L'arbre

Peter O'Neil dies suddenly in front of his family. His wife Dawn (Charlotte Gainsbourg) is devastated and she's left with four kids to care for in the outbacks of Australia. The girl Simone starts talking to the giant tree next to their home. Its roots are getting into the pipe and a giant branch crashes into the home. She gets a job at the plumbing supply store and starts a relationship with owner George. Her neighbors want her to cut down the tree before the roots get into their pipes. Simone defends the tree against George claiming to hear her father.

This is a slower, meandering story like a tree slowly strangling the house. It has a dreamy feel. Some of it looks beautiful but some of it gently rocks the audience to sleep. It has some appeal but mostly, it's a low intensity tale. The neighbors could have given more tension. In the end, the storm is a convenient way to blow all the story branches away.

A strong, layered second film by Julie Bertocelli, one which probably deserves more recognition that it has been given by most critics. I found it difficult to take my eyes off of Charlotte Gainsbourg, who gave a sensitive and complex portrayal of a woman grieving her husband's passing. While the film may have been compared to WALKABOUT, given the cinematic opportunities of the outback, the spiritual nature of the environment paves way for specific beautiful and endearing unexpected visual delights which compliment the narrative in obvious ways, but perhaps not offensively so. The film is quite focused. It is kept simple and unfolds nicely. I found it much more pleasing to sit through than TREE OF LIFE. Bertocelli's film is much more tightly woven and traditional in form, not necessarily any less authentic or profound. Moments were delightful, not excruciatingly painful in the sense of wallowing, allowing the occasional irritation from the daughter to seep into the point where you just want Dawn to slap her across the face. May make more of an interesting comparison the that tree scene in Poltergeist or the horror film about the WOODS. Definitely underrated on here, a film well worth checking out.

Well. I had read reviews of this, and was looking forward to something good. What we got was - well - mediocre, really.

Charlotte Gainsbourg has been playing fragile, tense characters for a while, now. Don't get me wrong, she's good at it, but in this film she seems to have been either left without constraints to overact at will, or, worse still, TOLD to act like a gibbering, self centred wreck. (And, yes, I KNOW bereavement is tough, is excruciating, but she just gives up, then goes out to attach herself to another man).

On the other hand, Morgana Davies is just amazing. The most natural, real child actress I've seen in years, since Catinca Untaru in The Fall (2006). Just stunningly, amazingly well done.

OK, the film is about bereavement, and loss, and as a principle, and as a core and theme, this is certainly carried through, but on the one hand badly, and on the other brilliantly.

As to the other characters? Pretty well all of them two dimensional.

And, hey, if you can move houses like that, why not move the damn house a few metres down the hill and be done with it?

Morgana Davies. One to watch. Definitely.

Sometime i feel alone in this world...and when I saw that this movie only had 6.6, it really just proved it again.

Enough is enough, I had to find my old password in order to log in, and vote 10, and of course, to write this review.

This movie is a masterpiece. It has some of the most wonderful pictures, cuts and acting I've ever seen. The acting is so psychological correct, that you forget all about you are watching a movie. Instead you feel like a fly on the wall. The only place were i lost my focus to the movie, where when I think: Where did they find that girl? (Simone) I found out later that more than 200 girls were auditioned to find her. This does not necessarily mean she, Morgana Davies, is excellent, but...she just is. I will bet what i have in my pockets, that this girl just has started a carrier, like Nathalie Portman did in Leon, this is her phantom star. Surely a great carrier is waiting.

But, let us not loose our focus from the movie. If you are a deep person, who loves themes like: family, the unexplained, loyalty, love, and great moving pictures, spiced with the best acting in cinemas right now...then go and buy this movie, and give it to your friend to enjoy it after wards.

I will "only" give it 9 though..just because of movies like Braveheart, La Vita e Bella and The Matrix still exists :) Peace E

I wanted to yank the stupid out of Dawn (Charlotte Gainsbourg). As a mother and a wife she needed to step the hell up and get her life together. As an actress, was Charlotte on drugs? It seemed that at each scene she was so detached that we weren't sure if she forgot her lines, or what.

It's about time we here in the US get to see some "real" Aussies instead of Jackman and Kidman prancing about. Marton (Csokas) has been up and down the block but still refreshing.

I would have rated this lower but I really enjoyed the overall story. Worth a watch but not a buy.

Ciao, babies.