Basé sur les mémoires à succès de Marcelo Rubens Paiva, dans lesquelles sa mère est forcée de militer lorsque son mari est capturé par le régime militaire au Brésil, en 1971.Basé sur les mémoires à succès de Marcelo Rubens Paiva, dans lesquelles sa mère est forcée de militer lorsque son mari est capturé par le régime militaire au Brésil, en 1971.Basé sur les mémoires à succès de Marcelo Rubens Paiva, dans lesquelles sa mère est forcée de militer lorsque son mari est capturé par le régime militaire au Brésil, en 1971.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 53 victoires et 78 nominations au total
Bárbara Luz
- Nalu
- (as Barbara Luz)
Olívia Torres
- Babiu
- (as Olivia Torres)
Résumé
Reviewers say 'I'm Still Here' is an emotional film tackling love, loss, and political repression. Fernanda Torres' performance is lauded, and the film's emotional depth and historical context are appreciated. Cinematography and direction are praised for their immersive quality. However, some find the film slow-paced and lacking dramatic tension, criticizing its reliance on historical context over narrative depth. Despite mixed views on pacing and narrative, the film is generally valued for its emotional resonance and significant historical message.
Avis à la une
I'm Still Here is a very special film. It has a story that makes the viewer very interested in seeing how it unfolds. However, what this film has the best quality for is the Fernanda Torres' performance is moving, captivating, one of the best performances I've ever seen. It's truly surreal how talented she is, just like her mother. Furthermore, the film is directed by Walter Salles who had already worked on the excellent film Central Station, with Fernanda Montenegro, in this film he shows himself to be very competent. He is a very talented guy in what he does. Overall, I'm Still Here is the best foreign film of the year, a beautiful movie.
This movie is pure magic. Beautifully photographed and perfect in every detail. Walter Salles has once again performed a miracle - his movie is absolutely flawless. What can be said about Fernanda Torres? Her performance is BRAVURA. It is a very subtle and nuanced performance, she does not burst into tears or screams like in melodramas. Her eyes show it all. What a brilliant actress! Selton Mello is a HUGE surprise, I thought he was some sort of supporting role, but he plays a very important role in the first half of the movie. Perfect acting. All in all, this film is a must see for everyone in the world who cares about the future of humanity.
I'M STILL HERE (2024) Walter Salles' gripping I'M STILL HERE takes on the true story of persecuted journalist Rubens Paiva. It's personal with Salles as he was a childhood friend of the family. Brazil. 1971. The country is run by a brutal dictatorship. Paiva (Selton Mello) is an engineer and ex-congressman from the opposition party. His family tries to live as normal a life as possible, until he's seized by authorities.
Salles and his writers Murilo Hauser and Heitor Lorenga base their script on the memoir of Paiva's son Marcello. It's very well balanced between family and politics. Right from the start we see his oldest daughter Veroca (Valentina Herszage) out with friends on a typical fun night when suddenly, they are pulled over and roughed up by military police looking for radical 'hippies'. There is an atmosphere of kidnapping and danger in the air. Veroca is sent overseas for her protection.
Once Paiva is captured, the emphasis turns to his wife Eunice, brilliantly played by Fernanda Torres. She battles not only to find and get her husband released, but is the rock that keeps the family together. It's a strong drama which Salles and his team make both palpable and universal beyond Brazil's borders. It remains timely as its warnings about oppression sadly remain potent today. Shooting on 35mm, Adrian Teijido gives it a gritty, but organic look. Warren Ellis' score is quite fine. Salles (THE MOTORCYLE DIARIES, ON THE ROAD) has a real feel for the material. The epilogue is a bit elongated even if it imparts some closure and a chance to see Fernanda Montenegro once again (Oscar nominee for Salles' excellent CENTRAL STATION - and, the mother of of Fernanda Torres).
I'M STILL HERE is a superb effort from Salles, and Rubens Paiva's story is worth telling.
Salles and his writers Murilo Hauser and Heitor Lorenga base their script on the memoir of Paiva's son Marcello. It's very well balanced between family and politics. Right from the start we see his oldest daughter Veroca (Valentina Herszage) out with friends on a typical fun night when suddenly, they are pulled over and roughed up by military police looking for radical 'hippies'. There is an atmosphere of kidnapping and danger in the air. Veroca is sent overseas for her protection.
Once Paiva is captured, the emphasis turns to his wife Eunice, brilliantly played by Fernanda Torres. She battles not only to find and get her husband released, but is the rock that keeps the family together. It's a strong drama which Salles and his team make both palpable and universal beyond Brazil's borders. It remains timely as its warnings about oppression sadly remain potent today. Shooting on 35mm, Adrian Teijido gives it a gritty, but organic look. Warren Ellis' score is quite fine. Salles (THE MOTORCYLE DIARIES, ON THE ROAD) has a real feel for the material. The epilogue is a bit elongated even if it imparts some closure and a chance to see Fernanda Montenegro once again (Oscar nominee for Salles' excellent CENTRAL STATION - and, the mother of of Fernanda Torres).
I'M STILL HERE is a superb effort from Salles, and Rubens Paiva's story is worth telling.
Adapted from the novel by Marcelo Rubens Paiva, "I'm Still Here" actually improves on the book by focusing on the Paiva family and how every member was startled and heartbroken by the disappearance of their father (played with deep affection by Selton Mello). Anchored by a powerhouse performance by Fernanda Torres as the matriarch Eunice, the film narrates the horrors of the Brazilian dictatorship without ever being preachy or heavy-handed. By focusing on the human aspects and the sense of loss of those people who never got and answer about their loved one's disappearance, the script gets more powerful as it goes along. All the performances from the young actors are top-notch - a rare feat in Brazilian cinema - but it is Fernanda Torres incredibly restrained performance that really stays with you. She's persuasive and moving without ever being melodramatic, in a masterful work. This is the best Brazilian film in years, a gift from director Walter Salles ("Central Station"). Pay attention to the brief but powerful cameo by Fernanda Montenegro (an Oscar nominee for "Central Station") at the very end. "I'm Still Here" is a movie to cherish and to hold.
Fernanda Torres gives an incredible performance, showing Eunice's strength and vulnerability in such a real and powerful way. She makes you feel every moment of the story, and her acting is unforgettable.
What makes "I'm Still Here" even more meaningful is how much it connects to what's happening in the world today. It's a strong reminder of the dangers of governments having too much power and why it's so important to protect democracy. The story of standing up to injustice feels relatable no matter where you're from, making this movie much bigger than just its Brazilian roots.
This film is a true example of how strong people can be, even in the worst situations. The acting, especially from Fernanda Torres, and the emotional story make it a must-see. It really stays with you, both on a personal level and when thinking about the bigger issues in the world.
It's also important to remember how hard it is to make a movie like this in Brazil. Creating art in places like Brazil comes with a lot of challenges that don't exist in the US or Europe, like limited resources and political difficulties. That makes this film even more special and inspiring.
"I'm Still Here" isn't just a movie-it's an important story that everyone should watch and talk about.
What makes "I'm Still Here" even more meaningful is how much it connects to what's happening in the world today. It's a strong reminder of the dangers of governments having too much power and why it's so important to protect democracy. The story of standing up to injustice feels relatable no matter where you're from, making this movie much bigger than just its Brazilian roots.
This film is a true example of how strong people can be, even in the worst situations. The acting, especially from Fernanda Torres, and the emotional story make it a must-see. It really stays with you, both on a personal level and when thinking about the bigger issues in the world.
It's also important to remember how hard it is to make a movie like this in Brazil. Creating art in places like Brazil comes with a lot of challenges that don't exist in the US or Europe, like limited resources and political difficulties. That makes this film even more special and inspiring.
"I'm Still Here" isn't just a movie-it's an important story that everyone should watch and talk about.
Le saviez-vous
- AnecdotesFernanda Torres said director Walter Salles cut out all of her crying scenes from the film. Marcelo Rubens Paiva said that his mother Eunice Paiva never cried in front of her family and was very restrained, just as she is portrayed in the film.
- GaffesThe police VW seen when Eunice is taken to the DOI-CODI facility has an RJ door mark, which indicates that belongs to the State of Rio de Janeiro. At the time (1971), however, the City of Rio de Janeiro was the capital of the State of Guanabara, recognized as GB. The consolidation of the two states did not happen until 1975.
- Citations
Eunice Paiva: Martha, you gotta help me. My husband is in danger!
Martha: Everybody's in danger, Eunice.
- ConnexionsFeatured in Mais Você: Épisode datant du 3 décembre 2024 (2024)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Je suis encore là
- Lieux de tournage
- Rua Roquete Pinto 7, Urca, Rio d Janeiro, RJ, Brésil(as Paiva's house in Rio)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 6 233 517 $US
- Week-end de sortie aux États-Unis et au Canada
- 113 706 $US
- 19 janv. 2025
- Montant brut mondial
- 36 121 640 $US
- Durée2 heures 17 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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