felt so uncomfortable watching it . The only good thing about the film are the shots , the colors and the easthetic . Anything else just sucked . It is soo RAPY and hypocritical. It's a bad parody of fifty shafes of grey , but then directed by a very creepy person . I think its ridiculous The Weeknd directed his own sex film .
Everything is bad , the acting , the lines , the story . The ending ebviously doesn't make any sense .
It gives me so much weird vibes and its sooo uncomfortable to watch .
I kinda tought maybe he wanted to make a statement in the film about the music industry , but every point he makes is just weird .
Everything is bad , the acting , the lines , the story . The ending ebviously doesn't make any sense .
It gives me so much weird vibes and its sooo uncomfortable to watch .
I kinda tought maybe he wanted to make a statement in the film about the music industry , but every point he makes is just weird .
I was in on the first 30 mins of Episode 1 but then this idiot with a rat tail appeared and disbelief was unsuspended. What a buzz kill. I know this is a vanity project and I hope he reads this.
Sam Levinson is a great director and every shot looks great, but he cannot write for women. The female characters are avatars for male fantasy and their dialogue is cringe worthy. But how can he be exploiting women if he is making a show about men in power exploiting women, lol.
Also did we really need a scene where an intimacy coordinator was locked in a bathroom. Is this a drama or a satire?
Free Lily! Free Sidney!
Sam Levinson is a great director and every shot looks great, but he cannot write for women. The female characters are avatars for male fantasy and their dialogue is cringe worthy. But how can he be exploiting women if he is making a show about men in power exploiting women, lol.
Also did we really need a scene where an intimacy coordinator was locked in a bathroom. Is this a drama or a satire?
Free Lily! Free Sidney!
Le saviez-vous
- AnecdotesDirector Amy Seimetz left the project on 25 April 2022 amid a creative overhaul of the series. Co-creator Sam Levinson took over as series director.
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- How many seasons does The Idol have?Alimenté par Alexa
Détails
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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