Maboroshi

I don't like symbolism, metaphores and allegories. The movie was confusing but it is very simple in a way. Growing up, changing, love, sexuality. Japan loves making such movies. Anyway it is not what I wanted to watch, I am not a teen, I thought this was some fantasy.

Synonyms: Alice and Therese's Illusion Factory, The Illusion Factory of Alice and Therese

Alice like Alice's Adventures in Wonderland I should have paid more attention to the title, no wonder the movie doesn't make sense!

I watched Suzume no Tojimari a few days ago. I liked it. I heard Suzume was nominated for the Annie Awards (Animation Awards)

This movie has nice animation, interesting characters (if somewhat two-dimensional) and an interesting story all the way through until the very end, where we find yet another film that leaves the audience trying to guess what actually happened and what point the director was trying to get across.

There are several good aspects to this film. The story is decent most of the way through. The animation is fine. But the plot and story line are flawed, presenting bits and pieces but never succeeding in telling the entire story. The steel factory is central to the story but never explained. Why the town decided to follow a guy who was without doubt a loon is beyond understanding. And justifying locking a little girl inside a factory for years is simply insane. So much of the film makes no sense.

Some may feel they understand what happened, but in reality they'd be adding their own 'truth' to an incomplete plot. And while two or three different "theories" are presented throughout, it's difficult to understand the reasoning behind much of what goes on.

All in all it was an interesting but unsatisfying film. The writers and directors leave it to the audience to figure out what story they're trying to get across; that's a stunt that very seldom works. The overall low rating here (as of this posting) would indicate the majority of the viewers feel similarly.

ADDENDUM: When I first posted this review I found many other reviewers agreeing with these observations (in their own reviews). Shortly after this review suddenly-- within a very few days-- we see several negative ratings on any critical post. So one might suspect significant crew and family response rather than legitimate viewers. If a film requires such manipulation-- it really doesn't stand on its own merit.

To my surprise this was better than its current 6.3 average would suggest. The animation is well done and the first half is quite interesting, but the ending felt a bit rushed and underdeveloped. I like that they didn't go out of their way to spell out everything leaving a few mysteries unsolved, but the final buildup just wasn't paced that well causing the narrative to miss a few important opportunities to develop the plot further and charge the twists with the necessary weight.

If you like stuff like Steins;Gate, Your Name, The Girl Who Leapt Through Time, I want to Eat Your Pancreas, 5cm Per Second, etc. Chances are that you'll enjoy this one too to some extent. There are a few unnecessary anime tropes, the characters are a bit flat and the story is more cliché than it should/could have been, but all in all this is a good one.

I never write reviews usually, but I was compelled to this time.

I decided to watch Maboroshi because the poster intrigued me. I have no idea how this film only currently has a 6.3 rating. I found it unique, interesting and quite profound. Usually films/television shows that have a central theme of time travel/passage of time, suffer from convoluted explanatins of how the situation occurred. Whilst Maboroshi, does fall into this trap, the characters do a decent job of making us understand how the incident happend. The film also has great artwork, score and voice acting as well. Definitely worth a watch.

It's a cool movie, but it just happens to be another one of those japanese movies that has a pretty good start, with a good aim on what it's about, but somewhere near the end, the metaphors and meanings stars hiting everythinf they can; it's almost like they want to make the movie to be about everything, and honestly it doenst work, not when you start doing this at the very end. It got confusing and extra explanatory; it didnt even seem real anymore.

I really liked where it was going, but this urge they felt for talking about a bunch of emotions at the end with almost no development to most of them just kinda of messed everything up. I'm just saying that, it is better to keep it simple and targetted than start adding a lot of unecessary dialogue about emotions that you'll have to explain because they weren't developed to be simply undestood by context.