Ajouter une intrigue dans votre langueA freelance writer looking for romance sells a story to Cosmopolitan magazine about finding love in the workplace and goes undercover at a Finance Company.A freelance writer looking for romance sells a story to Cosmopolitan magazine about finding love in the workplace and goes undercover at a Finance Company.A freelance writer looking for romance sells a story to Cosmopolitan magazine about finding love in the workplace and goes undercover at a Finance Company.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Margo
- (as Courtney J. Clark)
- Rodrigo
- (as Tarik Alherimi)
Avis à la une
Hilary Duff gets hired by Cosmopolitan magazine to write an article about finding true love by finding the right man in the corporate workplace. Duff goes undercover at a finance company. However she is unqualified to be a PA, she has lied in her CV, acts like a 16 year old high school student and it's a wonder that she has not been fired on her first day.
Like Legally Blonde her charm sees her through but the film has a shallow and silly premise. There is a side plot where she is attracted to a British executive and her boss is uptight but has plans to save the company money by going green.
Its an unashamed and cynical chick flick aimed at younger females and even they would think its too far fetched.
That said, to me the movie itself played a lot like Sex and the City for the 20-something set. There is good girlfriend chemistry between the photographer, model, and Lane as they play cards with male torsos, etc., and joke about their guilty pleasures. As a movie, I found this sporadically amusing with a few of the photographer bits and one office bit very funny. I thought the friends did an excellent job doing their things. The film was well-paced, and there was some funny dialog. The acting in most of the supporting roles is fine - especially the affable Tom who must've had to work hard to say his lines with a straight face and still pull them all. Jaime Presley who plays Cosmo Editor Kate does likewise.
Obviously, as others have pointed out, the plot contrivances themselves regarding how she gets the Cosmo Story Assignment and how she gets the investment banking job are ridiculous - but what else is new in most comedies. You suspend your disbelief to accept the premise. That's OK with me.
So, Executive Producer Hilary Duff did a better-than-average job in putting together a Sex and the City for the 20-something set but not a family movie. Lead actress Duff is an abomination. Even given her character's moral wavering and hypocrisy, her dialog was still written well enough, she could've been a 20-something Carrie Bradshaw (narration, shoes, and all). Carrie has certainly had such lapses and we cheer when she looks in the mirror, learns, and leaps forward.
Not here, unfortunately. Duff was engaging child actress but she if this is representative work, she is gosh-awful as an adult. Her comic timing is off; her dialog reads project more than the hammiest emoters I have ever seen on stage; and her expressions do not connect with the interaction of her fellow actors.
Still, I was in a good mood and the plastic-wrap scene itself was funny enough so I gave it a 5. Ms. Duff should stick to producing and find another leading lady. Perhaps she can do a cameo.
I wouldn't even call it a chick flick, because it is not. It is much lamer, cheesier, and uninteresting. Miss Congeniality is a chick flick, even Confessions of a Shopaholic is a chick flick, but this film is just not. This film is an epic failure! I tried to be very subjective, meaning to say that I tried not to link her with her previous acting in Lizzie McGuire. But try as I might, I just can't help it. This film smacks of that Lizzie McGuire that Hillary Duff just can't shake off her acting. I watched her previous film, According to Greta and I liked it the film because she do away from her usual acting, but in this film, she is the exact copy of her acting in Lizzie McGuire.
I am very disappointed in this film, with the lack of substance, and sans creativity. A two is the best, and it solely based on the lead actor who managed to pull up something to salvage points for this otherwise abominable film.
The performances were good enough as well, as to support the story and deliver enjoyable characters.
The pace was okay too, though the ending was rushed and could have been handled better.
Le saviez-vous
- AnecdotesSecond film to feature both Hilary Duff and Jennifer Coolidge
- GaffesRight after Lane first meets Whitney, there's a boom mic visible at the top of the screen, but only for a second.
- Citations
Lane: Love just doesn't happen to girls like me; girls who build their hopes on an intricate web of day dreams. The truth is that everyone has issues and maybe building up a fake, perfect man in my mind was my biggest issue of all. I've been walking around with the ghost of my magic man. He's been haunting me, keeping me from a world of opportunities that were right in front of me...
Lane: There's no such thing as perfection. Love is for people who are realistic and smart enough to open up their heart and minds and to realize that a real relationship is the ultimate fantasy."
- ConnexionsReferenced in Suburgatory: Poetic Injustice (2012)
- Bandes originalesLaser Luxe
(uncredited)
Written & Performed by Rupert Pope (as Sly Silver) & Reece Gilmore (as Sir Realist)
Courtesy of Extreme Music
Playing in bar scene when cocktail is spilled.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Business of Falling in Love
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro