NOTE IMDb
5,5/10
35 k
MA NOTE
En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.En 1963, dans le Michigan, les sociétés Kellogg's et Post, rivales en affaires, s'affrontent pour créer un gâteau qui pourrait changer le petit-déjeuner pour toujours.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 3 victoires et 6 nominations au total
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Unfrosted mixes a bunch of comedians together in a silly story and the result is about as good as eating Pop-Tarts. It's not great, but it's enjoyable enough if you're in the right mood. If this were a short comedy sketch on Saturday Night Live it would probably be pretty popular. The humor is very on-the-nose. It's not trying to be subtle at all. You can tell that the cast probably had a great time hanging out while making the movie, and most likely made up some of the jokes on the spot. I laughed a few times but, much like eating a Pop-Tart, I felt a little let down by the experience afterwards.
Maybe I built up "Unfrosted" too much, in my mind. When I heard about this movie, I got excited. And when I saw the cast, I nearly hyperventilated. But, when I finally watched it, I fell asleep.
This movie had so much potential and it had some really funny moments. But it lacked so many elements that make a great comedy movie. It needed frosting.
The look and feel of the movie was retro and bright and cool. It had a "The Marvelous Mrs. Maisel" vibe with a quick and witty script, snappy interactions, and a very intentional pacing. What it was missing is heart and moments that make you care about the characters. It was as if they made a script out of one of Seinfeld's bits (which they sort of did). It was like one long joke that never paused to let jokes land or slowed to build a connection with the audience. It was as if it was written by a first time director and screen writer (which is also true). This movie needs to go back to the creators and be re-written.
There are comedy and acting icons in this movie. I wish someone had stopped to ask them for their input on the scenes they were in. Or, watch season one and two of "The Marvelous Mrs. Maisel" and follow that blueprint.
"Unfrosted" felt rushed, like they had to get the plot and all of the jokes in by a certain time, but character development, chemistry, and connection with the audience wasn't a concern. There is beauty in silence and pauses between delivered lines. The audience needs time to marinate about what they have watched, from time to time.
I was also disappointed that none of the cast from "Seinfeld" had cameos. This is a movie where Jason Alexander would have shined and Julia Louis-Dreyfus makes everything better simply with her presence.
"Unfrosted" was underwhelming. Tons of potential with moments of laughter and times where it hits the target. It should be re-made, but this time add some frosting.
This movie had so much potential and it had some really funny moments. But it lacked so many elements that make a great comedy movie. It needed frosting.
The look and feel of the movie was retro and bright and cool. It had a "The Marvelous Mrs. Maisel" vibe with a quick and witty script, snappy interactions, and a very intentional pacing. What it was missing is heart and moments that make you care about the characters. It was as if they made a script out of one of Seinfeld's bits (which they sort of did). It was like one long joke that never paused to let jokes land or slowed to build a connection with the audience. It was as if it was written by a first time director and screen writer (which is also true). This movie needs to go back to the creators and be re-written.
There are comedy and acting icons in this movie. I wish someone had stopped to ask them for their input on the scenes they were in. Or, watch season one and two of "The Marvelous Mrs. Maisel" and follow that blueprint.
"Unfrosted" felt rushed, like they had to get the plot and all of the jokes in by a certain time, but character development, chemistry, and connection with the audience wasn't a concern. There is beauty in silence and pauses between delivered lines. The audience needs time to marinate about what they have watched, from time to time.
I was also disappointed that none of the cast from "Seinfeld" had cameos. This is a movie where Jason Alexander would have shined and Julia Louis-Dreyfus makes everything better simply with her presence.
"Unfrosted" was underwhelming. Tons of potential with moments of laughter and times where it hits the target. It should be re-made, but this time add some frosting.
This a really funny film but the drawback is that the references are all so specific to the early 60's (with a few anachronisms) that a lot of younger reviewers will have their hair parted by the sheer volume of jokes going over their heads. They can however enjoy the stacked cast (loved Bill Burr as JFK) and I dare I say that it manages to redeem some actors like Amy Schumer and Melissa McCarthy who have been in the cultural doghouse for quite some time. The script is packed with all sorts of wild ideas and sometimes even gives some food for thought. What at first seemed like a silly idea for a story reminded me that that's what comedies are and the script had so much detail that I was reminded of all sorts of movies from Blake Edwards to Willy Wonka. Thanks Jerry for making an actual comedic movie - something I haven't seen in a long while.
I thought "Seinfeld" was incredibly funny and so it probably isn't surprising that I thought this was funny as well.
It is a comedy but you need to suspend disbelief, eh?
I had a couple of laugh out loud moments and for most of the movie I sat there and smiled.
That's saying a lot for me as I have a hard life. I don't watch a lot of comedies because they hurt rather than make me laugh.
But a friend recommended this and I'm glad she did. Despite the fact that Jerry has gotten some bad press recently, I found watching him in this was great.
I loved that Hugh Grant is in it, and Christian Slater. The fact that they have a scene together is a bonus.
There's some really great political humor here (Hugh Grant near the end wearing a costume like the Doofus in the horns who stormed the Capitol on January 6). That for me was a laugh out loud moment. I was just so happy Hugh was able to pull this off. And then after the joke about stopping at Woolworths to get the horns... haha.
This is silly and goofy and as I said, you need to just suspend disbelief. Kind of like Jerry's "Seinfeld" series, right?
It is a comedy but you need to suspend disbelief, eh?
I had a couple of laugh out loud moments and for most of the movie I sat there and smiled.
That's saying a lot for me as I have a hard life. I don't watch a lot of comedies because they hurt rather than make me laugh.
But a friend recommended this and I'm glad she did. Despite the fact that Jerry has gotten some bad press recently, I found watching him in this was great.
I loved that Hugh Grant is in it, and Christian Slater. The fact that they have a scene together is a bonus.
There's some really great political humor here (Hugh Grant near the end wearing a costume like the Doofus in the horns who stormed the Capitol on January 6). That for me was a laugh out loud moment. I was just so happy Hugh was able to pull this off. And then after the joke about stopping at Woolworths to get the horns... haha.
This is silly and goofy and as I said, you need to just suspend disbelief. Kind of like Jerry's "Seinfeld" series, right?
This feels like that Dick Turpin series on Apple TV: proof that no matter how talented the cast of comedians, if the script ain't funny, it ain't funny. It starts off like a weird but charming mix of Willy Wonka and Airplane, but then descends into a big budget car crash.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
I imagine Jerry Seinfeld went to Netflix and said "I'd like to make a film about my love of cereal and I can get my mates to act in it" and at no point during production did anyone tell him that maybe it's not working.
It does have a couple of funny bits but outstays it's welcome by 90 mins. Enough here to fill a wacky sketch. But when 30 mins of jokes rely on them misnaming Pop Tarts "Trat Pop", you know you're in trouble. Avoid.
Le saviez-vous
- AnecdotesElements in the opening diner scene matching Norman Rockwell's famous September 20, 1958 Saturday Evening Post cover illustration "Runaway" include the red hobo pack, the white-clad counter man, the white vertically ribbed wall, the Specials chalk board, the chrome bar stools with green cushions, the coffee maker on right, the pie case on left, and the wall mounted radio. Appropriately added for the film is a Kellogg's display. In the Rockwell painting, Seinfeld's place is taken by a police officer who suspiciously eyes the little runaway.
- GaffesWhen Post opens the Top Secret dingus case for the two kids to taste, there is a row of three. Two are burnt up in the toaster, leaving one. Then Miss Post removes two more to be tasted without being toasted.
- Citations
Thurl Ravenscroft: Beware of entrance to a quarrel. But once in it... beware of me.
- ConnexionsFeatured in Half in the Bag: 2024 Mid-year Catch-up (part 1 of 2) (2024)
- Bandes originalesIt Was a Very Good Year
Written by Ervin Drake
Performed by Frank Sinatra
Courtesy of Frank Sinatra Enterprises, LLC
Under license from Universal Music Enterprises
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- How long is Unfrosted?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Sin glasear
- Lieux de tournage
- UC Irvine, Aldrich Hall, Irvine, Californie, États-Unis(UCI Administration Building as Kellog's headquarters)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 200 000 $US (estimé)
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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